Last fall, I wrote up a Trailer Review for a movie called The Midnight Meat Train, based on a short story by horror maestro Clive Barker. At the time, I had some misgivings about the movie- largely due to director Ryuhei Kitamura- I was intrigued enough by the premise and the Barker name that I filed it away in my mind as one to watch for. Now, nearly nine months later, the movie has arrived in a limited number of theatres, courtesy of its distributor, Lionsgate. According to the horror site Shock Till You Drop, the movie was caught in the middle of a regime change at the studio, with new chief Joe Drake dumping the remaining projects left behind by his predecessor, Peter Block, aside from sure things like the unkillable Saw franchise. Due to the niceties of studio politics, the movie has been quietly opened in roughly 100 theatres, mostly of the discount variety, in order to fulfill a contractual obligation with production company Lakeshore Entertainment. The movie was scheduled to play for a week on its way to a fall DVD release.
With the marketing and distribution costs at an all-time high, and DVD and on-demand supplanting theatrical viewing as the moviegoing experience of choice for the majority of Americans, it’s becoming more and more common to see movies getting this treatment. It can happen for a number of reasons: the films might be difficult to market, there might be the aforementioned studio infighting, or maybe one of the executives simply doesn’t like the movie. Sometimes, the movie just isn’t very good. These factors and others can come into play when it comes to which movies get the shaft from studios.
But how’s the movie, you ask? Is it the horror equivalent of Idiocracy- a cult-y oddball that didn’t get the studio love it deserved? Or was Lionsgate right in dumping The Midnight Meat Train into mostly-empty theatres to be quickly forgotten? Actually, it’s somewhere between these two extremes. Neither a genre masterpiece nor a travesty, it’s a fairly effective, hard-R horror movie. If it’s guts and gore you want, The Midnight Meat Train should satisfy your cravings.
One aspect I liked about the movie was that it belongs less to the tradition of slasher movies than it does to the old-school “meat movie” and, as such, feels less beholden to formula and cliché. Unlike slasher movies- which devote an inordinate amount of attention to the killing and mutilation of women- Kitamura and Barker are pretty equal-opportunity in portraying their victims, which I appreciated. In addition, the movie plays in parts like the straight-horror flipside to David Fincher’s Se7en, as our protagonist (played by Bradley Cooper) finds himself unable to look away from the violent heart of the city. It’s not until he’s spurred on to really probe this hear that he finds much more darkness and horror than he could have imagined. I haven’t read the Barker story upon which it’s based, but I would imagine that this theme is present there as well.
Unfortunately, the movie doesn’t work as well as it could, due in large part to director Ryuhei Kitamura. Kitamura is a favorite of Asian cinema fans, but I found his previous films consistently underwhelming. Versus’ zombies-versus-yakuza premise cemented the movie’s rep in the hearts of fanboys, but it was too slipshod and unevenly paced to work for me. Likewise, Godzilla: Final Wars succeeded in the giant-monster scenes but failed when the director tried to inject human storylines into the mix. But most of all, Kitamura’s tendency toward show-offy camera work and needless CGI have been consistently problematic, and it’s these same issues that keep The Midnight Meat Train from being as good as it could’ve been. During the most potentially frightening scenes, Kitamura’s use of computer generated gore and camera trickery took me right out of the movie, making me think of how he pulled off the shot rather than being scared.
Yet I would still recommend The Midnight Meat Train to anyone who’s into horror. Bradley Cooper makes a sympathetic protagonist in his early scenes, and is convincingly crazy later on. I also liked Vinnie Jones as the silent killer, his imposing frame used to good effect here. And in spite of Kitamura’s look-at-me! direction, the movie contains a number of effective sequences, including a final-reel revelation that left me quite pleasantly surprised. So if you like horror, give The Midnight Meat Train a look when it comes to DVD. After all, it’s not like Lionsgate is giving you many other options.