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Fantastic Fest Review: “Fanboys”

Posted by Scott Von Doviak

 



I think I’ve mentioned this a time or twelve here, but unlike my colleague Andrew Osborne, I don’t have the Star Wars gene. Sure, I loved the movies as a kid – maybe not quite as much as the Planet of the Apes series or anything with Bigfoot in it – but they never became an inextricable part of my life essence and I definitely wasn’t waiting in some smelly tent for Episode I back in 1999. If we’re playing “Star Wars vs. Star Trek,” Kirk, Spock and the gang win out with me every time. So I wouldn’t appear to be part of the target audience for Fanboys, the long-awaited story of four geeks and a gal who take a road trip to Skywalker Ranch in order to be the first to see The Phantom Menace.

Having said that – and despite all the delays, reshoots and controversies over plot points that dogged the movie in recent months – Fanboys proves to be an enjoyable ride for the most part. If you’ve followed the behind-the-scenes machinations, you know the set-up: It is 1998, and lifelong Star Wars geek Linus (Chris Marquette) has terminal cancer. (This is the part the studio didn’t like, but after an outcry from fanboy nation, it is restored.) Along with fellow Force enthusiasts Hutch (Dan Fogler), Windows (Jay Baruchel) and estranged best friend Eric (Sam Huntington), Linus sets out in a van to accomplish the one thing he wants to do before he dies: see the long-awaited first prequel to the Star Wars trilogy. (As an aside, and without giving away whether or not he accomplishes his goal – imagine this is your dying wish and the movie in question turns out to be the freakin’ Phantom Menace. Ah well, at least it wasn’t The Clone Wars.) Road trip hijinx galore ensue, including a pit stop in Austin to pick up top secret intel on Lucas’s fortress from Ain’t It Cool News ubergeek Harry Knowles, a night in jail that will have you rethinking your whole approach to prison pooping, and a rumble at a Star Trek convention in Las Vegas. There are cameos galore, including actors from the original trilogy, Seth Rogan in multiple roles and even the Shat himself, William Shatner.

Stylistically, Fanboys is sort of a mesh between the Kevin Smith and Judd Apatow sensibilities (Smith has a cameo and Apatow oversaw the reshoots and enlisted many of his regulars), but its secret weapon is co-screenwriter Ernest Cline, who has absorbed every ounce of nerdy minutiae from the past 30 years and deploys his vast store of useless knowledge for both punchlines and poignancy. Although Fogler still strikes me as a poor man’s Jack Black, the core cast is engaging, particularly Kristen Bell as the one girl who’ll put up with the geeks.

My main problem with Fanboys is that I wish it had actually been made ten years ago (as per Cline’s original plan), before geek culture became so pervasive and satisfied with itself. After another decade's worth of prequels, merchandising and ubiquitous references, I don't care if I never hear about Yoda, Chewie or Ewoks ever again. In a way, though, that's beside the point. Star Wars is the secret language of these characters – the way they always communicated. In that respect, it's no different than if the movie had been about, say, terminally ill Cubs fans taking a trip to see their team win their first World Series in 100 years – they'd just talk about Ernie Banks and “Let’s play two” instead of Darth Vader and “May the Force be with you.” The story is really about the friendship, the journey and the laughs along the way, and on that level it works even if you don't give a shit whether or not Greedo shot first.

Related:
Fanboys on the March
Fanboys vs. Darth Weinstein


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