This week, the Screengrab is honoring "the 15 Top Bars of Cinema", which provides us with a handy occasion to remember many filmmakers' favorite literary drunk, Charles Bukowski. Aside from the best-known Bukowksi-based movie, the 1987 Barfly (which Bukowski wrote in tribute to himself), the man has been well-represented on-screen in such films as the 1981 Tales of Ordinary Madness (in which his alter ego--"Charles Serking" he's called this time--is playing by an enthusiastically rutting Ben Gazzara) and the more recent Factotum starring Matt Dillon, as well as the posthumously assembled documentary Bukowski: Born Into This, which is full of footage of the man himself, explaining the world to the camera to kill time while wondering when his good friend Peaches is going to call. Worth tracking down: J. J. Villard's 2003, award-winning animated short Son of Satan, a heart-warming tale of cruel youth based on a Bukowski story. (We're still holding out hope that we might someday get to see the 1977 Supervan, in which Bukowski is said to have a small, uncredited role as "Wet T-Short Contest Water Boy.") The real ringer in the Bukowski filmography is the 1987 Belgian feature Love Is a Dog from Hell, a sensitive three-part story about a man with a romantic spirit who longs to be in love and to be loved but whose inability to meet the real world halfway dooms him to a life of terminal loneliness. It was directed by Dominique Deruddre, who used Bukowksi's story "The Copulating Mermaid of Venice, California" as the basis for a short film and then came up with the other two episodes as lead-ins to the concluding episode so that he could expand it to a feature. It's about how the adult Harry (Josse De Pauw), a ruined drunk in his early thirties, finds one night of bliss with a beautiful woman who can't reject him--a corpse (Florence Beliard) that he and a buddy swipe from the back of a hearse.

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