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April Fools: The 35 Funniest Movie Characters Of All Time! (Part One)

So, the other day, my lovely Polish bride was attending a work function at Boston's historic Faneuil Hall, when she looked up and saw a tall, craggy guy dressed in camouflage, surrounded by a gaggle of teenage sons, and suddenly realized she was face-to-face with none other than Bill Ghostbustin' Ass Murray...

...April Fool!

Oh...no, wait...that actually happened...and, indeed, America's annual Day of Pranks is blessedly over for another year...yet considering we already kicked off the month with a salute to fools, and considering Entertainment Weekly just ran a big, page-wasting spread on the Greatest Heroes and Villains of All Time, your pals here at the Screengrab figured now would be as good a time as any to salute our real heroes...the Comic Relief.

Now, of course, the second we started compiling this list, we realized we'd undoubtedly forget at least two worthy choices for every name we picked...so feel free to remind us who we missed down below in the Comments section, and mayhaps we'll run a Reader's Choice list of faves at some future date. But in the meantime, please to enjoy our picks for THE 35 FUNNIEST MOVIE CHARACTERS OF ALL TIME!

DANNY KAYE AS HUBERT HAWKINS IN THE COURT JESTER (1955)



Most people know that comedy isn't pretty, but it need not necessarily be mean. Consider the career of Danny Kaye -- in his heyday, one of the biggest draws in Hollywood, not only because he was funny but also because he was so darn likable. Nowhere is this more in evidence than in his most enduring movie, The Court Jester -- a film so benignly hilarious that it's equally enjoyable for children and cinephiles. Taking his cue from the Technicolor swashbucklers of yore, Kaye throws himself into the role of the hapless resistance fighter-turned-jester with a childlike glee, even during the Errol Flynn-esque sword fights. But he's at his best when engaging in his trademark wordplay. Who can forget the famous "pellet with the poison" exchange? Even better is the extended "Maladjusted Jester" number, in which Kaye, playing a hapless carnival performer-turned-freedom fighter masquerading as the "king of jesters and jester of kings" (long story), gets his chance to entertain the court. The story is put on hold while Kaye sings, dances, and jokes -- a risky move, because if the scene doesn't work, the movie has nothing to do but stand

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