In advance of this week’s Cannes premiere of his directorial debut Synecdoche, New York, Charlie Kaufman speaks to the Hollywood Reporter and assures us he’s not the Howard Hughes of screenwriters. “The first thing people will say to me in interviews is that you don't do interviews and I'll say ‘Well, I'm sitting here talking to you!’ I don't particularly like to be photographed and I don't like to talk about my personal life -- that doesn't make me a recluse. My feeling is that my work speaks about my life in ways that are very generous. I want to protect the privacy of people I know and of myself and I'm not interested in that kind of celebrity. I find it unappealing and scary, but I'm not a recluse. I live a regular mundane life in Los Angeles.”

Kaufman’s latest reality-bending tale concerns a theater director (Philip Seymour Hoffman) who creates an ever-expanding replica of New York inside a warehouse. “I'm interested in the structure and logic of dreams as a type of storytelling -- dream logic and images in a non-dream story,” says Kaufman. “It wasn't about my dreams -- it was about the visceral, emotional feeling one gets in them, the idea you can have things happen that are irrational and they just seem perfectly natural. That's a hard thing to translate into a story outside a dream.”

The story began as an attempt at writing a horror movie to be directed by Spike Jonze, but it kept evolving and eventually Jonze moved on to Where the Wild Things Are, at which point Kaufman took on the directorial challenge himself. “It was something I've wanted to do for a long time and the opportunity presented itself. The material is very personal, so in a lot of ways I am the ideal person to do it. All my stuff is that way. I directed a couple plays the previous year and that gave me confidence.”

Synecdoche, New York screens on Friday, and no doubt our man Paul Clark will have a roundup of reviews for your perusal.