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The Hooksexup Insider
A daily pick of what's new and hot at Hooksexup.
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Your daily cup of WTF?
Hooksexup@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
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The Daily Siege
An intimate and provocative look at Siege's life, work and loves.
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two best friends pursue business and pleasure in NYC.
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The lustful, frantic diary of a young London photographer.
The Hooksexup Blog-a-log: kid_play
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A bundle of sass who's trying to stop the same mistakes.
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Our newest Blog-a-logger.
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Gay man in the Big Apple, full of apt metaphors and dry wit.
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Naughty and philosophical dispatches from the life of a writer-comedian who loves bathtubs and hates wearing underpants.
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Deep, deep inside the world of online video.
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A Demi in search of her Ashton.
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A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
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Almost everything you want.
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A sassy Canadian who will school you at Tetris.
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Houston neighbors pull back the curtains and expose each other's lives.
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The name says it all.
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A former Mormon goes wild, and shoots nudes, in San Francisco.
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Hooksexup's TV blog.
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The Screengrab

  • EW Makes Great-Movies List; Screengrab Points, Laughs

    With last week blessedly free of celebrities getting knocked up and/or being caught without underwear, Entertainment Weekly has seized upon this fallow period in entertainment news to unveil yet another list for your perusal. In this week’s double issue, EW’s writing staff unveiled their lists of “The New Classics” in a number of media, including their top 100 movies of the last quarter century. There were a few pleasant surprises- like #4 pick Blue Velvet making its second prominent appearance on a high-profile list in less than a week (after the latest AFI special)- and you can't really argue with Pulp Fiction at #1, but many of the choices left something to be desired.

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  • Take Five: 1968

    Brett Morgen's highly praised documentary Chicago 10, about the fallout of the Democratic National Convention in Chicago forty years ago opens in limited release this weekend. Morgen has claimed since it first debuted last year at Sundance that the film isn't really about 1968, but about 2008, and indeed, it seems to have fresh, albeit grim, resonance today, with the recent death of arch-conservative William F. Buckley, who had a memorable confrontation on the air while covering the convention. Steven Spielberg is himself crafting a fictionalized version of the same events for The Trial of the Chicago 7, and America gears up for one of the most electrifying presidential races in recent memory as an unpopular war rages overseas and tumult grips some of our closest allies. But as relevant as it might seem from a moviemaking perspective, in other ways, 1968 couldn't be further away; the revolutionary consciousness of that bloody year and the infinite possibilites that came with the Paris revolts seem like they happened on another planet. Still, in many ways, it was a magical year that casts a very long shadow over the lives of a number of people, many of whom are filmmakers. Here's a look at some of the better films about or influenced by that impossible year.

    MEDIUM COOL (1969)

    In many ways, the definitive film about the events of 1968, at least from an American perspective, will always be Haskell Wexler's Medium Cool. The first nondocumentary feature film directed by the legendary cinematographer was meant to be a highly fictionalized treatment of chaos and mayhem breaking out at the Democratic National Convention in Chicago; but it quickly transmogrified into something altogether stranger, blurring the line between truth and fiction, as reality quickly began to outstrip Wexler's fictionalized vision. Eventually, while filming, he found himself caught up in the (unstaged) action of the riots and police brutality that wracked the city and altered the political landscape of America, and one of his crew uttered the immortal warning: "Look out, Haskell! It's real!" (This later became the title of a very worthwhile 2001 documentary about the movie.)

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  • The Thirteen Greatest Long-Ass Movies of All Time, Part 1

    There are long movies, and there are really long movies. But there's also that notorious third category: The Long-Ass Movie. You know them. Usually they have to be split into two or three parts. Sometimes they have to be released as mini-series, with abbreviated versions put out in theaters. Occasionally they're hacked to pieces by studios and distributors, and become founts of controversy. More often that not, they're made by Germans. (We're not kidding. Check the list.) And most of the time, though sadly not always, they're great — ambitious, sprawling, uncompromising, and riveting. There's something really special about a long-ass movie, which, for our purposes, we're classifying as a film over four hours long. You never forget the experience of sitting through it. We certainly didn't. Here's our list of the Greatest Long-Ass Movies of All Time.



    HAMLET (1996) Running time: 242 mins.

    It's highly unlikely that anyone in Shakespeare's time actually saw Hamlet in full. As many critics and biographers have noted, the full text of The Bard's masterpiece would run over four hours if performed — a prohibitive length even today, despite such modern conveniences as lighting, electricity, and weekends. Clocking in at a limber four hours and two minutes, Kenneth Branagh's full-text version of the play struck a remarkable balance: an uncompromised performance that was also relentlessly cinematic. Some called Branagh's camera tricks show-offy, but he was simply following in the footsteps of one of the great linguistic show-offs of all time. The film's baroque visual style complemented the verbal gymnastics of Shakespeare's sweet tongue, and the result is not only the most faithful adaptation of Shakespeare ever filmed, but also, for our money, one of the absolute best.

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  • Free at Last: Peter Watkins' Privilege

    Earlier this year, there was a swell of interest brought on by a handful of big-screen bookings of Peter Watkins' long-unavailable masterpiece Privilege. But while these screenings were of great interest to those lucky enough to attend, there appeared to be little hope for the majority of cinephiles to finally see the film.  Now it appears the wait is finally over, as Watkins' own site reports that a DVD release is on the horizon:

    "After a long period of uncertainty, Universal Pictures have finally agreed to allow [Watkins' representative] Oliver Groom to release the film as a DVD in North America. I can't say when it will be ready, but hopefully within the next six months or so. This is excellent news, of course, as this film has generally been unavailable since the early 1970s."

    Excellent news indeed. No official date has been announced, but being the diligent Watkins fan I am, I'll report to you with more details as soon as I hear anything.  Personally, I'd recommend that you approach the movie knowing as little as possible.  But if you absolutely can't wait, check out my review of the film from April, or whet your appetite by listening to Track 7 off the Patti Smith Group's album Easter, a version of which figures prominently in the movie's opening concert scene. Paul Clark



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