A lot of my friends have been going through break-ups and divorces lately, which means they’ve probably also been hearing that old familiar friends/family/Facebook folk wisdom about how the end of a relationship is like a death, which must be properly mourned.

And, given that we're down to our next-to-last Thursday list before getting dumped for some younger, sexier blogs by Hooksexup, your pals here at the Screengrab, having moved beyond denial, anger and bargaining, figured we oughta tackle grief -- well, grief and “holy shit, did you see that guy’s head explode?  How frickin' cool was that?” -- with THE SCREENGRAB’S FAVORITE DEATH SCENES OF ALL TIME, including...

The Guy With The Exploding Head, SCANNERS (1981)



Holy shit!  How frickin' cool was that?  I remember first seeing the aforementioned Exploding Head Guy during one of the montage sequences of the 1984 theatrical clip show Terror in the Aisles (a horror film comprised entirely of classic moments from other horror films, kind of like the Scary Movie franchise without the dick jokes). Later, I saw David Cronenberg’s Scanners in its entirety, although the only thing I really remember about it now is the scene above, where renegade telepath Darryl Revok (B-Movie Hall of Fame villain extraordinaire Michael Ironside) totally blows that bald dude’s skull apart -- with his mind! -- in one of the most memorable death scenes in cinematic history...second only, I suppose, to John Hurt’s demise in Alien (below) for its shock value imagery. In a way, then, it’s sad to realize that, in the wake of Saving Private Ryan and the recent wave of torture porn cinema, the image of a bloody cranium bursting like a ripe watermelon is now considered tame enough to show as a sight gag on The Daily Show. (AO)

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Death Defying Acts opens in limited release this weekend, and so far, it hasn't generated much advance buzz.  It's hard to figure out why:  It comes on the heels of other successful movies involving magicians, including The Prestige and The Illusionist;  it's a romance-driven period piece (which should attract women), but it features a murder mystery, psychics, and famed escape artist Harry Houdini (for the fellas); it's got an all-star cast led by perennial heartthrobs Guy Pearce and Catherine Zeta-Jones; and it's directed by none other than girl-geek icon Gillian Anderson.  Maybe people are confused by the premise:  in Death Defying Acts features Zeta-Jones as a spiritualist out to run a con on the master magician.  We haven't seen it yet, so we're not sure if Zeta-Jones' powers are portrayed as being authentic, but in real life, Houdini was a relentless skeptic who didn't believe in any aspect of the paranormal, and who, in fact, went out of his way to disprove all claims of the supernatural as buncombe.  Regardless, Hollywood has always been a sucker for a good psychic yarn, which probably explains why goofy New Age religions tend to take root in southern California before hitting the rest of the country.  For today's Take Five, we bring you a handful of fine films about psychics -- and not a single one starring Shirley MacLaine.

THE SHINING (1980)

Nobody does psychic powers like Stephen King, and nobody realizes those psychic powers on screen better than Stanley Kubrick does in this horror classic.  One of the most effective ideas Kubrick had was to de-emphasize Danny's psychic abilities, to tone down the paranormal aspects of the story (such as the hedge topiary coming to life) in order to play up the much more compelling dramatic element of a family in isolation slowly falling apart.  Not that the terrifying paranormal elements aren't there:  few moments in contemporary horror are creepier than seeing Danny go into a drooling fit, or the bizarre images he sees in the abandoned rooms of the Outlook Hotel -- but by keeping them ambiguous, by allowing the suggestion that none of it is real, that it's all just possibly the byproduct of an epileptic vision or a mind damaged by loneliness and alcohol -- the whole thing is made more compelling and upsetting than if the paranormal elements were made explicit.  

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