My long climb to the pinnacle of film industry glory that is the Screengrab began many years ago behind the counter of the original Harvard Square location of Pix Poster Cellar. Although I possessed a bachelor’s degree in film, it was in that cramped, crowded movie memorabilia shop that I was first schooled in the differences between lobby cards and promotional stills, how to differentiate between the large French and large Italian posters without a single language lesson, and which of the items in stock were most precious and rare.
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