 After years spent working his way back after the box office failure of his second feature, the underappreciated 1997 comedy Mr. Jealousy, the writer-director Noah Baumbach struck gold with 2005's The Squid and the Whale, about the emotional fallout from the divorce of a culturally ambitious Park Slope family. Because Baumbach's own parents divorced when he was a teenager, and because his father, Jonathan Baumbach, is, like the hero's father in his movie, a novelist — his mother is Georgia Brown, who used to be a film critic for the Village Voice — part of the buzz around the movie was always based on assumptions that it was autobiographical. Baumbach tells Dennis Lim that while he was doing promotion for the film, "Someone would ask me if something was true, and I’d say no, and then they’d ask me a follow-up question under the assumption that it was true. I’d get tripped up answering a question about my real father based on something in the movie that wasn’t real." Baumbach's new follow-up, Margot at the Wedding, is another emotionally charged comedy about marriage and family, and it too draws on Baumbach's life, which now includes the experience of having people ask you presumptuous questions about your life based on what they assume they know about you and your family from your work. The new picture's title character is a writer (Nicole Kidman) who has to contend with readers hell-bent on seeing her fiction as a blueprint of her life and the lives of her family, including her sister, whose busted first marriage served as the basis for one of Margot's stories. (The movie is a family project in another way: Margot's sister is played by Jennifer Jason Leigh, who is married to Baumbach.) So, now that the director can get his projects funded again, does he have any other pipe dreams about the future? "My hope is that I will make enough movies that they can’t all conceivably be autobiographical." — Phil Nugent
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