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Take Five: Smut

Posted by Peter Smith

The Amateurs opens in limited release this Friday. We have absolutely no intention whatsoever of seeing it, because there is the possibility, however remote, that it will contain a nude scene featuring Joe Pantoliano. But it does give us a chance to talk about pornography. Not actual pornography, mind you — as open-minded as this site is, we're pretty sure the bosses aren't going to let us post stills of our favorite scenes from the oeuvre of the Dark Brothers. No, what we're talking about here is movies about pornography. There's been smut on film since there was film, but while Hollywood has always been officially disdainful of its little brother in the Valley, it's also been a bit fascinated as well. Recently, European filmmakers have actually included real sex in their movies and made it work as part of a respectable narrative, but in the U.S., the NC-17 rating is still the kiss of death and violence will likely always be more palatable to the censors than sex. But even in those arty Euro-flicks, the sex is in service of the story and not the other way around; will a genuine porn movie ever be made with a great script, top-notch direction and production, and big Hollywood stars? Probably not. But there will still be movies about pornography; here are five of the best.

BLUE MOVIE (1970)

Okay, technically, this isn't a real movie. It is, instead, a novel about the making of a movie. The novel is by Terry Southern, and the movie (Faces of Love) is one that Southern and his good friend, the director Stanley Kubrick, had sometimes talked of making together. It would be a big-budget Hollywood picture, with as many of the big stars of the day as they could afford and a multi-million-dollar budget — and it would contain hardcore pornography. Kubrick knew the movie could never be made in his lifetime and never pursued it, but the subversive Southern couldn't let go of the idea and fictionalized the making of the film in a hilariously filthy novel. Now, thirty-seven years later, Southern and Kubrick are both dead — and their movie has still never been made.

HARDCORE (1979)

Paul Schrader's sometimes hokey and sometimes harrowing follow-up to Blue Collar dealt with every father's recurring nightmare: seeing his missing daughter in a porno flick. Inspired partly by Schrader's own obsession with pornography (which he referenced in Taxi Driver as well), the film doesn't always manage to carry off its mix of religious fury and sleazy L.A. grit, and its central conceit (the father goes undercover as a porn producer to find his daughter) is pretty flimsy, but Hardcore is carried on the strength of a furious, consuming lead performance by George C. Scott and some terrific cameo roles by Peter Boyle, Hal Williams and Dick "Darrin" Sargent.

BODY DOUBLE (1984)

Somehow, Alfred Hitchcock never got around to making a movie set in the rented houses and storefront offices of the San Fernando Valley pornography industry. So Brian De Palma did it for him. Best described as an bizarre combination of Vertigo and Rear Window with smut and power drills thrown in for an extra bit of a kick, Body Double is, like many of De Palma's Hitchcock-homage films, a movie that's a lot smarter and better than it appears on the surface, and it rewards multiple viewings. It also features one of the filthiest — and funniest — line readings ever from a big Hollywood star: Melanie Griffith, as porn star Holly Body, explaining painstakingly to Craig Wasson's hapless character exactly what she will and will not do.

BOOGIE NIGHTS (1997)

Like most of his films, Paul Thomas Anderson's porn-industry epic Boogie Nights has its problems. It's sprawling in the worst way, its script badly needed a ruthless application of the blue pencil, and Anderson often mistakes putting people through the wringer for character development. But it's not for nothing that he's considered a major American director, and even leaving aside the tremendous cast he assembled here, he achieves many moments of genuine emotional power and perfectly captures a certain southern California milieu from the late 1970s and early 1980s.

WONDERLAND (2003)

The story of Johnny "Wadd" Holmes — one of the biggest stars in the history of porn, as well as one of its most pathetic figures — is a fascinating one, combining as it does so many juicy elements. Money, sex, death, degradation, disease and murder all played a part in Holmes' life, and every element came together in the notorious Wonderland Murders. The story of the murders was told in an abstracted way in Boogie Nights and literally in the little-seen documentary Wadd: The Life & Time of John C. Holmes, but they receive a much more direct screen treatment in Wonderland. While Val Kilmer turns in a surprisingly strong performance as Holmes, but the movie itself it chaotic, confused and shambolic — but then, as the life story of Johnny Wadd, how could it be anything but?

Leonard Pierce


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Comments

pomocho said:

Methinks your view of PTA is a wee bit reductive.

Otherwise, good list.

December 7, 2007 4:35 PM