shelly duvall - The Screengrab

In Other Blogs: Selected Shorts

If you checked out our Oscar picks yesterday and are planning to use them as a basis for your own office pool, you should know that I, for one, pulled my short film predictions out of my hat. But at Beyond the Multiplex, Andrew O’Hehir has actually watched all the nominees. “Short films, at least as the category is defined by the Academy Awards, have even less to do with one another than feature films do. I mean, think about it: With very few exceptions, the films nominated for best picture over the years have all been three-act stories with plot, characters and a script, costing multiple millions to make and running somewhere between 80 and 160 minutes. A short, on the other hand, is any motion picture less than 40 minutes in length, and as in previous years, the 2008 nominees in animated and live-action shorts run the visual, conceptual and philosophical gamut.”

Hollywood and Fine uses the brewing Faye Dunaway/Hilary Duff feud as a jumping off point to discuss aging stars and plastic surgery.

In Other Blogs: Gloom and Doom Edition

What will happen to “In Other Blogs” when all the other blogs disappear? There’s probably no danger of that happening anytime soon, but another week brings another one of our regular sources to an end, or at least an uncertain future. In the Company of Glenn, Premiere film critic Glenn Kenny’s hangout, is now in limbo as Kenny has lost his job. “I've just been informed that my position at Premiere.com is being terminated. What this means for this blog is still up in the air; I've got meetings this afternoon in which such things are to be negotiated. In any case, I now join the ever-growing ranks of film critics without staff positions. I very much hope to keep this blog going...and get some good freelance work, quick.”

Beyond the Multiplex laments this turn of events, along with other doom and gloom for indie film fans.

In Other Blogs: Spring Break Edition

One of our all-time favorite blog names is Sergio Leone and the Infield Fly Rule; it really sums up the finest things in life in one pithy phrase. This week, proprietor Dennis Cozzalio has outdone himself with a mammoth rep report of his own, dedicated to specialty screenings in Los Angeles over the next month or so. A Mario Bava retrospective and a timely “Heist Films” festival are among the highlights, along with a series at the UCLA Film and Television Archives “highlighting the work of one of the pre-CGI greats of special effects, L.W Abbott. If you are of a certain age (like me), Abbott is probably directly or indirectly responsible for some of the most awe-inspiring images you eve saw in a movie theater, and maybe even one of two of your most indelible nightmares as well. Abbott started in the film business as an assistant cameraman on no less than Sunrise, ended as a consultant on the physical effects for 1941, and spent some of the multitude of years in between, for 1957 to 1972, as the head of 20th Century Fox’s special photographic effects department. The series, entitled ‘Wire, Tape, and Rubber Band Style: The Effects of L.B. Abbott’, is an unbelievable gathering of amazing imagery (and occasional patches of some clunky dialogue, if I remember correctly) that effectively illustrates the great talent Abbott summoned to create some of the most spectacular sequences in movies during the 60s and 70s.”