Since the beginning of his career, Sam Raimi has been a hero to genre lovers everywhere. It was his debut feature The Evil Dead that first brought Raimi to the attention of gorehounds, and his subsequent films further endeared him to his fans. With their outrageous camera movements, “splat-stick” comic violence, and the larger-than-life presence of Bruce Campbell, the Evil Dead trilogy gained Raimi a rabid cult following. However, he soon found himself confined in the horror genre. At first, he attempted to transfer his trademark style to other genres- crime story, comic book movie, Western- with varying degrees of success.
Finally, with 1998’s A Simple Plan, Raimi decided to keep his more gonzo impulses in check, and in doing so created his first “mature” work, and his most critically-acclaimed film to date. Having finally tasted mainstream acceptance, Raimi craved more, and decided to make a real stab at Hollywood respectability with his next project, an adaptation of Michael Shaara’s For Love of the Game. After all, what’s more mainstream than a baseball movie starring Kevin Costner? Unfortunately for Raimi, For Love of the Game turned out to be his worst- and not coincidentally, his least Raimi-esque- film to date.
For about half its running time, the film is a decent, fairly entertaining baseball movie. Its hero, Billy Chapel (played by Costner), is a veteran Detroit Tigers pitcher who suddenly finds himself throwing a perfect game in what may be the last start of his career. It’s been said that a perfect game is both the rarest and the most boring achievement in baseball, but Raimi 
keeps us involved by concentrating on Chapel- not only his actions and dialogue but also the thoughts that occur to him while he’s on the mound. It’s a neat touch whenever Chapel tunes out the hostile Yankee Stadium crowd with the mantra, “clear the mechanism.” By the time the game reaches its last few innings, we can more or less predict what the outcome will be, but Raimi has nonetheless done a pretty good job getting us to root for Chapel to finish the perfect game.
However, For Love of the Game isn’t content simply to be a baseball movie, and almost none of the scenes that take place off the baseball field are any good. Faring worst is the movie’s principal non-baseball storyline, which traces the trajectory of a relationship between Chapel and New York single mother Jane, played by Kelly Preston. Despite taking up nearly half the movie, the relationship between the two is ill-defined. As a result, there’s a highlight-reel to the storyline, amounting to little more than a series of flirtations, breakups, reconciliations, as well as a whole lot of grief from Jane.
A big part of the problem in these scenes is Preston’s performance. Preston, never a particularly good actress, is out of her element as a leading lady. Clearly overmatched and nervous opposite Costner (who’s pretty good here), she gives an overly fussy performance that seesaws constantly between the two notes she knows how to play- beaming and neurotic. Consequently, Jane comes off more as a pill than as the complicated, conflicted adult she’s meant to be.
It would be one thing if the film realized or even acknowledged what a prickly character Jane is, but instead it paints her as the foundation in Billy’s emotional life. Throughout his perfect game, Billy flashes back to his life with Jane- who just left him that morning- and it’s clear that we’re meant to care about whether these two lovers end up together in the end. Instead, all I
wanted to do was to keep watching the game. After all, everyone falls in love sooner or later, but only seventeen major league pitchers have ever pitched a perfect game. Talk about burying the lead.
After For Love of the Game met with a critical drubbing and large-scale audience indifference, Raimi decided it was time to re-examine his career path again. First he rebounded with the flawed but interesting Southern Gothic thriller The Gift, after which he made his most popular films to date, the Spider-Man trilogy. With the Spider-Man films, Raimi finally found mainstream success without sacrificing any of his inimitable style, which helped all three of the Spidey films become the highest-grossing superhero movies ever made. And all of them- yes, even the third one- were better than For Love of the Game.