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In Other Blogs: Gloom and Doom Edition

What will happen to “In Other Blogs” when all the other blogs disappear? There’s probably no danger of that happening anytime soon, but another week brings another one of our regular sources to an end, or at least an uncertain future. In the Company of Glenn, Premiere film critic Glenn Kenny’s hangout, is now in limbo as Kenny has lost his job. “I've just been informed that my position at Premiere.com is being terminated. What this means for this blog is still up in the air; I've got meetings this afternoon in which such things are to be negotiated. In any case, I now join the ever-growing ranks of film critics without staff positions. I very much hope to keep this blog going...and get some good freelance work, quick.”

Beyond the Multiplex laments this turn of events, along with other doom and gloom for indie film fans.

Home Video Is Where the Heart Is

2007 was a pretty good year for moviegoing, but it may have been an even better one for DVDs. Even the acrimonious racket over the format battles couldn't obscure the almost steady flood of eye-catching product issued on shiny steel discs. For starters, a number of the most exciting new movies of the last twelve months were released in especially fine, often two-disc editions, including Pan's Labyrinth, Children of Men, The Host, and Knocked Up in its "unrated, expanded" form. But there's also been a treasure trove of oldies and oddities of every kind, sure to be of interest to anyone who was lucky enough to score a gift certificate or two over the holidays.

That Gal!: Linda Hunt

We’ve discussed in this space before the fact that it’s a lot easier to build a career as a character actor if you’re a man than it is if you’re a woman. Even in today’s Hollywood — or should I say, especially in today’s Hollywood — men are allowed to be quirky, unattractive, unconventionally charismatic; while women are allowed to be beautiful. It’s hard to develop a reputation for playing smart, idiosyncratic characters with unusual looks in a town where Britney Spears and Kate Winslet are considered grotesquely overweight. Still, you really don’t appreciate how bad things can be until you consider the fact that one of the movie business’ most talented actresses won her only Academy Award. . . for playing a man. Diminutive, husky-voiced New Jersey native Linda Hunt was clearly never going to be a big-screen superstar; her throaty, almost masculine vocal tone and 4'9" frame seemed to guarantee that if she got work it all, it would be in gimmick roles and stunt casting. But director Peter Weir saw enough genuine talent in her to give her the role of guide and photographer Billy Kwan in his 1982 political drama The Year of Living Dangerously; her towering performance was enough to get her an Academy Award for Best Supporting Actress. Unlike other pieces of gender-bending casting trickery like Hilary Swank in Boys Don’t Cry or Felicity Huffman in TransAmerica, there was nothing artificial or calculating in the role: Hunt took a professional approach towards playing a man, and fully inhabited the part in a way that continues to impress twenty-five years after it was filmed. She’s never quite gotten out of the habit of playing men — her most recent memorable role was as the putatively male "Management" in the ambitious HBO failure Carnivalé — but she’s turned in plenty of terrific performances, in the intervening years, in her native gender. As the years go by, roles in animation and video games — the boon of the contemporary character actor, and a natural for someone with as distinctive a voice as Hunt’s — have become more common. But a woman with talents this prodigious, however small a package contains them, has got at least a few great big-screen roles left in her; maybe she’ll become the first person to win Academy Awards for both genders.