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The Hooksexup Insider
A daily pick of what's new and hot at Hooksexup.
Scanner
Your daily cup of WTF?
Hooksexup@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
Coming Soon!
Coming Soon!
Coming Soon!
The Daily Siege
An intimate and provocative look at Siege's life, work and loves.
Kate & Camilla
two best friends pursue business and pleasure in NYC.
Naughty James
The lustful, frantic diary of a young London photographer.
The Hooksexup Blog-a-log: kid_play
The Hooksexup Blog-a-log: Super_C
The Hooksexup Blog-a-log: ILoveYourMom
A bundle of sass who's trying to stop the same mistakes.
The Hooksexup Blog-a-log: The_Sentimental
Our newest Blog-a-logger.
The Hooksexup Blog-a-log: Marking_Up
Gay man in the Big Apple, full of apt metaphors and dry wit.
The Hooksexup Blog-a-log: SJ1000
Naughty and philosophical dispatches from the life of a writer-comedian who loves bathtubs and hates wearing underpants.
The Hooksexup Video Blog
Deep, deep inside the world of online video.
The Hooksexup Blog-a-log: charlotte_web
A Demi in search of her Ashton.
The Prowl, with Ryan Pfluger
Hooksexup @ Cannes Film Festival
May 16 - May 25
ScreenGrab
The Hooksexup Film Blog
Autumn
A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
The Modern Materialist
Almost everything you want.
The Hooksexup Blog-a-log: that_darn_cat
A sassy Canadian who will school you at Tetris.
Rose & Olive
Houston neighbors pull back the curtains and expose each other's lives.
The Hooksexup Blog-a-log: funkybrownchick
The name says it all.
merkley???
A former Mormon goes wild, and shoots nudes, in San Francisco.
chase
The creator of Supercult.com poses his pretty posse.
The Remote Island
Hooksexup's TV blog.
Brandonland
A California boy capturing beach parties, sunsets and plenty of skin.
61 Frames Per Second
Smarter gaming.
The Hooksexup Blog-a-log: Charlotte_Web
A Demi in search of her Ashton.
The Hooksexup Blog-a-log: Zeitgeisty
A Manhattan pip in search of his pipette.
Date Machine
Putting your baggage to good use.

The Screengrab

  • When Good Directors Go Bad: Death Becomes Her (1992, Robert Zemeckis)

    Robert Zemeckis has been one of Hollywood’s most bankable filmmakers for nearly three decades. A former protégé of Steven Spielberg, Zemeckis began his career making broad comedies before a move to big-budget fare demonstrated his flair for cutting-edge special effects. Yet in his best work, Zemeckis is able to seamlessly integrate the demands of ambitious effects with involving storylines that have surprising emotional pull. For example, in his 1985 film Back to the Future, Zemeckis took a science fiction comedy about a teenager traveling back in time to his parents’ high school years and turned it into the story of the boy trying to make things right with his family.

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  • That Guy!: Bob Hoskins

    It's been a long time since we've seen a new entry for That Guy!, the Screengrab's sporadic celebration of B-listers, character actors, and the working famous.  So who better to mark our return than one of the most enjoyable contemporary character actors?  Robert William Hoskins, the short, broad Cockney from Bury St. Edmonds, is one of England's most beloved actors -- quite unusual given that he's never had an acting lesson and his first role came purely by accident.  At the time, Hoskins was seeking a career as a writer, and supported himself, like most failed artists, by working odd jobs -- in this case, as a warehouse worker.  Showing up drunk and a theater to collect a friend who was auditioning for the lead, he was clowning around in the audience and, mistaken for one of the hopefuls by the casting director, he acquitted himself marvelously in the audition and got the part.  It cost him a friend, but it launched one of the richest careers in modern British cinema.  At 5'6", stout, and with an unmistakable working-class accent and demeanor, Hoskins is rarely the best-looking man in the room, even when he's alone; but he's parlayed his unusual appearance and forceful personality into some electrifying roles.  At first known for his ability to play intense and sometimes brutal criminals and assorted villains, he later convinced his agents that he was more diverse than his resume indicated and soon showed an exceptional gift for comedy as well, both verbal and physical.  His big break came in 1980, when, after a number of high-profile television appearances, he netted the lead role in The Long Good Friday (about which see below); it proved to be a turning point in his career, and he's worked steadily ever since, rarely in a lead role but always worth watching (well, maybe with the exception of Super Mario Brothers).  With both blockbuster films and small independent movies to his credit, Hoskins has proven his diversity, and even now, at age 65, he gets offers that men half his age would envy.  Curiously, he has played a number of political leaders from the 1940s and 1950s in his storied career:  Churchhill, Mussolini, Krushchev, and Soviet secret police killer Lavrent Beria.  Of this phenomenon, Hoskins has said, with typical self-deprecation, "Most dictators were short, fat, middle-aged and hairless.  Besides Danny DeVito, there's only me to play them."

    Where to see Bob Hoskins at his best:

    THE LONG GOOD FRIDAY (1980)

    Hoskins' breakout film role came in this gripping, suspenseful gangster movie, which he earned by a stellar performance in Dennis Potter's fantastic television mini-series Pennies from Heaven.  Playing Harold Shand, a short-tempered and violent British gangster, Hoskins is endlessly fascinating to watch:  his character, used to being in complete control, is a textbook case of slow, angry boil as his world begins to completely unravel on what should be the occasion of his greatest triumph.  Watching Shand fall to pieces as he thrashes about helplessly, trying to find out who is out to destroy him and why, is one the greatest treats the gangster genre has to offer.

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  • Screengrab Salutes: The Top 20 Animated Features Films (Part Three)

    PERSEPOLIS (2007)



    In the same way graphic novels like Marjane Satrapi’s Persepolis have expanded the thematic possibilities of pen and ink comics beyond run-of-the-mill superhero adventures and the romantic entanglements of the gang at Riverdale High, so too does this pristine cinematic adaptation demonstrate the ability of animation to lend a necessary artistic distance to depictions of events that would simply be too grim or painful to watch otherwise.  Satrapi’s autobiographical tale (which she co-scripted and co-directed with her graphic novel collaborator Vincent Paronnaud) tackles big subjects like the Iranian Revolution, Islamic fundamentalism and the agony of adolescence with visual flair and heartfelt humanity, while the voice performances (by an effervescent Danielle Darrieux, Catherine Deneuve and her daughter, Chiara Mastroianni (as Satrapi) are far more three-dimensional than many of 2007’s live action female roles.

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