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The Hooksexup Insider
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two best friends pursue business and pleasure in NYC.
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Gay man in the Big Apple, full of apt metaphors and dry wit.
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The Screengrab

  • Screengrab Review: "An American Carol"

    This week, as the election nears, I decided to treat myself to two movies that I ordinarily wouldn't see under any circumstance.  Not just because they looked terrible -- although they did -- but also because they were movies that, in a very literal sense, were not made for me.  These movies are less artistic endeavors than they are salvos in the culture war, and if they were aimed at me, it was not as a consumer, but as a target.  

    But hey, so what?  I go see a lot of movies that aren't really meant for me.  I've reviewed Tyler Perry movies, which aren't meant for me.  I've reviewed Disney animated movies, which aren't meant for me.  I'm a big fan of Stan Brakhage, and his movies weren't really made for anyone.  I'm a professional, damn it, and as a professional, I can take whatever to the other side in the culture wars dish out.  The first tasty bowl of arsenic:  David Zucker's An American Carol.

    The film, as you may know from Phil Nugent's earlier piece on it, is a high-dudgeoned but low-minded spoof in which a stand-in for Michael Moore (portrayed by a stand-in for Chris Farley) is interrupted in his quest to ban the Fourth of July by a visitation by three ghosts, who attempt to dissuade him from his wicked anti-American ways.  Why wasn't his movie released at Christmastime?  Why would anyone want to ban a calendar day?  Why would you send John F. Kennedy to attack a prominent liberal?  I figured if I started asking myself questions like that, I would just go insane.  Instead, I focused on whether or not the movie was actually funny.  I hope I will be believe when I say that, all ideological considerations aside, it wasn't.  It's not that you can't be funny from a specific political point of view; in fact, satire (which, really, An American Carol is too dumb to qualify as, but still) depends on a moral standing ground from which to attack.  It's that these jokes lack any kind of universality, humanity or relatability:  the only way you can think it's funny is if you agree with where it's coming from.  Or, to put it another way:  the new, right-wing David Zucker believes it's funny to have Michael Moore slapped around by Bill O'Reilly.  If you happen to agree, you might be modestly amused; if you don't, the joke will fall even flatter than it actually does.  The old, non-political David Zucker knew better:  he just thought it was funny when people get slapped.  

    Read More...


  • Special Election Year Report: Unfunny Conservatives Battle Racist Chihuahuas at the Box Office



    Jean-Luc Godard once said that Michael Moore's Fahrenheit 9/11 had surely done its part in getting George W. Bush re-elected. You may disagree, but if an investigating committee of impartial wise men were formed to rank every statement of a political nature that Godard has ever issued in descending order of just how deranged they sound, it's doubtful that the sneer at Moore would make the top hundred. (Maybe not the top five hundred.) Moore said back in 2004 that he hoped that his movie would have an effect on the election, and maybe it did. (How he though that he might inspire some effect that was hurtful to Bush by making a movie specifically designed to comfort those who already agreed with him one-hundred percent while confusing anyone on the fence and pissing off and galvanizing everyone on the other side is a question for a different investigating committee of impartial wise men.) To hear them tell it, David Zucker and the other conservative Hollywood players who worked on An American Carol would like to have an impact on this year's election but are having trouble breaking through that gosh-darn media filter. Zucker, who will probably always be best known, especially at the rate he's going, as part of the team that wrote Kentucky Fried Movie and went on to create Airplane! and the Police Squad/The Naked Gun franchise, has weighed in on political matters before. A few years ago, he produced and directed a series of political ads, including the one above, which chastises the Democrats for being too soft to dictators and terrorists, and the one below, which compares James Baker and the Iraq Study Group to Neville Chamberlain.

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  • Trailer Review: An American Carol

    I’ve heard some conservatives speaking of “the humorless left,” but if this trailer tells me anything, it’s that humorlessness can be found on both sides of the aisle.

    Read More...



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