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    There are two kinds of women here: the old ones, wrinkled and chipper, with hairpinned buns or permed wisps, knobbed knuckles and grandmother names like Ruby, Esther, or Bess, who work the morning shifts and slice and bag marbled ryes with the efficiency of nuns. And then there are the girls, in their mid-to-late teens, who come in after school, if they go to school, to relieve the old ones. The girls work till closing at nine, and all day Saturdays and Sundays. The smell of their fruity lip gloss and gum competes with the cherry-topped cheesecakes and yeast, and they cinch their bib aprons tight around their waists, tug them low over their tank tops, lean far over the counters toward the rare male customer. The old ones have been working here fifteen, twenty, thirty years, and greet regulars by name, know their preferences in rugalah; the girls are just passing through, they tell themselves, just picking up the minimum-wage paycheck on their way to something better, something else.

    The new girl is watching the other girls. She is the youngest one here. Her mother, purchasing Sunday morning bagels (two raisin, two egg),

    promotion

    had offered her up to the boss, a fifty-something aging rocker called Elliott, son of the shop's original owner, an octogenarian for whom the bakery was named. Elliott appraised the girl, took in the pearly pink nail polish, the good posture, the evidence of pricey orthodontia in the awkward smile. It wasn't quite legal to hire her. But he likes the younger girls, they work hard. And the customers would like this one, too, her baby fat and still-clear skin. The older girls, well, they start to look a little tough after a few years. Her divorced mother liked the idea of her daughter working in a bakery, a Jewish bakery at that, such a wholesome, homey place, the greeting whiff of sugar and butter and dough. And she'd know where her daughter would be on weekends and in the afternoons, while she was at work herself, brokering foreclosed condos.

    And all the sweet things you can eat, Elliott had told the girl, grinning, and she'd smiled back.

    There are also two kinds of men here, besides Elliott. The Latino guys who load dough into kneading machines, and bake sheet after sheet of cakes, and the descendents of the original owner, a flock of male cousins in their late teens and early twenties who carry trays of cookies and loaves back and forth. They all look like younger variations of Elliott. All of them are musicians. During their breaks they sit on the hoods of their cars in the parking lot and play air guitar. The hottest of them, an older girl advises the

    All the sweet things you can eat, Elliott had told the girl, grinning, and she'd smiled back.

    new girl on her first day, is Jamie, Elliott's son. He actually plays in a band. His girlfriend's pregnant, but everyone thinks he shouldn't marry her and get tied down just now. None of the girls like the girlfriend. She's a bitch, they chime in, overhearing. Jamie's really hot. Check out his car: a repo'd Hummer H2 he got from a police auction, he jazzed up the rims, put this velvet all inside, painted it black. Maybe she can come with all of them to see him play sometime. We'll sneak you in to the club.

    The new girl nods, happy. These girls are much cooler than her friends at school. She's never had access to girls like this, worldly and mature. She is just barely filling out her A cups, so she tries to keep her shoulders back, her chest muscles outthrust. She has had nine periods in her life. It still thrills her, the surprise warm curl of blood pushing through to her underpants, the buying of junior tampons, the womanly tug of a cramp. When she masturbates, reading at night from her mother's nightstand books, there's more wet and a sharper smell now. Her insides get to a harder clutch and peak. And now she has her first job. All the sweet things she can eat. Friends who go to clubs. Girls who know about sneaking you in, who use gloss, not balm, who laugh like women. Things will start to happen now. She's not quite fourteen.






    Here, Little One, Kate says to her, handing over a brown paper bag. Could you slice this for me? Kate is the oldest of the young girls, twenty-one, with black liner shaped like fish around her eyes and a cracked front tooth. Elliott has assigned Kate to train her, and has been keeping an eye on them. Watch and learn, he'd told her. Kate calls her
    She is humiliated by the thing, fat in her hand, but isn't sure why, doesn't know why she feels a twisty flush between her legs.

    Little One, compliments her handling of eclairs and squeezes her arm warmly in praise. Kate is one of the nice ones.

    Sure, she says, agreeable. She is still learning the machines, how to slice breads and seal up cakes in pink cardboard and string. She likes the job, most of it, likes being helpful to customers while Elliott nods in approval. She likes the coating of sugar on everything, the sweetness whenever she licks her lips, the stickyness of fruit fillings clotting her hair and the smears of buttercream she finds dried on her face and arms. She keeps her hair in two braids, seals the ends with twist-ties they use to bag challahs; when she gets home at night from the bus stop, smelling of onion and fudge, she unripples her hair and appraises herself in the mirror, deciding her fatigue and sweat and hurting feet and — is that a pimple? her first? — are signs of maturity, of growth.

    She reaches into the paper bag, feels an odd thing, pulls out . . . what? A rubbery, peach-colored club, double knobbed at one end. It feels tacky, smells chemical, like petroleum. It is sinister, somehow. She is humiliated by the thing, fat in her hand, but isn't sure why, doesn't know why she feels a twisty flush between her legs. She smiles uncertainly, and hears the other counter girls crack up.

    She's never seen one before! Kate announces.

    A little big for her, don't you think? Maria says, to more laughter.

    Another thing she has learned: not to trust these laughing girls. During her fifteen-minute break on her second day, Denise had asked if she wanted to see her modeling shots, then shown photos of herself splayed naked in a garage on top of a stack of tires, her mouth gaped wide and her fingers pulling her vagina open and raw, and everyone had laughed at her startled face. Shelley had asked if she had any blow, and snickered when she'd stammered an offer to ask around for some at school. Nicole wanted to know how many guys she'd fucked, or had she still only done oral? Monique offered to fill her in on all the cousins and back room guys, then described each of them by the size, shape and smell of their cocks, that word, said over and over, hurting her ears. Debbie advised her to start early on anal, your hole can take it easier when you're young. They bring the reek of cigarettes and beer back into the bakery after their parking-lot breaks, despite Elliott's rules. They tell bumper sticker jokes: Bakery girls knead it. Bakery girls cream their pans. She has comforted herself with mouthfuls of the broken Danish and cookies the girls stuff as they please, with big bites of marzipan to get the ache out of her throat, with sucking the stray buttercream frosting from her fingers when no one is looking. The chocolate constantly under her nails reminds her of the dark blood that lingers in her cuticles after inserting a tampon, reminds her that she is cool and worldly and mature.



            

      



    Comments ( 22 )

    Feb 14 07 at 2:14 pm
    LS

    Whoa! This makes me want to hit up my nearest bakery, like, now!

    Feb 14 07 at 5:02 pm
    CW

    IMO, written by a man, no matter what the author's name says. Everything about it rings falsely, a man's sexualized idea of what he thinks "women are like"--an idea which--hey, whaddya know!--just happens to coincide with what men WISH women were like.

    Or, depressingly, this IS written by a woman, but one who knows the posture and stance you have to adopt if you want to be published somewhere. This story is not the universe I or any other women inhabit.

    A skillful, deeply dishonest story.

    Feb 14 07 at 6:40 pm
    dk

    CW, your gender binary issues are pretty startling. And sad.

    I personally found this story interesting, skillful AND honest (what's 'honest' mean to you? and you? and you?) and did what it's supposed to do--make my panties wet. Thanks!

    Feb 14 07 at 6:43 pm
    ASP

    Oh wow! I didn't realize that every story had to somehow correspond to my personal universe. Is it too hard to imagine that someone could have such experiences? I think not.

    Feb 14 07 at 6:44 pm
    IC

    One of the hottest stories I've ever read on Hooksexup!! (did you read my diary from when I was 15??)

    Feb 14 07 at 6:45 pm
    MN

    Amazing! Get this woman more smut time on Hooksexup!

    Feb 14 07 at 7:12 pm
    CM

    I loved this story! Echoes of my days in the flower shop, including the lesbian who tried, successfully, to unHooksexup me. Tara Ison's got a really evocative and sexy narrative voice. Her stories never fail to surprise me with a great twist at the end. Sorry CW, I couldn't disagree more.

    Feb 14 07 at 10:48 pm
    dcf

    captivating story. a little unnerving, because it always makes me feel dirty to think of people as young as that engaged in sexual activity, but i suppose that also makes me a hypocrite.

    Feb 14 07 at 11:34 pm
    tmg

    I have been a huge fan of Ms. Ison's since I read her first book, A Child Out of Alcatraz.

    Utilizing her wonderfully evocative writing style, "Bakery Girl" captures the sexual awakening of a young girl and all the complexities of that confusing age. With her distinct voice, Ms. Ison's beautiful prose challenges the reader to set aside preconceived notions and go with her on a wonderfully unexpected, often dark, journey. I can't wait to read her upcoming novel, The List.

    Feb 15 07 at 5:44 pm
    bmm

    Fabulous work. Evocative, disturbing, very real. I loved your first novel, "A Child Out of Alcatraz' and can't wait for "The List" to arrive at the local bookstore.

    Feb 15 07 at 7:08 pm
    KB

    I disagree with CW, too. Why would this have to be written by a man? Maybe some teen girls don't engage in what may seem to some as deviant sexual behavior, but many do. And at such a young age, girls aren't equipped with the defenses against "bad boys" as women are...it's all learned, and it's experiences like the one here that teach us. I love this story - I think it's gorgeously written, smart, sexy and easy to relate to. Bravo, Tara Ison...and I am eagerly awaiting The List...

    Feb 15 07 at 8:23 pm
    hd

    Tara Ison must've been going to the same bakery I've been to. The counter girls may be young, but there's a hardness in some of their eyes, and the boys are always too good-looking and suspiciously nice. Ison's language is a true delight, rich and evocative. The story is imbued with a sinister stickyness of truth in the collision of arrogant teen lust and genuine innocence. Her voice is authoritatively female; her writing superb. I may be skipping the rugelach for awhile.

    Feb 16 07 at 3:19 pm
    j

    it is an excellent read. very touching.

    Feb 20 07 at 6:27 pm
    dc

    Another bittersweet confection from the queen of prickly discomfort, Ms. Ison. This is the real California Gothic. I look forward to 'The List.'

    Feb 21 07 at 1:18 pm
    HG-S

    Ah, the labyrinth of pubescent lust, and the inevitable emptiness that surrounds it.

    The prose is stunning here ("Bakery girls cream their pans"), as always with Ison, and we reach elbow-deep into the enigma of desire.

    Can't wait for The List!!

    Feb 21 07 at 1:43 pm
    lph

    Not exactly a turn-on; the sense of unease is palpable. Nonetheless, I've got a hankering for a sticky bun.

    Feb 21 07 at 12:50 pm
    GS

    What a great story! It would be a great story even without the sex. I especially love the way the young bakery girl reclaims control in the end, with the simply, brutal act of keying Jamie's car.

    Feb 21 07 at 12:55 pm
    GLC

    Tara Ison is such an original and brave writer. She really goes where no woman has gone before. She has a terrific, long-ago story called CACTUS that I re-read, over and over again. I am also a big fan of CHILD OUT OF ALCATRAZ, and have already ordered THE LIST. BAKERY GIRL is yet another terrific piece. Keep em coming, Tara!

    Feb 25 07 at 2:34 pm
    SB

    That was fantastic! You have captured a moment in time we all know too well, I absolutely loved it. Thanks for putting this out there.

    Oct 07 08 at 11:13 am
    dk

    I liked this story very much. It reminded me of a time when I was much younger myself and with a young woman who taught me one of my first lessons of sex. As I sat here reading and stroking my hard cock my only wish was for a longer story so that I might have my own finish.

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