I actually saw this in Toronto at the world-premiere Midnight Madness screening, and while I was lukewarm on it the first time around, I'm curious to catch it again. For one thing, having recently seen Cloverfield, which uses a similar first-person shooting style, I'd like to be able to watch this again for comparison's sake — to contrast the stylistic gambit in the hands of a genre master with the director of the David Schwimmer vehicle The Pallbearer. Diary of the Dead may prove to be the most love-it-or-hate-it of any Romero zombie movie yet — it's got both the gore and the sociopolitical messages one has grown to expect from a Romero zombie movie, although how well he does by the latter is up for debate. But regardless of how you feel about it, a new Romero zombie is still something of an event.