Register Now!

June 2008 - Posts

  • Trailer Review: Boy A

    Posted by Paul Clark

    John Crowley’s film got mostly positive notices on the festival scene last year, and is by most accounts a well-told redemption tale. That said, I’m not sure I’m so keen on this trailer.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Charlize Theron Is a Sexual Creature

    Posted by Scott Von Doviak

    Charlize Theron is on the publicity trail in hopes someone will notice she’s co-starring in the big Fourth of July weekend extravaganza Hancock. (She was hardly featured in the early trailers, although, perhaps in reaction to some bad buzz, she’s much more of a presence in the latest round of ads.) “When she walks into a room she reduces everyone else to hobbits - but she's better known for her acting,” Carole Cadwalladr writes in The Observer. Maybe that’s true, but it’s probably more accurate to say Theron is best known for her willingness to ugly it up if the role demands it. Not that she’s happy about that.

    For instance, for her role in In the Valley of Elah, Theron grew out her natural hair color and wore a ponytail, which is a pretty far cry from the prosthetic teeth and latex skin she used to transform herself into serial killer Aileen Wuornos. Still, the press cited this as yet another example of Theron playing down her beauty.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Trailer Review: Eagle Eye (Full Trailer)

    Posted by Paul Clark

    Who would have expected that one of the most intriguing-looking big-budget thrillers of this year would star Shia LaBeouf and be directed by the clown who made Taking Lives?

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Morning Deal Report: Another “300”

    Posted by Scott Von Doviak

    Wall-E walloped the competition at the box office over the weekend, taking in an estimated $62.5 million. That’s good for the second best June opening ever, right behind Harry Potter and the Prisoner of Azkaban. In second place, Angelina Jolie racked up $51.1 million for Wanted, which no one at this desk was expecting. Get Smart hung in there at third place with $20 million, but The Love Guru plummeted 61%, taking in only $5.4 million. Looks like Mike Myers needs a new mantra.

    Proving Hollywood will never let a little thing like all of the characters dying get in the way of cashing in on a popular movie, Legendary Pictures has announced that a sequel to 300 is in the works.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Separated at Birth: "Wall-E" and "Silent Running"

    Posted by Phil Nugent

    The new Pixar film Wall-E might be considered the real blockbuster of the summer movie season so far, if only because most of the other obvious lollapaloozas--Iron Man, Sex and the City, that Harrison Ford thing--opened a month or so before summer officially started a little more than a week ago. A very funny, beautifully designed, unexpectedly affecting (I cried, okay? The walking trash compactor with the googly eyes fell in love and I cried. And I'd do it again.) animated fable, Wall-E deserves all the riches it will earn for its makers, which will probably only pile up faster and faster as people look for something to take the kids to see even as the remaining summer sure-shots, such as the new Batman and Hellboy films, turn weirder and darker. Because the movie carries a pretty explicit satirical message indicting the human race--or Americans, not that there's that much difference--of having selfishly abandoned their stewardship of their own ruined planet, it will also set off a publicity-getting barrage attacks by conservative commentators denouncing it as tree-hugging propaganda, which I'm sure will do it at least as much harm as those attacks on Mr. Incredible and his family for being elitists.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • The Screengrab Highlight Reel: June 21-27, 2008

    Posted by Scott Von Doviak

    We’ve had some fun with the Entertainment Weekly list of new classics, but let it be known that we here at the Screengrab have some new classics of our own! Personally I get all choked up thinking about the time we maybe confirmed a rumor about Gael Garcia Bernal, but for others, the seminal moment was the story about how Crispin Glover requires cash and sushi. Reaching all the way back to Monday, here are the rest of the posts we’ve deemed absolutely timeless, to be treasured for generations to come.

    America the Critical: 15 Movies That Show What’s Wrong With U.S. (Parts One, Two and Three)

    The week in lawsuits: Gibney vs. ThinkFilm and Adams vs. Marvel

    The films of yesteryear: Top Gun, Smiles of a Summer Night and Heaven Can Wait

    The films of today: The Wackness and Garden Party

    The films of never, please: American Soldiers and Soccer Dog: The Movie

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Take Five: We're Playin' Basketball

    Posted by Leonard Pierce

    Opening in limited release this weekend, the goofily titled Gunnin' for That #1 Spot is a compelling documentary look at the annual Rucker Park basketball tournament, made up of the majority of New York's best streetball players.  It may not be the biggest money game in the history of professional hoops, and it hasn't produced many NBA superstars, but its distillation of pure street ball has been hugely influential, and the style of play in both the pro and college ranks has been greatly affected by the smooth moves and trash-talking traditions that evolved in Rucker Park.  Gunnin' for that #1 Spot is also attracting a great deal of attention because of who's behind it:  Oscilloscope Pictures is a new production house headed by the film's director, Adam Yauch, better known as MCA of the Beastie Boys.  Having polished his craft directing videos for his crew, he's now taking his game to the next level, and has made sure that the banging soundtrack matches the smooth hoops action on screen.  The movie's release, in seven cities (all of which have NBA franchises), is being timed to coincide with the NBA draft; if all that isn't enough for your hoops-hungry self, try these five examples of big-screen action from the world's most cinematic sport.

    HOOSIERS (1986)

    Generally acknowledged as the greatest basketball film of all time, Hoosiers -- directed by the forgotten David Anspaugh and written by sports-triumph specialist Angelo Pizzo -- is based on the true story of the Milan Indians, an unlikely small-town outfit who went on to win the 1954 Indiana State Championships against some of the powerhouse teams in that basketball-crazy state.  Unabashedly sentimental and unrepentently traditional, Hoosiers is nonetheless is a winner, illustrating that you can avoid criticism for making a straightforward sports film by simply getting it right at every turn.  From the terrific period details and the astonishing degree of verisimilitude to the terrifically staged sports action scenes, Hoosiers never makes a wrong turn, and is held together from the first frame to the last by a tremendous performance by Gene Hackman as the gruff coach, Norman Dale.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • When Good Directors Go Bad?: The Frighteners (1996, Peter Jackson)

    Posted by Paul Clark
    Today, Peter Jackson is best known to most audiences as one of Hollywood’s big-ticker filmmakers, the New Zealand visionary who was responsible for bringing Tolkien’s Lord of the Rings to the big screen in rousing, ambitious fashion. But in 1996, he was still trying to make his way in Hollywood, with a handful of low-budget genre movies and the critically-acclaimed Heavenly Creatures to his name. He came to America in the hope of eventually making a big-budget remake of King Kong, a dream project of his since he first decided to become a filmmaker. But first, he had to make a name for himself in the American film industry, which he hoped to do with a horror movie/comedy like the ones that made his reputation in his native land. That movie was The Frighteners.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Screengrab Review: "Garden Party"

    Posted by Leonard Pierce

    Garden Party, opening in limited release next week, is being touted as the arrival of a hot new talent in the person of writer/director Jason Freeland.  In fact, though, Freeland's first film was an entire decade ago, a somewhat bewildering James Ellroy adaptation called Brown's Requiem.  His new film, though, with its attractive young cast and allegedly verite look at contemporary Los Angeles, is getting way more attention than Brown's Requiem ever did, and if it's not technically his debut, it's at least poised to be his breakthrough.  We had a chance to screen Garden Party recently; should you believe the hype?

    Boiled down to the one-sentence description that no doubt got it through the vetting process, Garden Party is the story of a group of young people, all recently relocated to the vast construct of the American psyche that is Los Angeles, who try to get by faced with all the pitfalls and perils the wicked city is home to.  Peopled with a game young cast, the movie gives us a bunch of characters who aren't quite established enough as archetypes to come across as trite right off the bat; there's the vaguely sinister real estate agent/drug dealer, the allegedly brilliant young musician who drifts through life intersecting with the other characters but never making a real emotional commitment to any of them, the renegade bohemian with a porn fetish, the sexually abused teen, and half a dozen other characters who seem like they just got off the late shift at the Quaalude factory.  Needless to say, their stories all intersect in sometimes surprising, sometimes predictable ways; needless to say, a few of them experience what could be called a revelation if it didn't come across as so utterly trifling; and, needless to say, there's lots of fashionable sex, drugs, and pouting to make thing palatable to the drugged-out, pouty teenage couples who are presumably the movie's target audience.  With all this stuff being needless to say, you might ask:  why was it even necessary to make the film?  The answer?  That is  a good question.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Unwatchable #81: “Levottomat 3 (Soccer Dog: The Movie)”

    Posted by Scott Von Doviak

    Our fearless – and quite possibly senseless – movie janitor is watching every movie on the IMDb Bottom 100 list. Join us now for another installment of Unwatchable.

    This entry requires a bit of an explanation. As I’ve mentioned before, the IMDb Bottom 100 list is a fluid entity. There is no single version of this list because you, the loyal bad movie viewer, alter it every time you cast your vote. I am working from a version I downloaded two months ago when I began this project, and although that list may have many crapulescent movies in common with the current version, they may rank higher or lower on the list – and of course, many entries have since been supplanted by fresh, steaming piles from the cineplex.

    So why am I telling you this? Well, for the first time since I began the Unwatchable project, a Bottom 100 entry has defeated me. I don’t mean I couldn’t get through the movie – that would be antithetical to everything I stand for – I mean I couldn’t find the movie at all.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Trailer Review: The Women

    Posted by Paul Clark

    So now that the Sex and the City movie has become a “surprise hit,” does this mean we should be expecting more of this?

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • In Other Blogs: Defending the New Classics

    Posted by Scott Von Doviak

    Earlier this week, our own Paul Clark took a few well-deserved shots at Entertainment Weekly’s list of 100 New Classics. At Some Came Running, Glenn Kenny offers up a (weak) defense. “Let's begin with a fundamental fact: lists are bullshit. Lists are such blatant bullshit that any magazine person will admit to you that they're bullshit. Some might need to have had a couple of drinks first, others might be more effectively cajoled by having you complain for the millionth time in the course of a conversation about how your own favorite cultural artifact was left off some list or another, but they'll admit it… ‘Glenn,’ I hear you asking, ‘if lists are such bullshit, why do magazines and websites do them almost all the frickin' time?’ Well, because lists are putatively ‘fun.’ People notice them, argue about them. They take them fairly seriously, pretty much regardless of what their sources are...oddly enough. For a magazine in particular, a list is a potential goldmine of publicity. It gets your product noticed. TV news, radio outlets, they LOVE lists.” As list-lovers ourselves, we can’t argue with this – our weekly top 10 (or 15 or 20) offerings are inevitably our most popular posts, and just as inevitably attract the most “Hey bozos, you forgot Ernest Scared Stupid!” type comments. Heck, that’s why we do ’em! Try as we might, though, we can’t actually find the part where Kenny defends the EW list. Maybe it’s in code.

    At Scanners, Jim Emerson offers his own take on the list.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Revenge of the Almodovar Curse

    Posted by Leonard Pierce

    Last week, we brought you news of the Spanish Film Festival in London, in which Iberian directors struggled with their nation's cinematic identity and tried to come to terms with the fact that they are operating in a market where there is little interest in or knowledge of any Spanish film not bearing the Pedro Almodóvar imprint.  The festival inspired the Guardian's Paul Julian Smith to contemplate the existence of an "Almodóvar Curse", in  which the  Volver director's success might ironically be bad news for the Spanish film industry as a whole.

    Well, apparently, someone got word of the piece to the man himself (we like to think that Mr. Almodóvar is a regular Screengrab reader), andhe was inspired to fire off a response.   His response is erudite and measured, if a tad defensive-sounding; he blames the fact that the vast majority of films shown in British theatres are English-language releases, with a miniscule 1.3% of all U.K. screens being devoted to non-English-language films not just from Spain, but from all other countries combined.  "It is deeply unfair, and also rather silly, to blame me for an absence of Spanish films at UK cinemas," he says; "Interest cannot be monopolised.  It can be 'attracted', or 'generated'.  But it cannot be monopolised, because it belongs to the person interested...how could I possibly monopolise international interest; through some form of mass hypnosis?"

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • America the Critical: 15 Movies That Show What's Wrong With U.S. (Part Three)

    Posted by Andrew Osborne

    SWEET SWEETBACK'S BAADASSSSS SONG (1971) & BAADASSSSS! (2003)



    In 1971, director Melvin Van Peebles, sick of Hollywood’s portrayal of African Americans, risked everything to present his own version of the black experience where, according to his own manifesto for the project, “niggers could walk out standing tall instead of avoiding each other's eyes.” For White America, the most shocking aspect of Van Peebles’ film was the fact that its hero, falsely-accused murder suspect Sweetback (played by the director himself) not only escapes “The Man,” but also takes out a few white cops along the way and, in the final credits, offers the warning: “Watch out - a baad assss nigger is coming to collect some dues." Unlike the “can’t we all just get along” sentiment of the Civil Rights Movement, Van Peebles’ film dared to publicly acknowledge the black community’s righteous indignation after 300 years of mistreatment at the hands of Caucasians (a still-shocking sentiment, as evidenced by the media’s recent saturation bombing of Rev. Jeremiah Wright’s “God damn America!” soundbite), influencing everything from the blaxploitation genre that followed directly on the heels of Sweetback’s box office success to the politicized rap of N.W.A. and Public Enemy and Mookie’s controversial decision to hurl a garbage can through the window of Sal’s Pizzeria in Spike Lee’s iconic Do The Right Thing (1989). But (as the director’s son and Sweetback co-star, Mario, dramatized in his own 2003 biopic, BAADASSSSS!), Van Peebles was more a social crusader than a wild-eyed militant, providing opportunity and experience to minorities both in front of and behind the camera...plus, he gave Earth, Wind & Fire their first big break, which all by itself helped to make America (and the world) a slightly better place to be.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • America The Critical: 15 Movies That Show What's Wrong With U.S. (Part Two)

    Posted by Andrew Osborne

    THE GODFATHER (1972)



    Perhaps you've heard of it? The epic (and epically popular) metaphorical study of how the American dream was corrupted begins with the words "I believe in America" and then spends six hours and fifteen minutes (counting Part II) making it clear just what that belief entails. Sweet dreams, Papa.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • America The Critical: 15 Movies That Show What's Wrong With U.S. (Part One)

    Posted by Andrew Osborne

    “This used to be a hell of a good country,” Jack Nicholson’s pot-smoking lawyer George Hanson laments in 1969's Easy Rider. “I can’t understand what’s gone wrong with it...”

    He didn’t know the half of it.

    And yet, even after seven-plus years of the Bush administration, the United States is still, for the most part, a hell of a good country, and next week, as the nation barbecues and cherry bombs itself into a frenzy of patriotism over the 4th of July weekend, we here at the Screengrab will join the celebration with a list of movies that show just exactly how and why America kicks ass.

    But this week, partly in tribute to the passing of beloved comedian (and scathing social critic) George Carlin, we thought we’d take a cinematic tour of the nastier side of the American Empire. From slavery and the near-extermination of the nation’s indigenous population to rampant corporate greed, bigoted religious fanaticism and horrific military fiascos, the U.S. (and its citizens, including me and possibly you) have a lot of skeletons in our collective national closet.

    Fortunately, we’ve also managed to (more or less) hang onto that whole freedom of speech thing, resulting in the following films (some by outsiders, but mostly homegrown) that, to paraphrase Toby Keith, put a boot in the American way.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Famous Last Words: Round 2, Week 4

    Posted by Paul Clark

    There’s probably an interesting photographic study to be made of filling stations in movies, provided someone is willing to put forth the necessary time and effort to do it. I only float this idea because of last week’s quote from Bob Rafaelson’s Five Easy Pieces, in which the final shot found Jack Nicholson’s Bobby Dupea bumming a ride to Alaska off an unseen trucker at an instantly recognizable Gulf station. The conversation takes place at a distance, with neither party instantly visible to the camera, but that didn’t stop many of you from correctly identifying the quote. Congrats to all who did.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Summer of ’78: “Heaven Can Wait”

    Posted by Scott Von Doviak

    Each Thursday this summer we’ll hop in the Screengrab time machine and jump back thirty years to see what was new and exciting at the neighborhood moviehouse this week in…The Summer of ’78!

    Heaven Can Wait

    Release Date: June 28, 1978

    Cast: Warren Beatty, Julie Christie, Charles Grodin, James Mason, Jack Warden, Dyan Cannon

    The Buzz: McCabe and Mrs. Miller together again – this time in a lighthearted romp!

    Keywords: Sweat Suit, Poisoning, Quarterback, Afterlife, Saxophone, Super Bowl

    The Plot: In this sort-of remake of the 1941 comedy Here Comes Mr. Jordan (although the opening credits cite the original play Heaven Can Wait, on which Jordan was also based), Warren Beatty stars as L.A. Rams backup quarterback Joe Pendleton, who is about to get his big break. Trainer Max Corkle (Jack Warden) informs Joe that he’ll be starting Sunday’s game against the Dallas Cowboys, which is good news, but then Joe is hit by a car while riding his bike, which isn’t so good.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Morning Deal Report: Roman Polanski Sees a Ghost

    Posted by Scott Von Doviak

    The controversies of his past are back in the headlines thanks to a recent HBO documentary, so what better time for Roman Polanski to get back to work? Polanski will adapt the Robert Harris political thriller The Ghost, with Nicolas Cage, Tilda Swinton and Pierce Brosnan, Variety reports. “Cage will play a ghostwriter hired abruptly to finish the memoirs of an ex-British prime minister after the first scribe turned up dead. The ghostwriter's research leads him to uncover skeletons in the pol's closet that put the writer's life in danger.” Alas, this doesn’t mean Cage’s Bad Lieutenant remake has fallen through; Ghost will shoot after he completes his work with Werner Herzog this summer.

    William Hurt and Zach Gilford will be fishing in The River Why, adapted from the novel by David James Duncan.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Thursday Morning Poll for June 26, 2008

    Posted by Paul Clark

    Well, it’s about time we had a close poll. After weeks of runaway favorite, last week’s question on your preferences re: the Hulk franchise failed to yield a definitive winner. Of the choices, 35% of respondents preferred Ang Lee’s take on the comic book, as compared to 25% for Louis Leterrier’s. 5% like them both about the same, while another 25% professed their shared displeasure for both films. Finally 10% of those answering showed their true colors (green, of course) by voicing their love for Lou Ferrigno’s incarnation of the character.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Summerfest '08: "Smiles of a Summer Night"

    Posted by Leonard Pierce

    Our goal here at the Screengrab for the Summerfest '08 feature is to give you a dozen or so movies, all of which have "summer" in the title, which you can watch to no great pain while you are waiting for your dog to bring back the tennis ball you threw in the ocean.  Unsurprisingly, most movies with the word "summer" in the title – and, indeed, most movies that are about summer, or are set during the summer, or are released during the summer, or in any way have the lemonade-and-sunscreen scent of summer about them, are pretty light, fluffy concoctions, spilling over with good will, gentle humor, and people wearing far less clothing than they normally would.  Today, though, is different.  Today we'll be featuring a movie by none other than Ingmar freakin' Bergman.  Bergman:  the man who single-handedly inspired Woody Allen to become a huge bummer.  Bergman:  the man whose most famous film involves a dying knight playing a desperate game of chess with the personification of Death itself.  Bergman:  the man whose very name is synonymous with incredibly heavy European art cinema.  Could this man possibly direct a breezy summer movie (or, in this case, a breezy sommar movie)?  Could this man, whose movies are stuffed with miserable families, emotional trauma, and metaphysical turmoil, give us, of all things, a fun little comedy?

    Grab a chilled bottle of Svedka, book your tickets on Scandinavian Airlines, and join us for some Smiles of a Summer Night!



    THE ACTION:  Meet Frederik Egerman.  He's a Swedish attorney and self-involved clothes horse with a gorgeous teenage wife named Anne.  There's one problem with their marriage:  they haven't consummated it yet.  Meet his son (from a previous marriage) Henrik, a recent graduate from divinity school, who faces a serious impediment to entering the priesthood:  he's got a big hard-on for his stepmother Anne – and since she's off-limits, he's carrying on an affair with Petra, his father's maid.  Meet Desirée Armfeldt, an actress that Frederik used to have a crush on and who is seriously envied by Anne.  She lets it be known that she has feelings for Frederik, which pisses Anne off to no end. Desirée is currently seeing another well-off fop named Carl-Magnus Malcolm, whose wife, Charlotte, is a good friend of Anne.  Are you following all this?  No?  Good.  We weren't either, to be perfectly honest with you.  Just take our word for it that wacky hijinks and hilarity are bound to ensue.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Vanishing Act: Christopher McQuarrie

    Posted by Scott Von Doviak

    It’s rare that the screenwriter for a splashy indie film will get as much or more attention than the director, but that was the case when The Usual Suspects hit it big in 1995. Boyhood friends Bryan Singer and Christopher McQuarrie first collaborated on 1993’s Public Access, which went nowhere despite winning the Grand Jury Prize at Sundance. Their second effort become a modern crime classic, and there was no ignoring the fact that McQuarrie’s twisty narrative and twisted characters contributed greatly to the success of Suspects. In fact, when the Academy Awards were held the following year, it was McQuarrie who walked away with the Oscar for Best Original Screenplay.

    It was Singer, however, who used Suspects as a launching pad to a blockbuster career.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Movies Make You More Smarterer

    Posted by Leonard Pierce

    Take heed, cinephiles!  You know how the eyes of your friends and relatives tend to glaze over when you talk about your favorite movies' editing and directing style?  It turns out you're not just gassing on pretentiously – you're really describing how the human brain works!

    ScienceDaily reports that, according to a new scientific study carried out in Projections:  The Journal for Movies and Mind (no, we never heard of it either), researchers from NYU and elsewhere have discovered that not only do movies exert a powerful hold on higher brain functions, but also that the movie's style, content, editing and direction can make a considerable impact on its neurological effects. 

    The study, believed to be the first quantitative neuroscientific assessment of the impact of motion pictures on the human brain, was carried out using MRI scanners, inter-subject correlation analysis, and other things we dropped out of college to avoid learning about. Using a baseline of a ten-minute, unedited clip of a concert in Washington Square Park (we'd have suggested Vincent Gallo's The Brown Bunny), the researches determined that films exert a "tight grip on viewers' minds" through a "sequence of perceptual, emotional and cognitive states, which stimulate overall brain activity.  In the test, highly detailed, constructed aesthetics – such as in the films of Sergio Leone and Alfred Hitchcock – engaged the minds of test subjects the most. 

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Trailer Review: Step Brothers (red-band)

    Posted by Paul Clark

    Given the disappointing box office for Semi-Pro, it’s hard to say how Step Brothers will fare in the crowded late-summer crush...

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Video of the Day: Ellen Page's Screen Test from "Juno"

    Posted by Leonard Pierce

    So, we don't know if you've heard of this Ellen Page kid.  Rumor around the Screengrab water cooler is that she's gonna be big.  We're talking Nancy McKeon big.  Maybe even bigger!  As you may recall, America's favorite wise-ass teenager starred in a little movie called Juno a few yoinks back:

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Morning Deal Report: Spielberg Gets a Clue

    Posted by Scott Von Doviak

    Actually, Steven Spielberg gets The 39 Clues, or at least the screen rights to the “multiplatform adventure series to be launched in the fall by Scholastic Media,” Variety reports. A planned 10-book series with additional elements including an online game and collectible cards, Clues is about “the most powerful family in the world, the Cahills, who count Napoleon and Houdini among their relatives. Readers will be challenged to discover the source of the family's powers, revealed through 39 clubs that are hidden around the world and scattered throughout history.” Spielberg already has a full plate, including an adaptation of Tintin and a Lincoln biopic starring Liam Neeson, but anything that keeps him away from another Indiana Jones movie is fine by us.

    The Hollywood Reporter uncovers a secret conspiracy headed by X-Files mastermind Chris Carter.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Adams v. Marvel: Iron Man Turns To Crime?

    Posted by Leonard Pierce

    Yes, it's All-Lawsuit Day here at the Screengrab, your one-stop shop for bizarre Hollywood litigation.  And they don't come much more bizarre than the case of Adams vs. Marvel, Paramount, the story of which comes to us courtesy of a trade magazine called Photo District News

    Here's the skinny:  the Adams in question is one Ronnie Adams, a Los Angeles-based freelance photographer (as he calls himself), or paparazzo (as his detractors would term him) who was in the employ of the JFX Agency last summer when he took some illicit snaps of the filming of what would become the blockbuster hit Iron Man.  Marvel and Paramount, of course, would be the movie studios who produced and distributed that very movie -- in which one can see, for about three seconds of screen time, a fake newspaper headline under which is a photograph strongly resembling one that Adams says was his.

    That's where it gets strange, because Adams -- who was, as do all paparazzi, taking pictures of a closed set, an activity of extremely dubious legality that is only not prosecuted because of the difficulty of enforcing the laws against it -- is suing Marvel and Paramount for unlawfully infringing his copyright and engaging in unfair competition against him.  Paramount had seen the illicit snaps on an entertainment website and demanded that they be removed, seeing as they constituted...well, a copyright infringement.  That's nothing new, of course, so the reat twist comes in when Marvel used the snaps in the film itself without compensation.  So, what Adams is actually seeking is monetary compensation from the companies over the use of photos he wasn't allowed to take in the first place.  It's not as if his case is without merit -- if true, it means that Marvel and Paramount were indeed using something that kinda sorta didn't belong to them -- but Adams is making a claim based on what is, technically, an illegal activity, which isn't something a judge is likely to want to admit into precedent.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Yesterday's Hits: Top Gun (1986, Tony Scott)

    Posted by Paul Clark

    Readers, I have a little confession to make: up until last week, I’d never watched Tony Scott’s Top Gun from beginning to end. Yes, I’d seen parts of the film here and there on television, but I’d never actually sat down for the purpose of actually watching Top Gun in its entirety. However, I was familiar enough with the film by reputation and through hearing others talk about it that I was fairly sure I wasn’t missing much. Yet the film was so popular in its day that it was almost inevitable that I would be writing it up for a column sooner or later. So in writing this week’s column, I wouldn’t be simply reviewing Top Gun on its own merits, but viewing it through the prism of its pop-cultural impact- not normally the way to review a movie, but more or less the modus operandi here at Yesterday’s Hits. So get ready to take a ride on the highway to... the danger zone!

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Frank Miller: CGI Lacks Spirit, So "Spirit" Will Lack CGI

    Posted by Leonard Pierce

    In a recent blog entry at the website for his upcoming adaptation of the beloved Will Eisner superhero comic The Spirit, director Frank Miller -- himself a much-respected comic book artist whose reputation has been decidedly mixed with the fanboy contingent since he entered the arena of filmmaking -- tries to come to terms with the debate over computer-generated imagery, and, somewhat surprisingly, decides he's having none of it in his upcoming movie.

    Well, not none, exactly.  Even Merchant-Ivory movies have CGI in them nowadays, and Miller says that The Spirit will only eschew the use of computers on the  characters -- the rest of the film will be "abetted by abundant CGI that you will find elegant -- or invisible."  Curiously, Miller claims that he came to this viewpoint after discussing it with CGI expert Stu Maschwitz (of the Orphanage, who's worked on everything from the Star Wars prequels to Iron Man).  Maschwitz convinced him, Miller says, to make sure that the movie didn't "look digital", and that the entire urban landscape of New York -- where the movie is set, rather than the fictional Central City in which most Spirit stories take place -- would seem as if it were filmed in the comics' 1940s milieu.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
  • Gibney v. ThinkFilm: Lawsuit to the Dark Side

    Posted by Leonard Pierce

    With his new film, Gonzo:  The Life and Work of Hunter S. Thompson opening soon and filming already started on his adaptation of the best-selling Freakonomics, Alex Gibney -- whose previous work has included Enron:  The Smartest Guys in the Room -- is developing a reputation as one of the canniest documentary filmmakers in the business.  He should have his eyes pointed straight at the future, but instead, he's bogged down with a movie that was released last year:  Taxi to the Dark Side.

    Read More...


    + DIGG + DEL.ICIO.US + REDDIT
More Posts Next page »