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ScreenGrab
The Hooksexup Film Blog
Slice
Each month a new artist; each image a new angle. This month: M. Sharkey.
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The Hooksexup Film Blog
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Houston neighbors pull back the curtains and expose each other's lives.
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The Screengrab

  • Revisiting Attica

    S. T. VanAirsdale at the Reeler talks to Cinda Firestone, the director of the semi-legendary documentary Attica, a "detailed, unflinching chronicle of the 1971 riots at the titular prison â€” where thirty-one inmates and nine hostages died in one of the bloodiest domestic uprisings in U.S. history â€” and the inquiry that followed." Well-received in 1974, the movie has spent most of the last thirty years trapped in "distribution hell." It turns out that the director, whose youth and lack of film-school training (and maybe the fact that she's, cough-cough, a woman) inspired scurrilous charges that her movie had "really" been made by her mentor, the radical leftist documentarian Emile de Antonio — had herself been sidelined by illness and career problems, including the death of her distributor. Finally, fed up with politics and burned out on the business, "I moved down to Puerto Rico and I thought I'd just concentrate on my writing and my art. . . After I got well and I married my husband, I did a lot of writing and got very involved in children's theater, a lot of scholarship work and counseling at the school I fought to keep open." She's working on her autobiography and on a screenplay about Madame C. J. Walker, and she's written a musical that's headed for Broadway; meanwhile, on the side, her son has gotten interested in documentary filmmaking and is making a movie about her.

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  • The Rep Report (November 8 - 17)

    BERKELEY: For Veterans' Day weekend, Pacific Film Archives has unearthed a cache of little-seen films produced during World War II. 'Keep ’em Flying!': Films of the U.S. Army Air Forces First Motion Picture Unit (November 9- 11) showcases instructional and documentary films made by top Hollywood talent under the watchful eye of "Lieutenant Colonel" Jack Warner. The program includes William Wyler's The Memphis Belle: Story of a Flying Fortress; Robert Florey's profile of Colonel Robert Scott, God Is My Co-Pilot; as well as shorts, cartoons, and a panel discussion about "issues of masculinity and identity in the films of the FMPU."

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