Sydney Pollack has died at the age of 73, ending a recent struggle with cancer. As a young theater buff, Pollack, who grew up in South Bend, Indiana, went to New York after graduating high school and enrolled at the Neighborhood Playhouse School of the Theater, where he first studied under and later served as assistant to the legendary acting teacher Sanford Meisner. Early in his career, Pollack appeared on Broadway in A Stone for Danny Fisher and The Dark Is Light Enough as well as on TV, incluyding episodes of Plyahouse 90, Alfred Hitchcock Presents, The Twilight Zone, and Have Gun, Will Travel. After Burt Lancaster, who he would later direct in the late sixties in The Scalphunters and Castle Keep, suggested that Pollack consider directing, he stepped behind the camera for work on several TV series and eventually broke into movies with the 1965 The Slender Thread. He brought a skilled rapport with actors and a taste for old-Hollywood glamour to his feature film work, and he became associated with certain high-caliber performers who placed a lot of trust in him--particularly Robert Redford, who he directed in seven starring roles, beginning with the 1966 Tennessee Williams adaptation This Property Is Condemned and including the winner of the 1985 Academy Award for Best Picture, Out of Africa. They also worked together on The Way We Were with Barbra Streisand, probably the most successful of Redford's old-style romances, Jeremiah Johnson, Three Days of the Condor, Havana, and The Electric Horseman, which paired Redford with Jane Fonda. Pollack was also an important figure in Fonda's career, having directed her in the 1969 They Shoot Horses, Don't They?, which marked her transformation from sex-kitten comedienne to hard-edged dramatic actress. That picture went a long way towards establishing Pollack as a new-style Hollywood pro; it won Academy Award nominations for Fonda, Pollack, and Susannah York, and earned Gig Young a Best Supporting Oscar for his brilliant performance as a dance-marathon emcee.
It was the 1982 Tootsie, though, that really took Pollack's career to a couple of different levels. A massive hit and instant classic, it elevated his profile as a director. And because Pollack earned many of the film's biggest laughs in his on-screen performance as Dustin Hoffman's agent, it unexpectedly revived his acting career. (Pollack took on the role at Hoffman's insistence; the actor apparently thought that the movie could benefit from the brio that Pollack brought to the many legendary screaming fights that the two of them were having off-camera.) After Tootsie and Out of Africa, he directed such big pictures as The Firm, Random Hearts, and The Interpretor; he also contributed memorable performances to Robert Zemeckis's Death Becomes Her, Woody Allen's Husbands and Wives, and Stanley Kubrick's Eyes Wide Shut, where he was brought in an emergency replacement for Harvey Keitel. In the last several years of his career, he also branched out as a producer of others' films, including The Fabulous Baker Boys, Sense and Sensibility, The Talented Mr. Ripley, The Quiet American, 40 Shades of Blue, and Michael Clayton, where he also played George Clooney's boss. He also served as executive producer on his own last film as a director, the 2005 documentary Sketches of Frank Gehry.