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The Hooksexup Insider
A daily pick of what's new and hot at Hooksexup.
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Your daily cup of WTF?
Hooksexup@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
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An intimate and provocative look at Siege's life, work and loves.
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two best friends pursue business and pleasure in NYC.
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The lustful, frantic diary of a young London photographer.
The Hooksexup Blog-a-log: kid_play
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A bundle of sass who's trying to stop the same mistakes.
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Our newest Blog-a-logger.
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Gay man in the Big Apple, full of apt metaphors and dry wit.
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Naughty and philosophical dispatches from the life of a writer-comedian who loves bathtubs and hates wearing underpants.
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Deep, deep inside the world of online video.
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A Demi in search of her Ashton.
The Prowl, with Ryan Pfluger
Hooksexup @ Cannes Film Festival
May 16 - May 25
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The Hooksexup Film Blog
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A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
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Almost everything you want.
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A sassy Canadian who will school you at Tetris.
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Houston neighbors pull back the curtains and expose each other's lives.
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The name says it all.
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A former Mormon goes wild, and shoots nudes, in San Francisco.
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The creator of Supercult.com poses his pretty posse.
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Hooksexup's TV blog.
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A California boy capturing beach parties, sunsets and plenty of skin.
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A Demi in search of her Ashton.
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The Screengrab

  • Take 5: Character Actors Who Take The Lead

    Film critics often love character actors more than leading men or women.  With good cause, too: as we saw with our Leading Men and Leading Ladies Top 25 lists, some of the people at the top of the ticket couldn't act their way out of a wet paper bag.  But they have charisma in spades, and that's what it takes for a leading actor to make the big bucks.  Character actors, on the other hand, are the craftsmen of the profession, learning how to bring their own sense of self to many different roles.  They have charisma, too, but it's a weird, flawed charisma. Character actors seem more like regular people, although they are usually the hardest-working actors in the trade.  They often don't have the luxury of choosing their projects, and many seem happy to be earning a paycheck.  But they don't just spin their wheels, no.  They bring their game to even the paltriest of projects.  For them, acting is about the love.

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  • The Many Unmellow Moods of Werner Herzog

    Rescue Dawn, Werner Herzog's most recent feature film (as a directors; Werner the part-time actor can be seen on-screen, imaginatively cast as a character called "The German", in Zak Penn's comedy The Grand is just now coming out on DVD in England, which means that, as water to a man just having crossed the desert, we can turn to the British papers now to be refreshed and refortified with that most wonderous of all things, Werner Herzog interviews! Will he profess his newfound enthusiasm for working in the Hollywood system or damn the whole of cinema as a fraud and a humbug? Will he discuss his latest hobby, whether it's butterfly collecting or grave robbing? Will he he recall those carefree days when he killed him a bear when he was only three? Talking to Marc Lee of the London Telegraph, Herzog decided to go for the set' em-up-and-knock-'em-down approach, a Teutonic, Klaus-Kinski-flavored variation what we in the States used to call "the ol' bait and switch." He told his interlocutor that he not only hadn't seen any movies before he was eleven but that, up to that point, he hadn't been aware that the form existed. Lee, hearing what in a normal Q & A would be an obvious set-up, ventured that "it must have been a shock to encounter these magical, bright, flickering images for the first time." "No!" replies Werner, transported back to that magical time when he and the art to which he would devote his life first caught each other's eye. "It was not a shock. There was a travelling projectionist who came to this tiny little village in the mountains and showed a couple of films in the school, and they didn't impress me at all. It was not a shock; it was just very disappointing. The films were so lousy. One was about Eskimos building an igloo. And I could tell - because I had grown up in the mountains and in snow - that these 'Eskimos' had hardly any idea about how to shape something with snow. They were just doing a lousy job. Then there was a cut, and suddenly the igloo was built perfectly." And don't get him started on how fake it looked when the Eskimos pulling their steamboat up a mountain.

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  • Famous Last Words: Round 1, Week 12

    So, how'd you like that quote last week? Sounded pretty heroic, didn't it? Well, you wouldn't be saying that if you heard it in its natural context, as the final line of Werner Herzog's 1979 film Nosferatu the Vampyre...

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