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Blame it on the Dow

Posted by Olivia Purnell

 

Above, Brian Austin Green poses hard as Derek Reese in Terminator: The Sarah Connor Chronicles, a show that was recently renewed, in spite of the fact that it’s falling behind in the ratings.  Knight Rider, Private Practice, and T:TSOC were all picked up this season despite fairly low viewership.  We must say, people should tune into Private Practice just for a quick look at Taye Diggs.

Dig Diggs after the jump:


 

We watch these shows for obvious reasons (see Diggs' picture).  Except Knight Rider; we can’t abide by Knight Rider . . . That talking car creeps us out, and, you know, it’s also just not good.  But, we watch and write about T:TSOC with a fervor (for hilarious recappage, click here).   But facts are facts, the ratings for these shows are fairly low.  The Hollywood Reporter suggests that our national economic hiccup (read: meltdown) may be a factor in these unusual pickups:


The economic crisis, combined with the cost of marketing a new series, the lack of new programming inventory because of the WGA strike and the anticipated difficulty of locking down new advertiser commitments, has networks inclined to play it safe.

"From the networks' standpoint, they're loath to cancel since the cost of finding something to replace a show may not be worth it," said Shari Anne Brill, vp and director of programming at Carat. "And advertisers still prefer to be in a quality scripted series to an inexpensive reality show," she said, adding, "I'm in the camp that believes it's a mistake for an advertiser to disappear during a recession because you need the consumer awareness so sales won't grind to a halt."


Listen, we’ve got no problem continuing to follow the Connor family's adventures, or envying Kate Walsh’s perfectly styled hair on Private Practice.  But, The Hollywood Reporter seems to suggest that we’re stuck with these shows instead of inventive fresh alternatives.  So not only are our wallets  empty, but our programming is stale.  The economy strikes again.  Damn you Dow Jones, damn you.
 

 


+ DIGG + DEL.ICIO.US + REDDIT

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Lindy Parker has worked as a ghostwriter, editor, dance instructor and a purveyor of dreams, one beer at a time. She loves Charles Dickens and Gabriel Garcia Marquez and also, straight-to-video releases with Mary-Kate and Ashley Olsen. It's possible she reads more teen fiction than she should. She hails from Los Angeles, her hometown and soul mate, but she lives in Brooklyn, the fling she'll never forget.

Olivia Purnell left Ohio for sunny Los Angeles; then found that she couldn’t ignore New York City’s call, and brought herself to Brooklyn where she has worked with GenArt, BlackBook, the School of American Ballet, and finished an M.A. in Creative Writing from N.Y.U. She loves one-liners with sting and hates the stench of the subway in the summer. That said, she can’t get enough of either.

Jake Kalish is a freelance journalist and humorist whose work has appeared in Details, Maxim, Stuff, New York Press, Spin, Blender, Men's Fitness, Poets and Writers, and Playboy, among other publications. He is also the author of Santa vs. Satan: The Official Compendium of Imaginary Fights.

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Ben Kallen is an entertainment, health and humor writer who's been lectured to by Sidney Poitier, argued with by Lea Thompson and smiled at by Jennifer Connelly. He's the coauthor of The No S Diet and author of The Year in Weird, along with hundreds of magazine articles. He lives near the beach in Los Angeles, just like the gang from Three's Company.

Nicole Ankowski has lived in Ohio, Oakland, and on the high plains of South Dakota, but is now proud to call Brooklyn home. She wrote for alternative weekly papers in the first two states, and tried to learn Lakota in the last. (The vowels can be tricky.) She just earned her MFA in Creative Writing and has been published in Beeswax literary journal. She is unable to resist good writing or bad TV.

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