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61 Frames Per Second

Fifty-Two Wrongs Don’t Make a Right

Posted by John Constantine

It’s hard to overstate our love for Kurt Kalata’s Hardcore Gaming 101. Every time HG101 runs a new series retrospective, it makes me punch myself directly in the forehead while wondering either a) why didn’t I think of this or b) why have I never heard of this game before? Option b was the dominant thought while I was checking out the most recent update. HG101 contributor Jave has a look at the unlicensed Genesis and NES monstrosities known as Action 52. I’ve never heard of Active Enterprises’ Frankenstein Monsters before reading the piece, but now it’s a moral imperative I seek them out. Unlike the myriad bootleg NES and Genny game cartridges that jammed variable numbers of existing games into a single package, Action 52 is a collection of fifty-two originals, all of them apparently awful.

The retrospective is a great read on its own but particularly interesting is the theory Jave floats in his introduction: terrible games lead to good games. After reading the piece, I immediately thought of kill.switch. kill.switch was a middling shooter with bland visuals and muddy control but its duck-and-cover gameplay has literally defined action games over the past three years. But while kill.switch was a bad game that led to good games like Gears of War, it led to even more mediocre games like Dark Sector.

Then there’s games that are just bad and they lead to other bad games. I’m looking at you Mario Party.

What do you say, dear reader? Do bad games lead to good games?

Related links:

Up All Night: Dark Sector
OST: Soul Blazer
World WTF Federation: Wrestling Games?


+ DIGG + DEL.ICIO.US + REDDIT

Comments

Nadia Oxford said:

I bow to Kurt. His writing style is a bit dry sometimes, but in terms of facts, research and weird trivia, no one can touch him.

July 29, 2008 5:13 PM

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about the blogger

John Constantine, our superhero, was raised by birds and then attended Penn State University. He is currently working on a novel about a fictional city that exists only in his mind. John has an astonishingly extensive knowledge of Scientology. Ultimately he would like to learn how to effectively use his brain. He continues to keep Wu-Tang's secret to himself.

Derrick Sanskrit is a self-professed geek in a variety of fields including typography, graphic design, comic books, music and cartoons. As a professional hipster graphic designer, his recent clients have included Hooksexup, Pitchfork and MoCCA, among others.

Amber Ahlborn - artist, writer, gamer and DigiPen survivor, she maintains a day job as a graphic artist. By night Amber moonlights as a professional Metroid Fanatic and keeps a metal suit in the closet just in case. Has lived in the state of Washington and insists that it really doesn't rain as much as everyone says it does.

Nadia Oxford is a housekeeping robot who was refurbished into a warrior when the world's need for justice was great. Now that the galaxy is at peace (give or take a conflict here or there), she works as a freelance writer for various sites and magazines. Based in Toronto, Nadia's prized possession is a certificate from the Ministry of Health declaring her tick and rabies-free.

Bob Mackey is a grad student, writer, and cyborg, who uses the powerful girl-repelling nanomachines mad science grafted onto his body to allocate time towards interests of the nerd persuasion. He believes that complaining about things on the Internet is akin to the fine art of wine tasting, but with more spitting into buckets.

Joe Keiser has a programming degree from Johns Hopkins University, a tiny apartment in Brooklyn, and a fake toy guitar built in the hollowed-out shell of a real guitar. He writes about games and technology for a variety of outlets. One day he will stop doing this. The day after that, police will find his body under a collapsed pile of (formerly neatly alphabetized) collector's edition tchotchkes.

Cole Stryker is an American freelance writer living in York, England, where he resides with his archeologist wife. He writes for a travel company by day and argues about pop culture on the internet by night. Find him writing regularly here and here.

Peter Smith is like the lead character of Irwin Shaw's The 80-Yard Run, except less athletic. He considers himself very lucky to have this job. But it's a little premature to take "jack-off of all trades" off his resume. Besides writing, travelling, and painting houses, Pete plays guitar in a rock trio called The Aye-Ayes. He calls them a 'power pop' band, but they generally sound more like Motorhead on a drinking binge.


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