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  • America the Critical: 15 Movies That Show What's Wrong With U.S. (Part Three)

    SWEET SWEETBACK'S BAADASSSSS SONG (1971) & BAADASSSSS! (2003)



    In 1971, director Melvin Van Peebles, sick of Hollywood’s portrayal of African Americans, risked everything to present his own version of the black experience where, according to his own manifesto for the project, “niggers could walk out standing tall instead of avoiding each other's eyes.” For White America, the most shocking aspect of Van Peebles’ film was the fact that its hero, falsely-accused murder suspect Sweetback (played by the director himself) not only escapes “The Man,” but also takes out a few white cops along the way and, in the final credits, offers the warning: “Watch out - a baad assss nigger is coming to collect some dues." Unlike the “can’t we all just get along” sentiment of the Civil Rights Movement, Van Peebles’ film dared to publicly acknowledge the black community’s righteous indignation after 300 years of mistreatment at the hands of Caucasians (a still-shocking sentiment, as evidenced by the media’s recent saturation bombing of Rev. Jeremiah Wright’s “God damn America!” soundbite), influencing everything from the blaxploitation genre that followed directly on the heels of Sweetback’s box office success to the politicized rap of N.W.A. and Public Enemy and Mookie’s controversial decision to hurl a garbage can through the window of Sal’s Pizzeria in Spike Lee’s iconic Do The Right Thing (1989). But (as the director’s son and Sweetback co-star, Mario, dramatized in his own 2003 biopic, BAADASSSSS!), Van Peebles was more a social crusader than a wild-eyed militant, providing opportunity and experience to minorities both in front of and behind the camera...plus, he gave Earth, Wind & Fire their first big break, which all by itself helped to make America (and the world) a slightly better place to be.

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