Marriage is the death of sex -- or so the common wisdom goes. Grim tidings for one who, like me, not only wants to spend the rest of his life with a single person, but wants to do it fused at the pelvis. And even though I need both hands to count my parents' marriages, I still believe the institution has something to offer. As an old lover of mine once said, "The difficulty in getting out of a marriage encourages us to try our very best, and not run away out of fear or weakness." Backward as this argument may seem, it has a lot of pull. Our eyes stray, our patience tires, our hearts resist breaching, our deepest secrets fear the light: all these things can set us out the door. Marriage gives us pause. It doesn't exactly deadbolt us in -- a good thing, for there are many marriages that should sunder -- but it puts a little rust in the old turnstile.
Yet even if the shackle of marriage is a good thing, it does not resolve the problem that the sex might wane. I was thus quite relieved to read Henry Miller's account of an evening he spent back in the arms of his wife, whom he had left so that he could move in with his paramour. Now, granted, Hank never proves to be the model husband, but the scene below details not only the reawakening of the flame that had brought him and his wife together in the first place, but, more instructively, his realization that the woman in his arms is quite unlike the person he long thought he knew. Breakdowns in communication had kept her from being as sexually free as she, and he, would have wanted. Finally able to be herself, she's happier than she had ever been, and more appealing. Perhaps, then, we can learn from Miller's experience (though not his method): be open to and open for your spouse and there will always be room for discovery.
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From Sexus by Henry Miller
She wants to lie down on the floor and put her legs around my neck. "Get it in all the way," she begs. "Don't be afraid of hurting me. I want it. I want you to do everything." I got it in so deep it felt as though I were buried in a bed of mussels. She was quivering and slithering in every ream. I bent over and sucked her breasts; the nipples were taut as nails. Suddenly she pulled my head down and began to bite me wildly -- lips, ears, cheeks, neck. "You want it, don't you?" she hissed. "You want it. You want it!" Her lips twisted obscenely. "You want it. You want it!" And she fairly lifted herself off the floor in her abandon. Then a groan, a spasm, a wild tortured look as if her face were under a mirror pounded by a hammer. "Don't take it out yet," she grunted. She lay there, her legs still slung around my neck, and the little flag inside her began twitching and fluttering. "God," she said, "I can't stop it!" My prick was still firm. It hung obedient on her wet lips, as though receiving the sacrament from a lascivious angel. She came again, like an accordion collapsing in a bag of milk . . .
"Oh God," she said, flinging her arms around me, "if only . . ."
"If only what?"
"You know what I mean . . . Was it my fault," she said, "that this never happened before? Was I such a squeamish creature?" She looked at me with such frankness and sincerity I hardly recognized the woman I had lived with all these years.
"I guess we were both to blame . . ."
Jack Murnighan's stories appeared in the Best American Erotica editions of 1999, 2000 and 2001. His weekly column for Hooksexup, Jack's Naughty Bits, was collected and released as two books. He was the editor-in-chief of Hooksexup from 1999 to 2001, before retiring to write full time and take seriously the quest for love.
