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  • Crispin Glover: Modern-Day Vaudevillian

    The Guardian investigates the age-old question, “Is Crispin Glover really a big ol’ weirdo, or what?” On the one hand, you have his recent appearance as Grendel in the big-budget CGI epic Beowulf, which might lead you to believe Glover is settling into the role of eccentric character actor in mainstream Hollywood fare. How strange could a guy be if he’s appeared in both Back to the Future and Charlie’s Angels?

    On the other hand, you have Glover’s latest directorial effort, It Is Fine! Everything Is Fine, “a psychosexual drama written by and starring Steven C Stewart, who died soon after the film was completed. Stewart, a cerebral palsy sufferer, plays a man suffering from murderous satyriasis, and can be seen in some truly graphic scenes in the film with a number of women, which seems at odds with Glover's description of the screenplay as ‘beautiful and naïve’.”

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  • What It Is: The Mind of Crispin Glover

    Crispin Glover is crazy. If there’s one thing everyone knows about him, it’s that: he’s the guy who made an album of unlistenable noise, who tried to kick David Letterman in the head, who makes intensely non-commercial films like What Is It? and It Is Fine! Everything Is Fine. But I’ve met Crispin Glover and. . . well, he doesn’t seem crazy. He seems extraordinary thoughtful, intelligent and almost deferentially respectful to his coworkers. That’s the way he comes across in this interview with IFC’s Aaron Hillis, who, like me, saw a rough cut of What Is It? over a decade ago. Again, Glover comes across as a man who knows exactly what the practical and psychological costs of his extremely unusual films are, and who is generally at peace with the reputation he knows he’s developed. The oddest thing he does in the interview is forget his age, but he says (with a laugh) "I started in film when I was eighteen, so that's a long time to have been around. I've now published four books, I've had a record out, and I've produced, directed and edited two different films that I'm proud of. It's like, at a certain point, how genuinely insane can someone who's done all that be?" — Leonard Pierce


  • Portrait of the Artist as a McFly

    A few weeks back, I went to the Magno screening room in midtown Manhattan to catch a screening of Crispin Glover's new picture It Is Fine! Everything is Fine. Excitement abounded. I'd failed to catch any of the screenings of Glover's What Is It? when it premiered late last year and was still feeling pangs of regret. I'd developed an acute obsession with the man after finding his website in 2005. Yes, it's common knowledge that George McFly is a big weirdo, but I didn't really appreciate just how weird at the time. The trailer for What Is It? scared the shit out of me. The notion of a mad character actor creating humor through Dadaist films starring a cast of spastics was as entrancing as it was revolting. You see, I thought he was being ironic. It's not my fault though. "Clowny Clown Clown" leaves an impression. 

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  • Today in the Hooksexup Film Lounge: No Country for Old Men, It Is Fine, Pixar Collection, Richard Kelly

    No Country for Old Men: "You know the Coen Brothers are back on top of their game when they somehow derive maximum tension from the banal image of a candy wrapper slowly uncrinkling on a dusty countertop."

    It Is Fine! Everything Is Fine: "A remarkable next step for Crispin Glover."

    Pixar Short Films Collection: "An important collection that contains the past and future of cinema in equal amounts."

    Q&A: Richard Kelly: "It's the darkest of dark subject matter, but I wanted it to be like a party."