Five Surprisingly Great Songs from Actors' Vanity Albums
We're not promising anything about James Franco's new EP, but we love us some Shatner.
By Alex Heigl
James Franco's quest to become master of every art form has finally been extended to music — his new EP with Kalup Linzy comes out this week. This was probably inevitable, given Franco's history and the fact that albums like this are as common as celebrity fragrances. (Incidentally, it's only a matter of time before we're spritzing ourselves with Dilettante, by James Franco.) The ears of our collective unconscious are littered with the detritus of multiple vanity projects by actors who thought, perhaps because of the cocaine, that their talents could extend to music. The results are usually awful, sometimes okay, and occasionally so out-of-left awesome that they'd be worth listening to no matter who made them. Here are five musical vanity projects that turned out to be surprisingly listenable.
1. "Movin'" by Jeff Bridges, from Be Here Soon
Jeff Bridges's surprisingly authentic turn as "Bad Blake" in Crazy Heart was no surprise at all — if you were one of perhaps four people that heard his 2000 collaboration with Michael McDonald, Be Here Soon. Though the thought of two severely white men exploring typically black music might make you cringe, it's actually a relaxed, grooving affair, with a killer backing band and vocals that you could peg as The Dude's from a mile away. "Movin'" is a semi-ridiculous reggae-inflected affair, but loosen your skinny jeans, crack a Corona, and try not to tap your foot — Bridges' good nature is infectious. And if this is a warm-up for his next album, due in August, I foresee good things, particularly since he's working with T-Bone Burnett, who is best known for not being an ex-Doobie Brother.
Listen: "Movin'"
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2. "Gran Torino" by Clint Eastwood, from Gran Torino
Clint's been singing over his movies for a while (check out his sandpapery, swingin' take on "Ac-Cent-Tchu-Ate the Positive" from Midnight in the Garden of Good and Evil), but "Gran Torino," from Dirty Harry VI: Get Off My Lawn the film of the same name is a surprisingly emotional ballad that Eastwood composed himself. Though wispy Irish jazzbo Jamie Cullum takes over for most of the song, it's oddly affecting to hear The Man With No Name rasping his way through a ballad about a car. It's hard not to think of Tom Waits when you hear Eastwood's growl over the drifting chords, but the obvious debt doesn't take away from the fact that it's a tender song written by someone almost as devoted to music and jazz tradition as he is to cinema.
Listen: "Gran Torino"
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3. "Has Been" by William Shatner, from Has Been
William Shatner's music has achieved cult status entirely separate from his acting status. Endlessly parodied and endlessly entertaining, the Shat is an easy target, to be sure. But his most recent album, Has Been, is a remarkably affecting collaboration with Ben Folds. Has Been featured, among other things, a profoundly rockin' cover of Pulp's "Common People," but I'm going to instead focus on the title track, a rollicking, Western-themed tune that ends up sounding like a lost Ween B-side. In between "Ghost Riders in the Sky"-esque backing vocals, Shatner takes on the haters in a way that's both poetic and cutting. "Has been..." he intones, "might again."
Listen: "Has Been"
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4. "My Body's a Zombie for You," by Dead Man's Bones (Ryan Gosling), from Dead Man's Bones
Ryan Gosling seems like an odd choice for one half of an indie band, but his collaboration with Zach Shields is a rollicking venture that wouldn't sound out of place next to Edward Sharpe and the Magnetic Zeroes, Arcade Fire, or any of their echo-drenched ilk. Perhaps because of his legion of swooning female fans, Gosling's still a little underrated as an actor — people know him for The Notebook, but he's made a number of more idiosyncratic choices in recent years. This project fits in well with more offbeat Gosling movies like Half Nelson and The Believer. The tinkly pianos, acoustic guitars, and children's choir add up to a surprisingly atmospheric, swooning track.
Listen: "My Body's a Zombie for You"
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5. "Party All the Time" by Eddie Murphy, from How Could It Be
Long before Vampire in Brooklyn, before the whole transvestite hooker thing, and certainly long before the Scary Spice baby-daddy drama, there was a time when Eddie Murphy was simply untouchable. During this period, Murphy had a bit of a singing career going, the culmination of which was the Rick James collaboration "Party All the Time." The album it came from, How Could It Be, got horrendous reviews, but Robert Christgau rightfully identified the single as James' best song in years, and while Murphy never really sang anything else worth listening to, it remains an irresistible piece of pop-funk. It's definitely twice as good as Rockwell's "Somebody's Watching Me," and possibly as good as "Suddenly" by Bill Ocean.
Listen: "Party All the Time"
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Commentarium (24 Comments)
I love Dead Man's Bones. I want my own choir of little kids to dress up as muppets and sing background vocals for my band Cuddle Monster.
Fuckin' eh! Then, at the C-Minor descent into the wafting interstitial guitar riff, we'd pull out our subautomatic weapons and fill the audience with lead! More galactic evil on order! I used to hate you, Alan Coffee, now I just hate you. In a loving way.
"I'm a z-o-m b-i-e, zombie!"
Whatever, man. Ryan Gosling's little song in Blue Valentine was great. But, I'm probably just part of the swooning lady legion.
You Always Hurt the Ones You Love is a super great song. I liked that part of the movie too. Maybe only that part.
Incidentally, I wanted to throw something at the screen at that part.
Jeffrey, I'm going to feed you to my tarantula. (RIP Old Man Marley)
I was being completely serious.
Without a doubt Dead Man's Bones is hugely referencing the Langley School . . . down to the swells and cymbal crashes. . . but putting an interesting spin on it. . . Awesome song. . .
You omitted Billy Bob Thornton's albums, which are pretty damn good.
I'm actually not wild about Thornton's work -- I think his biggest point for me is that he recorded Warren Zevon's final album. I find a lot of his stuff to be really...just...boring old rock. But it was in the running, if that's any consolation.
I, for one, was glad to not see any Billy Bob Thornton (even more, Hugh Laurie), not because I don't like their albums but because they are respected musicians entirely aside from being actors and deserve to have their music recommended without saying it's "surprisingly great" for being from a "vanity album."
Yeah well Billy Bob is a professional musician by trade. Told the Jian Ghomeshi and the CBC right to their faces too. Go google it. Complete douchebag.
Please. Please. Please. Not Billy Bob Billy Joe Jimbob Billy Ray Cyrus Billy Bob Thornton. Please, no. I surrender. The man is an utter egotistical flake and his musical skills warrant no respect whatsoever. What a dilletante.
Billy Bob Thorton was incredibly rude to Gian Gomeshi when he interviewed him, insulting all of Canada ("potatoes without gravy") who has had a much longer career in the fablulous Moxy Fruvous!
What about Shatner's 1960's opus _The Transformed Man_? Anybody who has heard his dramatic readings of "Lucy In the Sky With Diamonds" and "Mr. Tambourine Man" knows of what I speak. Listening to Shatner, one cannot help being "transformed".
His spoken word shit? From 1960? WTF? I know he did spoken word in the 90's... it was cool.
What about my song "Let's Do Something Cheap And Superficial". That's pretty dynomite, y'all.
I really liked the Jeff Bridges's song. Really groovin'.
Dammit. I liked that Dead Man's Bones song. And Shatner remains awesome.
what?
Where's the one by Scarlett Johanson & her covers of Tom Waits songs?
Initially when a friend told me about it, I scoffed & dismissed her take on it, but since she gave me a copy, it's really grown on me & it's a hell of a lot better than anything James Franco will ever do, let alone Eddy Murphy, pleeeezzze!
Kevin Bacons music is quite good.
Ah, i see. Well that's not too tikrcy at all!"
There has never been, in all of pop culture history, as profound a turnaround from being the joke to getting the joke as Shatner has accomplished. Bravo
Now you say something