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  • Connery, Lazenby, Moore, Dalton, Brosnan, Craig, Obama...

    We're used to seeing actors endorse political candidates, but not like this: in an interview with that distinguished cultural journal Parade, Daniel Craig sizes up the American candidates for president and decides which of them is best-suited to take his job. After asking Craig about which Hollywood "tough guy" he would most like to emulate (“The obvious choice for me would be Bogart. Not only because of that ease he had with his unique take on masculinity, but also—and this is much more important—because he got to sleep with Lauren Bacall.”), interviewer Kevin Sessums hits him with the big one: “Who do you think would be the better James Bond—Barack Obama or John McCain?” As Sessums reports, "Craig doesn’t hesitate. 'Obama would be the better Bond because—if he’s true to his word—he’d be willing to quite literally look the enemy in the eye and go toe-to-toe with them. McCain, because of his long service and experience, would probably be a better M,' he adds, mentioning Bond’s boss, played by Dame Judi Dench. 'There is, come to think of it, a kind of Judi Dench quality to McCain.'”

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  • Stamping Out Goodness

    Over the years, Terence Stamp has transformed from Angry Young Man of British Cinema to Living Symbol of Swinging Sixties London to Occasional Blockbuster Filler Material Paycheck-Casher to Grand Old Man of the Silver Screen.  But one thing has remained constant:  he's a hell of a fun interview.  

    The Collider managed to track him down at the premiere of the Get Smart big-screen adaptation, and, in discussing everything from working with Tom Cruise to working on Yes Man with Jim Carrey to his classic role as General Zod in Superman II, he's as engaging as ever.  In discussing the problem-plagued Valkyrie, Cruise's WWII epic, Stamp plays it pretty close to the vest, just before launching into a rather odd story about being invited to a Tom Cruise rave.

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  • Beyond Spike and Clint: More Filmmaker Feuds

    It’s been a good month for filmmaker feud enthusiasts, with both the Clint Eastwood/Spike Lee dust-up and the Werner Herzog/Abel Ferrara war of words heating up simultaneously. The L.A. Times has taken the opportunity to put together their own rundown of “Directors gone wild,” reminding us of a few directorial battles of days gone by.

    By an odd coincidence – or maybe kryptonite is somehow involved – two of the feuds revolve around the Man of Steel. You may recall the aborted Tim Burton version of Superman that was to star Nicolas Cage about a decade ago. Kevin Smith had penned a script for Superman Lives! (you can read it here), but Burton wanted no part of it. Later, when Burton remade Planet of the Apes, Smith accused him of ripping off the ending from one of his comic books. (Why the Clerks auteur would want to take credit for such a widely derided twist remains a mystery.) Burton disagreed, telling the New York Post, “Anyone who knows me knows I would never read a comic book. And I would especially never read anything created by Kevin Smith.” Smith has been known to sign bootleg copies of the Superman script “Fuck Tim Burton,” though he claims this is done tongue-in-cheek.

    Then there’s the case of Superman II, directed by Richard Lester – unless it was directed by Richard Donner.

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  • The Ten Best Deleted Scenes of All Time, Part 2

    THE CHIP REMOVAL SCENE, TERMINATOR 2



    The premise of Terminator 2 is that Arnold Schwarzenegger's character, a cyborg who spent the whole first film trying to assassinate future revolutionary Sarah Connor (Linda Hamilton), has now been reprogrammed to protect her family. In other words, he's the same soulless killing machine, but on a humane mission instead of a lethal one. So how does he acquire emotions, attachments and embarrassing slang words over the course of the film? That mystery is explained in this deleted scene, in which Sarah removes an inhibitor chip from the Terminator's head. (Fun fact: given the limits of special effects in 1991, the mirror effect was achieved by having Linda Hamilton perform surgery on a dummy head, while Hamilton's twin sister — seriously — stood on the other side of the mirror with actual Arnold.) The scene also includes a confrontation between Connor and her son which fundamentally changes the dynamic of their relationship, allowing him to take over as leader. (In the director's commentary, Cameron says he "agonized" over cutting this scene.)

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