The Screengrab

Mark Shanahan of the Boston Globe tracks down Jane Willis, the female member of the "MIT blackjack team", a group of collegiate math whizzes (not all of them from MIT--Willis herself was a student at Harvard Law School at the time) who stormed the casinos to use their card-counting skills to rake in the big bucks. This story--after a great deal of fictionalization, and after being filtered through the already fictionalized book Bringing Down the House bu Ben Mazrich--serves as the basis for the new movie 21, in which Willis is played, more or less, by Kate Bosworth. Willis, who hails from Mount Vernon, Illinois, is now a 38-year-old, twice-married lawyer working in a Boston firm. Once upon a time, she didn't like to talk about her involvement in the blackjack team for fear that it would hurt her career or freak out her parents (who finally found out about it six years after she'd stopped hitting the tables). But when she's asked now why more people aren't aware of how she picked up extra money in college, she just shrugs: "Sounds weird to say, but it just never came up."

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Yesterday we took a look at the most notable documentaries playing at this year’s SXSW Film Festival, which kicks off a week from today in Austin, TX. Today let’s check out the narrative films. Unfortunately, some of the movies we’re most excited about don’t have trailers available online, but here’s the best of the rest.

21

Truthfully, we’re torn about this one. It’s based on the terrific nonfiction thriller Bringing Down the House, about a team of MIT students who become blackjack experts in Las Vegas, and it may actually contain the first bearable Kevin Spacey performance in years. But the casting of bland Jim Sturgess and Kate Bosworth has us wincing, particularly since the real MIT Blackjack Team was made up primarily of Asian-Americans.

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21, the adaptation of the non-fiction bestseller Bringing Down the House, will open SXSW this year. Allow me to editorialize for a minute on this subject. Bringing Down the House is the story of a group of MIT students — mostly Asian-American MIT students — who counted cards in blackjack to win big in Las Vegas. 21 is the story of a group of white, Caucasian, Rockwellian, turnipy-colored, white-ass white people. (And their one Asian friend, Aaron Yoo, as "Choi.") I guess there weren't enough Asian-American actors who needed interesting roles. Clearly, more Asians = less money for Columbia Pictures; it's not like they'd put money on the line for what I'm sure they consider a small detail. But it's outrageously disrespectful to the actual students, and to Asian-Americans in general, to hand over most of the roles to "audience-relatable" white actors, and relegate the one Asian-American actor to a supporting spot. Still, I suppose it could be worse; his part could always be played by Rob Schneider in yellow-face.

Mathieu Amalric, of The Diving Bell and the Butterfly, will play the villain in the next Bond movie.

Less than a week after her assassination, Benazir Bhutto gets a biopic. The catch: the producers don't want to "create any controversy." (!)