Not half an hour ago, I wrote of the Oscar-nominated short Madame Tutli-Putli:
"Chris Lavis and Maciek Szczerbowski’s film is light on story, but overflowing with style. In addition, Madame Tutli-Putli is a masterpiece of tone, perfectly capturing the forlorn feel of an overcrowded train car, as well as moments of humor, suspense, and visual poetry. Madame Tutli-Putli is perhaps too obscure for the Academy voters... but it’s a wonder, and I expect that it’ll still be watched long after the other films have been forgotten."
But why take my word for it?
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