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The Hooksexup Insider
A daily pick of what's new and hot at Hooksexup.
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Your daily cup of WTF?
Hooksexup@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
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An intimate and provocative look at Siege's life, work and loves.
Kate & Camilla
two best friends pursue business and pleasure in NYC.
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The lustful, frantic diary of a young London photographer.
The Hooksexup Blog-a-log: kid_play
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A bundle of sass who's trying to stop the same mistakes.
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Our newest Blog-a-logger.
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Gay man in the Big Apple, full of apt metaphors and dry wit.
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Naughty and philosophical dispatches from the life of a writer-comedian who loves bathtubs and hates wearing underpants.
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Deep, deep inside the world of online video.
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A Demi in search of her Ashton.
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Hooksexup @ Cannes Film Festival
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The Hooksexup Film Blog
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A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
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Almost everything you want.
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A sassy Canadian who will school you at Tetris.
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Houston neighbors pull back the curtains and expose each other's lives.
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The name says it all.
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A former Mormon goes wild, and shoots nudes, in San Francisco.
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The creator of Supercult.com poses his pretty posse.
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Hooksexup's TV blog.
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A California boy capturing beach parties, sunsets and plenty of skin.
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Smarter gaming.
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A Demi in search of her Ashton.
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A Manhattan pip in search of his pipette.
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Putting your baggage to good use.

The Screengrab

  • Dead-Eyed and Bushy-Tailed: Dubya in the Movies



    Slate offers a timely rundown, in the form of a video slide show by Elbert Ventura, on the ways in which George W. Bush has been represented in movies and TV lo these last eight eventful years. I'll admit that I needed reminded that the decision to cast Josh Brolin in Oliver Stone's W. probably hit Timothy Bottoms pretty hard. For a brief moment there in the early 1970s, his roles in such pictures as Johnny Got His Gun, The Last Picture Show, The Paper Chase, and The White Dawn made it seem as if Bottoms was Hollywood's favorite sweet, slightly boring hippie lead, but when the wave of counterculture films rolled back into the oceans of time, Bottoms's career began to resemble a beached whale that had been out in the sun for a few days. Then Matt Stone and Trey Parker cast him in That's My Bush!, their short-lived parody sitcom that treated life at the White House as a string of broadly played shenanigans accompanied by a shrieking laugh track. The show, which had already begun development under the provisional title Everybody Loves Al before the Supreme Court announced that it was recasting the lead role, wasn't exactly long on precisely targeted political satire: in one memorable episode, wacky high jinks ensued after Laura overheard George talking about his desire to have the family cat put to sleep because of the animal's foul, unhealthy odor and assumed he was talking about the pungent aroma of her gynecological region. (Odd to think that in the course of more than 190 episodes, I Love Lucy never went there.) But Bottoms managed to spin his Bush impression off into a cameo in the Crocodile Hunter movie and then a dramatic starring role in DC 9/11: Time of Crisis, a Showtime cable TV movie that was produced and written by professional "Hollywood conservative Lionel Chetwynd. It was a stroke of casting both obvious and very weird, sort of as if Tina Fey were to star in a celebratory feature-length biopic about Sarah Palin. Of course, the difference between Bottoms in 2003 and Tina Fey now is that Fey has other career options.

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  • Shreveport, La.: Your Family-Friendly One-Stop Film Location

    Shreveport. Louisiana, the third-largest city in the Pelican State and the center of the "Ark-La-Tex" nexus, is a real nice place to raise your kids up. It was once a swaggering power center of the oil business. But then the Lousiana branch of the Standard Oil Company, which was located in Shreveport back when Huey Long used to like to talk trash about the company's Board of Directors and their mamas, got absorbed by the New Jersey branch, and in the 1980s the city was hit hard by an economic downturn. Today the city is enjoying a major resurgence, thanks to an unlikely embrace by the film industry. Oliver Stone's W. is just one of a number of productions shooting there now, following the trail blazed by Factory Girl, The Mist, and Harold and Kumar Escape from Guantanamo Bay. Now, David Carr reports, "Major film-industry companies like Paskal Lighting, Cinelease and Panavision all have permanent presences here. And last month Nu Image/Millennium Films, a producer and distributor of independent films like Mad Money and My Mom’s New Boyfriend, announced the construction of a 6.7-acre production campus with a planned expansion to a 20-acre full-service studio that will have three sound stages, production offices, a mill and a prop house."

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