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The Hooksexup Insider
A daily pick of what's new and hot at Hooksexup.
Scanner
Your daily cup of WTF?
Hooksexup@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
Coming Soon!
Coming Soon!
Coming Soon!
The Daily Siege
An intimate and provocative look at Siege's life, work and loves.
Kate & Camilla
two best friends pursue business and pleasure in NYC.
Naughty James
The lustful, frantic diary of a young London photographer.
The Hooksexup Blog-a-log: kid_play
The Hooksexup Blog-a-log: Super_C
The Hooksexup Blog-a-log: ILoveYourMom
A bundle of sass who's trying to stop the same mistakes.
The Hooksexup Blog-a-log: The_Sentimental
Our newest Blog-a-logger.
The Hooksexup Blog-a-log: Marking_Up
Gay man in the Big Apple, full of apt metaphors and dry wit.
The Hooksexup Blog-a-log: SJ1000
Naughty and philosophical dispatches from the life of a writer-comedian who loves bathtubs and hates wearing underpants.
The Hooksexup Video Blog
Deep, deep inside the world of online video.
The Hooksexup Blog-a-log: charlotte_web
A Demi in search of her Ashton.
The Prowl, with Ryan Pfluger
Hooksexup @ Cannes Film Festival
May 16 - May 25
ScreenGrab
The Hooksexup Film Blog
Autumn
A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
The Modern Materialist
Almost everything you want.
The Hooksexup Blog-a-log: that_darn_cat
A sassy Canadian who will school you at Tetris.
Rose & Olive
Houston neighbors pull back the curtains and expose each other's lives.
The Hooksexup Blog-a-log: funkybrownchick
The name says it all.
merkley???
A former Mormon goes wild, and shoots nudes, in San Francisco.
chase
The creator of Supercult.com poses his pretty posse.
The Remote Island
Hooksexup's TV blog.
Brandonland
A California boy capturing beach parties, sunsets and plenty of skin.
61 Frames Per Second
Smarter gaming.
The Hooksexup Blog-a-log: Charlotte_Web
A Demi in search of her Ashton.
The Hooksexup Blog-a-log: Zeitgeisty
A Manhattan pip in search of his pipette.
Date Machine
Putting your baggage to good use.

The Screengrab

  • Screengrab Review: Choke

    While attending Austin's South-By-Southwest Film Festival in March of this year, I caught a screening of the big-studio adaptation of Chuck Palahniuk’s novel Choke, which I’m told is daring and provocative and, apparently, beloved by hipsters. The theater was filled with big studio Men in Black armed with night vision goggles and whatnot to prevent any pirating of their upcoming release...odd, considering the much more likeable and successful Knocked Up got screened at the 2007 festival without nearly so much off-putting, paranoid nonsense.

    Anyway, Choke tells the story of sex addict Sam Rockwell and his sex addict friends (including Joel Grey?!!?!?) and their struggles with sex addiction, which is apparently a terrible problem in Los Angeles and, uh, probably other places (like the story's New Jersey setting, Palahniuk's Washington State stomping grounds and wherever David Duchovny happens to be at any given moment)...although, to be fair, I’m guessing the condition is more of a problem for sex addicts who don’t get to screw around with gorgeous starlets like Kelly Macdonald and Bijou Phillips.

    Read More...


  • Trailer Review: Choke

    Sam Rockwell is one of the most watchable (and busiest) character actors currently working, but he still hasn’t managed to find a true star-making role. If its trailer is any indication, Choke could change that.

    Read More...


  • OST: "Fight Club"

    The soundtrack portion of David Fincher's 1999 cult-favorite adapatation of the pseudo-subversive Chuck Palahniuk novel Fight Club receives its fair share of praise, and justifiably so.  It features great songs like Tom Waits' "Goin' Out West", terrific vocals courtesy Persian electronica songstress Azam Ali in Vas' "Svarga", a brilliant detournment of Andre Previn's main theme from Valley of the Dolls, and, of course, the stunning post-credits blast at the end of the Pixies' "Where is My Mind?".  Unfortunately, you won't find any of those songs on the movie's official soundtrack release; fortunately, what you will find there -- the movie's score, perfectly realized by the Dust Brothers, is even better. 

    The Dust Brothers -- known to their moms as Mike Simpson and John King -- started out as Los Angeles-based DJs with a keen sampling sensibility and a knack for deftly combining the best qualities of hip-hop and rock.  It was this quality that followed them throughout their successful careers producing huge hits for everyone from Tone-Loc to Hanson to Young MC to the Rolling Stones, and nowhere was it better realized than on their innovative and memorable production of the second Beastie Boys album, Paul's Boutique.  But the Fight Club soundtrack -- their first full-length solo effort -- was a different animal altogether.  Sounding much more like their rivals (and onetime namesakes), the Chemical Brothers, it was much more saturated in techno and electronica than most of their previous work, and given that it was meant to set the mood for one of the blackest, bleakest comedies of the 1990s, they couldn't rely on the sunny, open feel they usually brought to the hits they produced for other artists.  Faced with the biggest challenge of their careers, the Dust Brothers came through like champions, putting together an insanely tense, claustrophobic record of unstoppable beats barely hemmed in by dark, sinister synthesizer buzzings and clangings, and schizophrenic ambient noises that perfectly suited the movie's nasty, crooked-grin postmodernism.  In many ways, it was literally the peak of their career -- they never put out another solo record, concentrating instead on production, and possibly admitting to themselves that nothing they'd ever do could possibly top the creeping death of the Fight Club score's innovative blend of dance, ambient, trip-hop and drum 'n' bass mayhem.

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  • Sundance Roundup: Day 6

    The wallets have finally opened in Park City, as the L.A. Times reports a trio of high profile sales: Choke, based on the novel by Fight Club author Chuck Palahniuk, has sold to Fox Searchlight for $5 million, while Focus has ponied up twice that much for the rights to Hamlet 2 (a sequel centuries in the making, no doubt), and new player Overture Films has secured domestic rights to “bittersweet drama” Henry Poole is Here, starring Luke Wilson.

    That’s good news for the “Focus on Film” movement, “a salvo fired at the publicity-starved companies that lure celebrities and media with an avalanche of products,” as the Times also reports. Yes, for some it’s all about the gift bags, and the “Brand-dance” luxury lounges are as popular as ever this year. If you’re looking for a free diamond-encrusted iPod case, Park City is the place to be.

    Read More...



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