Register Now!

Media

  • scannerscanner
  • scannerscreengrab
  • modern materialistthe modern
    materialist
  • video61 frames
    per second
  • videothe remote
    island
  • date machinedate
    machine

Photo

  • the daily siegedaily siege
  • autumn blogautumn
  • brandonlandbrandonland
  • chasechase
  • rose & oliverose & olive
The Hooksexup Insider
A daily pick of what's new and hot at Hooksexup.
Scanner
Your daily cup of WTF?
Hooksexup@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
Coming Soon!
Coming Soon!
Coming Soon!
The Daily Siege
An intimate and provocative look at Siege's life, work and loves.
Kate & Camilla
two best friends pursue business and pleasure in NYC.
Naughty James
The lustful, frantic diary of a young London photographer.
The Hooksexup Blog-a-log: kid_play
The Hooksexup Blog-a-log: Super_C
The Hooksexup Blog-a-log: ILoveYourMom
A bundle of sass who's trying to stop the same mistakes.
The Hooksexup Blog-a-log: The_Sentimental
Our newest Blog-a-logger.
The Hooksexup Blog-a-log: Marking_Up
Gay man in the Big Apple, full of apt metaphors and dry wit.
The Hooksexup Blog-a-log: SJ1000
Naughty and philosophical dispatches from the life of a writer-comedian who loves bathtubs and hates wearing underpants.
The Hooksexup Video Blog
Deep, deep inside the world of online video.
The Hooksexup Blog-a-log: charlotte_web
A Demi in search of her Ashton.
The Prowl, with Ryan Pfluger
Hooksexup @ Cannes Film Festival
May 16 - May 25
ScreenGrab
The Hooksexup Film Blog
Autumn
A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
The Modern Materialist
Almost everything you want.
The Hooksexup Blog-a-log: that_darn_cat
A sassy Canadian who will school you at Tetris.
Rose & Olive
Houston neighbors pull back the curtains and expose each other's lives.
The Hooksexup Blog-a-log: funkybrownchick
The name says it all.
merkley???
A former Mormon goes wild, and shoots nudes, in San Francisco.
chase
The creator of Supercult.com poses his pretty posse.
The Remote Island
Hooksexup's TV blog.
Brandonland
A California boy capturing beach parties, sunsets and plenty of skin.
61 Frames Per Second
Smarter gaming.
The Hooksexup Blog-a-log: Charlotte_Web
A Demi in search of her Ashton.
The Hooksexup Blog-a-log: Zeitgeisty
A Manhattan pip in search of his pipette.
Date Machine
Putting your baggage to good use.

The Screengrab

  • Not That Anyone Cares Now, but Rudy Giuliani Was the Tazmanian Devil

    Jeff Greenfield at Slate offers a timely new unified theory of American presidential politics based on the work of Chuck Jones. In a nutshell: American politicians are divided between those who remind voters of Bugs Bunny and those who remind them of Daffy Duck. "As shaped by genius animator Chuck Jones — he didn't create the Warner Bros. icons, but he gave them their later looks and personalities — Bugs and Daffy represent polar opposites in how to deal with the world. Bugs is at ease, laid back, secure, confident. His lidded eyes and sly smile suggest a sense that he knows the way things work. He's onto the cons of his adversaries... Bugs never raises his voice, never flails at his opponents or at the world. He is rarely an aggressor." JFK was a Bugs, Nixon a Daffy; Ronald Reagan, a Bugs, Jimmy Carter a Daffy (who, as if in some Biblical prophecy, prepared for the 1980 contest by being attacked by a rabbit.) Some partisans may detect cracks in the argument. Greenfield identifies the current incumbent as a "Bugs Bunny", but do either Al Gore or John Kerry match up with Daffy Duck, as described by Greenfield: "He fumes, he clenches his fists, his eyes bulge, and his entire body tenses with fury," responding to every setback with "a sibilant sneer"? (Personally, I always associated Kerry with Bullwinkle. But maybe dragging in characters from Jay Ward Productions would demand a whole other set of rules.)

    Read More...


  • Stallone: What You Choose to Call Self-Serving Gibberish, He Calls an Interview

    How does Sylvester Stallone answer charges that Rambo is excessively violent? With great indignation, which is of course the only way that his screen characters ever answer anything. "I don't think this film is horrific and bloody, because that's what war is. It's not gratuitous violence. Gratuitous violence is a guy dressed up in a fright wig with a meat cleaver, chasing teenagers around the woods for ten hours. This is war, and it's a civil war — which, as you know, is by far the most vicious of all wars." To hear Stallone tell it, he actually expects people to respect the fact — or at least, not fall down laughing hysterically at the idea — that he made this movie in order to call attention to how bad things are in Burma. "We did tons and tons of research. There's an unbelievable amount of material out there, literally hour by hour. It's almost a teletype of the horrendous things that are going on there. And it's hard to believe that it's publicised and nobody does anything about it."

    Read More...


  • Sundance Roundup: Day 5

    Nobody loves an overnight success story more than us, but it’s much more satisfying when filmmakers who have put in their time in the trenches finally get their moment in the spotlight. That’s particular true in the case of Austin’s David and Nathan Zellner, who have been plugging away for more than a decade since their feature debut, 1997’s indescribably zany Plastic Utopia. In a just universe, that tale of mimes and waffles would have made them the kings of indie comedy, but after the even more bizarre follow-up Frontier (shot entirely in the made-up Bulbovian language) failed to catch on, the brothers turned their attention to short films. Slowly they’ve built up a reputation, as each of the last three Sundance festivals has showcased one of their shorts (including last year’s Aftermath on Meadowlark Lane).

    The payoff arrives tonight, as their new feature Goliath premieres in Park City.

    Read More...


  • Morning Deal Report: Writers of the World Unite

    Well, the Writer's Guild is on strike. No more new Daily Shows for a while.

    It's not clear where that leaves Sylvester Stallone's planned remake of Death Wish, to be penned by the brain trust behind Terminator 3.

    Here's some news: David O. Russell will direct Nailed, a political satire/sex comedy, starring Jake Gyllenhaal and Jessica Biel and written by Al Gore's daughter Kristin. That's some kind of lineup.

    Peter Smith

  • Show Me The. . . Oh, Never Mind.

    The Guardian UK, as we’ve mentioned many times before, continues to feature some of the best film writing around. Just this week, they’ve brought us an article on the potential tragic loss of the Ronald Grant Cinema Museum and an exposé of the man who fought to keep Al Gore’s An Inconvenient Truth from being shown in British schools (surprise – he’s a mining and fuel tycoon), and they've given David Harewood a platform to decry how black actors in Britain must travel to the United States to get really choice roles. But for once, we must take exception to their movie section, as otherwise-reliable Guardian film blogger John Patterson is on the verge of making a terrible mistake that could cause untold suffering. In his latest column, he suggests that Cuba Gooding Jr., already having plumbed the depths as an actor, should salvage what remains of his career by becoming a director. Mr. Patterson, we urge you to recant: sure, it doesn’t seem like Cuba could possibly do worse behind the camera than he’s done in front of it, but then again, ten years ago, who could have predicted the horrors of Snow Dogs, Radio and Boat Trip? Recant, we beg of you. — Leonard Pierce


in
Send rants/raves to

Archives

Bloggers

  • Paul Clark
  • John Constantine
  • Phil Nugent
  • Leonard Pierce
  • Scott Von Doviak
  • Andrew Osborne

Contributors

  • Kent M. Beeson
  • Pazit Cahlon
  • Bilge Ebiri
  • D.K. Holm
  • Faisal A. Qureshi
  • Vadim Rizov
  • Vern
  • Bryan Whitefield
  • Scott Renshaw
  • Gwynne Watkins

Editor

  • Peter Smith

Tags

Places to Go

People To Read

Film Festivals

Directors

Partners