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Five Remakes That Improve on the Originals

Will the new Nightmare on Elm Street and Karate Kid live up to these inspired reimaginings?

Andrew Osborne

Filmgoers who recently saw trailers for The Karate Kid and A Nightmare on Elm Street would be forgiven for thinking they'd somehow traveled back to the 1980s in some kind of time-reversing Jacuzzi. But the 2010 bumper crop of remakes is just another example of Hollywood's typical, cynical business motto: why cook up something new when you can reheat stale leftovers? Planet of the Apes, Charlie & the Chocolate Factory, Alice in Wonderland... the list of inferior remakes goes on and on, and we haven't even cleared the Tim Burton aisle yet!

On the other hand, perhaps what seems like a depressing dearth of fresh ideas in the film industry is really just an admirable commitment to recycling. And, to be fair, repetition can sometimes be the stepmother of invention: thus, in the same way a talented chef can transform a pretty good loaf of day-old bread into a truly memorable New Orleans bread pudding, the following twice-told tales are Hooksexup's favorite films that improved on their source material.

His Girl Friday (1940)

Sure, The Front Page was nominated for an Oscar, but to quote film critic Geoff Andrew, it was "rather less hilarious" than Howard Hawks' beloved remake, His Girl Friday. Hawks' innovation was to gender-swap Rosalind Russell into the role of fast-talking protagonist Hildy Johnson, a journalist torn between a nice, "normal" life with suburban dullard Ralph Bellamy and a big city career chasing scoops (like the one about the wrongfully convicted murderer hiding in her office). The original film simply can't compete with the shower of comic and romantic sparks Russell strikes with Cary Grant.

Little Shop of Horrors (1982)

For a film shot in two days (on sets left over from another production), Roger Corman's 1960 cult classic about a man-eating plant is a pretty charming example of B-movie ingenuity. Plus, it's hard to beat Jack Nicholson (in one of his earliest film roles) as a masochistic dental patient... unless, of course, you recast Bill Murray in the role, which is exactly what Frank Oz did in his all-singing, all-dancing, big-budget version of the killer-plant comedy (based on an off-Broadway musical adaptation of Corman's film). Goosing the original's occasionally sluggish pace with doo-wop-flavored numbers by Alan Menken and Howard Ashman, Oz further ensured the critical and box-office success of his remake with a perfect cast including Murray, Vincent Gardenia, Ellen Greene, Steve Martin (as a sadistic dentist, reminding us how good he can be in movies that don't suck), and Rick Moranis as Seymour, the nerdy, lovestruck flower-shop clerk he was clearly born to play.

The Fly (1986)

Nothing in the history of movies is quite as disturbing as the sight of David "Al" Hedison's tiny head on the body of a fly screaming "Help me! Help me!" in the final minutes of Kurt Neumann's 1958 classic of science gone wild. But the image of a buff, naked Jeff Goldblum with his crazy fly-sperm libido cranked to eleven comes pretty damn close. (Just kidding, Jeff.) Actually, the offbeat love story in David Cronenberg's grisly, gothic remake of Neumann's film is what helps to realistically ground the otherwise fantastical tale of a scientist who (literally) falls apart when his DNA blends with that of a Musca domestica during an ill-fated teleportation experiment. While Cronenberg's monster movie delivers more than its share of shocking moments (Geena Davis giving birth to a giant maggot, f'rinstance), the chilling, AIDS-era dramatization of love's helplessness in the face of physical disintegration is the film's true source of terror.

Ocean's Eleven (2001)

Like smoking and gangland Vegas, the original 1960 version of Ocean's 11 seems cool and sexy until you're confronted with the unpleasant reality. And, while everyone's favorite Rat Pack movie has a lot to recommend it — most notably the brilliant high concept, a sexy cameo by Shirley MacLaine as "Tipsy Woman", and the aforementioned Pack — a documentary about Frank Sinatra, Dean Martin, Sammy Davis, Jr., and their cocktail-swillin' pallies actually making the film would surely be more fun than watching the sluggish final product. Steven Soderbergh's remake, on the other hand, while hardly a masterpiece (and nowhere near as hipster iconic) is nevertheless a satisfying, fast-paced fandango with a pretty cool cast of its own, including Brad Pitt, Bernie Mac, Carl Reiner, Elliot Gould, and of course, the Cloon. Sure, there have probably been too many sequels...but the original spawned some pretty terrible "sequels" of its own, including Sergeants 3, 4 for Texas and Robin and the 7 Hoods.

King Kong (2005)

Okay, everybody just calm down. I'm not saying Peter Jackson's flawed (but intermittently brilliant) remake is better than the groundbreaking 1933 original. I'm saying Jackson's version is better than Dino De Laurentiis' 1976 remake of the 1933 original. And, yes, I know John Guillermin actually directed the Bicentennial edition, but That '70s Kong was definitely Dino's baby, judging by the producer's famous quote, "No one cry when Jaws die. But when the monkey die, people gonna cry." And, indeed, the aforementioned mechanical monkey was at least as expressive as his equally hairy co-star Jeff "the Dude" Bridges, not to mention Jessica Lange in her debut role as, uh, "Dwan" — who, in addition to the stupid name, also gets the bulk of the screenplay's worst dialogue, including the timeless feminist declaration, "You goddamn chauvinist pig ape!" Yet while Dino's movie scores on nostalgic charm, Jackson's breathtaking panoramas of 1930s Manhattan (and one insanely exciting ape-on-dinosaur battle royale) make the 2005 version the king of Kong remakes.

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Comments ( 16 )

ATTENTION HOLLYWOOD: NO MORE FUCKING REMAKES!!!!! The last 10 years have been nothing but terrible horrible no-good very bad remakes and sequels and sequels of remakes. Is this really all that shallow Hollywood has to offer? Oh, wait, yes it probably is.

Pop Culture Blows commented on Apr 27 10 at 6:50 am

@Pop Culture Blows: Most sequels and remakes blow, yes, but as this list shows, occasionally there are gems. I saw Terminator 2 on a big screen this weekend and boy is it better than the original. Ditto His Girl Friday.

There are plenty of movies in the past that are based on great ideas but were poorly executed or were a product of their time and no longer seem relevant. Most good remakes are based on these. What we get upset about is remakes of classics that still stand up. But even there, are you upset that they've rebooted Batman and James Bond, essentially remaking movies?

Dan commented on Apr 27 10 at 8:14 am

I feel the same about Alexander Mackendrick's 1955 The Ladykillers versus the 2004 version by the Coen brothers. I saw the Tom Hanks remake with my children (girl was 9 and boy 11 at the time) and we all loved it. But this is not always the case; curiously, they preferred the "old" Willy Wonka & The Chocolate Factory to Burton's 2005 version (fully in disagreement with me!).

AntonioCR commented on Apr 27 10 at 10:25 am

Additionally, the eroticism was top in the original King Kong (uncensored version recovered a few years ago), intermediate in the 70's movie and minimal or non-existent in Jackson's Bush era version

AntonioCR commented on Apr 27 10 at 10:30 am

No fucking way is Terminator 2 better than The Terminator. David Foster Wallace will back me up. Tell 'em, Dave. https://ow.ly/1DENm

@dan commented on Apr 27 10 at 10:36 am

I'm going to have to say T2 is better. But as far as remakes, I'm glad to see King Kong on there. A great example of how CGI can actually be used to enhance a movie, and bring new life and imagination to a story we've heard before.

Runyon commented on Apr 27 10 at 11:06 am

Somehow you guys are confusing sequels and remakes. Stop it.

WTF? commented on Apr 27 10 at 1:38 pm

King Kong would have been great without Jack Black and about half an hour less jurassic park knock offs.

G Unit commented on Apr 27 10 at 5:36 pm

I saw the 1958 The Fly as a kid and have been traumatized ever since by that awful fly at the end. It freaks me out to this day!

jgood commented on Apr 27 10 at 6:47 pm

Bicentennial = 200th anniversary, not the 43rd

Dante commented on Apr 27 10 at 10:17 pm

Don't forget that they are also remaking Overboard. With Jennifer Lopez. I shit you not. That movie only worked the first time because of Goldie Hawn and Kurt Russell.

I just don't get why it has to be 80's movies. I mean, there are so many great movies from the 30/40/50's that are just dying to be remade. At least then it would be a decent time period, instead of 20 years. Right now they are just lazy.

lifesabeach commented on Apr 28 10 at 12:26 am

I thought Point of No Return was better than La Fem Nikita.

Elroy commented on Apr 28 10 at 10:36 am

bicentennial because it was made in 1976, the US bicentennial year

bicentennial man commented on Apr 28 10 at 12:53 pm

I love DF Wallace and that piece on T2 was great. But I'm still not sold. T2 was better—marginally. Besides the FX porn you can't blame it for not meeting up the philosophical/sci-fi ingenuity of T1 because it is—by virtue of being a sequel—dependent on the original narrative. It's awesome because of the weight and scope of what's narratively at stake: MANKIND!! Haha...Damn. I've never felt so nerdy.

TwL commented on Apr 28 10 at 3:19 pm

The Ring was better than Ringu. I couldn't get through the Japanese original. On the other hand, the Japanese version of The Grudge was terrifying & I just don't think the American remake could be as good.

HFinch commented on Apr 29 10 at 2:32 pm

Are any of the remakes of Dracula and Nosferatu (the Malkovich/Dafoe Shadow of the Vampire alternative excepted) better than the originals?

Is the 1944 remake of Gaslight with Ingrid Bergmann better than the 1940 original starring Dinan Wynard?

Which of the multiple remakes of Les Liasons Dangereuses better than the original 1959 version with Jeanne Moreau? Valmont? Dangerous Liasons with Malkovich?

TFT commented on Apr 29 10 at 3:45 pm

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