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The Hooksexup Insider
A daily pick of what's new and hot at Hooksexup.
Scanner
Your daily cup of WTF?
Hooksexup@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
Coming Soon!
Coming Soon!
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The Daily Siege
An intimate and provocative look at Siege's life, work and loves.
Kate & Camilla
two best friends pursue business and pleasure in NYC.
Naughty James
The lustful, frantic diary of a young London photographer.
The Hooksexup Blog-a-log: kid_play
The Hooksexup Blog-a-log: Super_C
The Hooksexup Blog-a-log: ILoveYourMom
A bundle of sass who's trying to stop the same mistakes.
The Hooksexup Blog-a-log: The_Sentimental
Our newest Blog-a-logger.
The Hooksexup Blog-a-log: Marking_Up
Gay man in the Big Apple, full of apt metaphors and dry wit.
The Hooksexup Blog-a-log: SJ1000
Naughty and philosophical dispatches from the life of a writer-comedian who loves bathtubs and hates wearing underpants.
The Hooksexup Video Blog
Deep, deep inside the world of online video.
The Hooksexup Blog-a-log: charlotte_web
A Demi in search of her Ashton.
The Prowl, with Ryan Pfluger
Hooksexup @ Cannes Film Festival
May 16 - May 25
ScreenGrab
The Hooksexup Film Blog
Autumn
A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
The Modern Materialist
Almost everything you want.
The Hooksexup Blog-a-log: that_darn_cat
A sassy Canadian who will school you at Tetris.
Rose & Olive
Houston neighbors pull back the curtains and expose each other's lives.
The Hooksexup Blog-a-log: funkybrownchick
The name says it all.
merkley???
A former Mormon goes wild, and shoots nudes, in San Francisco.
chase
The creator of Supercult.com poses his pretty posse.
The Remote Island
Hooksexup's TV blog.
Brandonland
A California boy capturing beach parties, sunsets and plenty of skin.
61 Frames Per Second
Smarter gaming.
The Hooksexup Blog-a-log: Charlotte_Web
A Demi in search of her Ashton.
The Hooksexup Blog-a-log: Zeitgeisty
A Manhattan pip in search of his pipette.
Date Machine
Putting your baggage to good use.

The Screengrab

  • Trailer Review: Igor

    You know that family-friendly computer-animation is a box-office winner when every studio has its own animation wing. Here, it’s MGM getting in on the act with the animated adventures of everybody’s favorite hunchbacked science partner...

    Read More...


  • Cusack Heads for the Middle

    Grace is Gone is a bad movie with a halfway decent premise that could have succeeded if it weren’t so damn cowardly. John Cusack plays a conservative father of two, a patriot with a shameful military past who receives word at the beginning of the film that his soldier wife has died in Iraq. The rest of the ninety-minute runtime follows his struggle to find a way to tell his daughters, aged twelve and eight, that their mother is dead. There’s an opportunity here to say something about the half-decade war we remain embroiled in, and director/writer James Strouse studiously avoids saying it. The Iraq War could be subbed out for any conflict from the past fifty years and the same limp story could be told. What’s even more frustrating is that Grace is Gone's line-toeing is intentional — it's a film, on a political subject, so desperate not to offend that it avoids politics completely.

    It is short though. That was nice.

    When I arrived at a roundtable Q&A with Cusack, all I was armed with was a fresh blank tape and a burning desire to know why this man hated Better Off Dead.

    Read More...


  • Today in the Hooksexup Film Lounge: Juno, Atonement, The Golden Compass, Grace is Gone, Billy the Kid, The Walker, Drunken Angel

    Juno: "Less than the sum of its parts, but those parts are so entertaining that you don't mind too much."

    Atonement: "Refreshingly old school."

    The Golden Compass: "Fails to convincingly establish its world or the people that inhabit it."

    Grace is Gone: "Too calculated to surprise."

    Billy the Kid: "A higher grade of filmmaking than an episode of MTV's True Life. It explores Billy's relationship with his mother and others with real insight."

    The Walker: "What might have been a first-rate character study instead devolves into a routine morass of Beltway intrigue."

    Drunken Angel: "The film could have been a pat tale of redemption, but Kurosawa leaves its allegorical dimensions wide open and keeps his sentimental streak at bay."


  • Box-Office Quagmire

    Remember fifteen minutes ago, when people were complaining that nobody was making movies about Iraq? Well, while you were blinking, the octoplexes got overstuffed with movies about Iraq. The only problem is that, as A. O. Scott points out, nobody's going to see them. The films that've opened this past year — In the Valley of Elah, Rendition, The Kingdom, The Situation — have been greeted with "soft box office returns." Similar commercial fates may await the string of films currently lined up on the runway, which include Brian De Palma's Redacted and Robert Redford's Lions for Lambs, as well as Grace Is Gone, an indie tearjerker starring John Cusack as a father of two who is widowed by the war, and the adaptation of Khaled Hosseini’s best-seller The Kite Runner, set in Afghanistan during the reign of the Taliban. (As Kim Masters recently wrote in Slate, Lions for Lambs also has its own special problems: it stands to be the next exploding boxcar in the continuing train wreck of Tom Cruise's career.) For all the automatic clucking about how American audiences don't really want to see movies about real problems, some of the recent Iraq movies make it clear that there's a built-in problem in trying to make drama out of an ongoing national trauma. As Scott puts it: "What is missing in nearly every case is a sense of catharsis or illumination. This is hardly the fault of the filmmakers. Disorientation, ambivalence, a lack of clarity — these are surely part of the collective experience they are trying to examine. How can you bring an individual story to a satisfying conclusion when nobody has any idea what the end of the larger story will look like?" — Phil Nugent

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