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ScreenGrab
The Hooksexup Film Blog
Slice
Each month a new artist; each image a new angle. This month: M. Sharkey.
ScreenGrab
The Hooksexup Film Blog
Autumn
A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
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Almost everything you want.
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A San Francisco photographer on the eternal search for the girls of summer.
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Houston neighbors pull back the curtains and expose each other's lives.
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The Screengrab

  • Screengrab's Top Guilty Pleasures (Part Five)

    VADIM RIZOV'S GUILTY PLEASURES:

    HEALTH (1980)

    A lot of Altman films have bad reputations, at least among non-believers, but HealtH was legendarily deemed unreleasable; planned for a release during the 1980 presidential election, it didn't play anywhere before it was finally let into a grudging run at New York's Film Forum in 1982; it's subsequently plunged into obscurity, seen only in extremely rare revivals and occasionally on the Fox Movie Channel. A memorably facile regular charge against Altman is that he did little more than cluster people together and occasionally zoom in; HealtH basically is that movie, but if you enjoy Altman, it's a blast. A naked attempt to update Nashville for the 1980 election, HealtH's political commentary is just as weak as that of Nashville, with less density to cover it up. Kent Jones once wrote that Altman's "tendency ... to go systematic" almost killed this movie, but if you enjoy that process on top of little more than a string of verbal and visual non sequiturs (my favorite: a guy in a tomato costume — don't ask — jumping into a pool for no good reason), it's well worth tracking down. Truly a fans-only effort.

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