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The Hooksexup Insider
A daily pick of what's new and hot at Hooksexup.
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Your daily cup of WTF?
Hooksexup@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
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An intimate and provocative look at Siege's life, work and loves.
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two best friends pursue business and pleasure in NYC.
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A bundle of sass who's trying to stop the same mistakes.
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Our newest Blog-a-logger.
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Gay man in the Big Apple, full of apt metaphors and dry wit.
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Naughty and philosophical dispatches from the life of a writer-comedian who loves bathtubs and hates wearing underpants.
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Deep, deep inside the world of online video.
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A Demi in search of her Ashton.
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A sassy Canadian who will school you at Tetris.
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Houston neighbors pull back the curtains and expose each other's lives.
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The name says it all.
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A former Mormon goes wild, and shoots nudes, in San Francisco.
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The creator of Supercult.com poses his pretty posse.
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Hooksexup's TV blog.
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A California boy capturing beach parties, sunsets and plenty of skin.
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Smarter gaming.
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A Demi in search of her Ashton.
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A Manhattan pip in search of his pipette.
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Putting your baggage to good use.

The Screengrab

  • Kimya Dawson: "Iā€™m into, like, full-audience group-hug kind of stuff."

    Singer-songwriter Kimya Dawson first attracted attention as half of the core (with Adam Green) of the Moldy Peaches, a band whose music stuck many of us as charming but seemed to many others to, at best, define the term "an acquired taste." The group released only one real album of new material, which had the distinctive bad fortune of being released on September 11, 2001, before going "on hiatus." Since then, Dawson, who doesn't have professional management and promotes herself through the Internet, has released a string of low-profile solo albums with such titles as I'm Sorry That Sometimes I'm Mean and My Cute Fiend Sweet Princess. And now, she's part of a smash hit record ā€” the Juno soundtrack, currently number three on the charts. The movie incorporates Dawson's songs ā€” notably "Anyone Else but You", which the stars Ellen Page and Michael Cera perform together at the end of the picture, and which is also heard in the Moldy Peaches' version ā€” and Mateo Messina, who composed the score, tried to take his cues from Dawson's work so that all the music in the movie would have a similar feel.

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