[Editor’s Note: The introduction to the following Ben Gibbard interview has been reimagined as a transcript of the most harmonious McLaughlin Group episode ever. Guests include Terry McAuliffe, Sen. Orrin Hatch, Ann Coulter, George Stephanopolous and Janeane Garofalo.] John McLaughlin [host]: Topic! Ben Gibbard! Terry McAuliffe, what say you? McAuliffe [chairman of the Democratic National Committee]: Ben Gibbard is the rare indie-rock dude you want to hang with. You begrudge him nothing that he scores in his pursuit of stardom. Hatch [Senator]: He’s someone you could take out for a beer and discuss your breakup with. And he might write a song about it. Not like Stephen Malkmus. George Stephanopolous [host of ABC’s This Week]: Yeah, I’m down with the Ess-Dog, don’t get me wrong. But Steve’s a dude you hang with in a keep-an-eye-on-your-girlfriend type way. If you know what I mean.
McLaughlin: Garofalo, information please! Who is Ben Gibbard? Janeane Garofalo: [comedian] The Sgt. Pepper of Seattle, sweet-voiced leader of the guitar-poppy, lonely-hearts-club band called Death Cab for Cutie. In his lyrics, he expresses vulnerability from a male perspective, but he’s not, like, Dashboard Confessional. Coulter [?]: Which, in emo terms, means “bearable.” Garofalo: I would have to agree with you there, Ann. Coulter: Hell yes, girlfriend. And he’s hot too. Garofalo: Snap! [Coulter and Garofalo produce snaps.] Hatch: I would remind Ms. Garofalo that the man has quite an an ear for melody, best heard on Death Cab’s second record, We Have the Facts and We’re Voting Yes. The third album, not so much. But the new one drops this summer, and the Daughters of the American Revolution and I have heard it will be better. McAuliffe: Oh, the man says “Death Cab” like he’s down with the band! Don’t throw me that shit! Backstage, I asked you for your opinion on the import CD-5 of “The Ballad of Evan and Chan,” and you had no idea what I was talking about! Hatch: [pause] My bad. McAuliffe: God, the man is so ’95. He’s still waiting for the second Failure album. McLaughlin: Topic! The Postal Service! All: [Sighs of rapture.] [Garofalo begins stroking Coulter’s flaxen hair and murmuring somnambulantly.] Hatch: It’s Ben Gibbard’s latest project, a collaboration with the electronic artist Dntel. The album, Give Up, is a poppy dissection of modern romance. Hot track: “Brand New Colony,” a sweeping love song that envisions running away with a Hooksexup date to a parallel Logan’s Run-style universe. Only without the enforced death. [Coulter rests head on Garofalo’s shoulder. Wispy golden strands catch in the sides of Garofalo’s mouth; she does not remove them] McLaughlin: In this clip, Gibbard discusses Music for Airports, “records for fucking” and his serious thing for a certain ’80s hair band. [Helpful note: The following is an interview that was actually conducted.] Michael Martin Hooksexup: So what was it like working with 50 Cent and Ludacris on Give Up? You have confessed to a love of Hall & Oates. Did that love manifest itself in this album? All I remember is the hair. And I remember “Sarah Smile.” The Postal Service album is a lovely record. It was put together through the mail. Tell me about that. What kind of junk mail do you always open? I tend to open things labeled like “Save the Children,” and they’re always for penile enlargement. Does “emo” equal evil? Explain emo. I wish I had a profound answer, but the only thing that comes to mind immediately is that a lot of really emotional music is spreading from the middle of the country out. It’s these Midwest-style bands. It seems that everybody growing up and finding their place in the world feels this kind of alienation. It gets boiled down to what some people might consider trivial: love, lost love. Everybody’s had the bad breakup and their record to help them through it. Whether you’re a fifteen-year-old kid in Lawrence, Kansas, listening to Dashboard Confessional or you’re a forty-year-old listening to Paul Simon. I think everybody has those emotional touchstones. Seems like in the last five to six years, there’s been an upsurge of that, more mainstream independent music. Music comes in waves, and people get excited about things. Generally the Pacific Northwesterners have an ambivalent relationship with the dance beats. But not you. What else were you listening to at sixteen? What albums do you play during sex? What are the fucking records? And what about music for self-love? Are you serious? Name the perfect pop song. Have you ever pulled an Elvis and started weeping onstage? Any intra-band brawls? What’s the most sensitive fan gift you’ve ever received? You’re going to have to live with that, every day for the rest of your life. Oh look, “Fan-sex question.” I didn’t even bother to write it out. © 2003 Michael Martin and hooksexup.com. |
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The Music Interview: Ben Gibbard
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