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The Hooksexup Insider
A daily pick of what's new and hot at Hooksexup.
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Your daily cup of WTF?
Hooksexup@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
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two best friends pursue business and pleasure in NYC.
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The lustful, frantic diary of a young London photographer.
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A bundle of sass who's trying to stop the same mistakes.
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Our newest Blog-a-logger.
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Gay man in the Big Apple, full of apt metaphors and dry wit.
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A sassy Canadian who will school you at Tetris.
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Houston neighbors pull back the curtains and expose each other's lives.
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A former Mormon goes wild, and shoots nudes, in San Francisco.
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Hooksexup's TV blog.
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A Demi in search of her Ashton.
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Putting your baggage to good use.

The Screengrab

  • Take Five: Weed

    We were going to call this Take Five "Buddha", and then, like, totally blow your mind by not including Kundun, but frankly, we're just too, you know, we're too, uh...what were we talking about?  Oh, right!  That weed!  The chronic!  Sweet Mary Jane!  A favorite in Hollywood for so many years that it doesn't even seem like a vice to some people (remember Tom Hagen warning the movie producer in The Godfather that one of his stars was about to 'graduate' from marijuana to cocaine), it was a while before social pressures eased up enough to portray herb in anything but the most hysterical terms.  How far we've come, bros!  Today, only a few scant days after 4/20 (the national stoner's holiday), we can each of us get nicely toasted and ditch work early for a matinee of Harold and Kumar Escape from Guantanamo Bay, which posits that even our Commander-in-Chief enjoys a good bong hit now and again.  The noir classic The Sweet Smell of Success contained a plot point that expected us to believe that a jazz musician -- and a white one, at that! -- might see his career ruined by the mere possession of the devil weed, while the new Kal Penn/John Cho vehicle implies that toking up on a regular basis is the best career move you can make.  Here's five more films that deal with the sweet leaf in all its hazy glory.

    REEFER MADNESS (1936)

    This absurd scare-flick is typical of the anti-drug hysteria of the 1920s and 1930s; it's only exceptional in that it's exceptionally over-the-top in its woozy narrative, lurid dialogue, and bizarrely sensationalistic vision of what marijuana will do to you.  (Apparently, it turns you into a murderer or a sex fiend instead of a lazy Xbox-addicted dolt.)  Directed by French-born Louis Gasnier (whose other major claim to fame was the Perils of Pauline serial), it's unintentionally hilarious to the degree that it's been reissued endlessly in every format imaginable for new generations of potheads to giggle at.  In fact, for a film that did poor business, featured no stars, and is incompetently made at every level, it very well may be that Reefer Madness is the most-watched film of the 1930s.  Ah, irony.

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