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The Hooksexup Insider
A daily pick of what's new and hot at Hooksexup.
Scanner
Your daily cup of WTF?
Hooksexup@SXSW 2006.
Blogging the Roman Orgy of Indie-music Festivals.
Coming Soon!
Coming Soon!
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The Daily Siege
An intimate and provocative look at Siege's life, work and loves.
Kate & Camilla
two best friends pursue business and pleasure in NYC.
Naughty James
The lustful, frantic diary of a young London photographer.
The Hooksexup Blog-a-log: kid_play
The Hooksexup Blog-a-log: Super_C
The Hooksexup Blog-a-log: ILoveYourMom
A bundle of sass who's trying to stop the same mistakes.
The Hooksexup Blog-a-log: The_Sentimental
Our newest Blog-a-logger.
The Hooksexup Blog-a-log: Marking_Up
Gay man in the Big Apple, full of apt metaphors and dry wit.
The Hooksexup Blog-a-log: SJ1000
Naughty and philosophical dispatches from the life of a writer-comedian who loves bathtubs and hates wearing underpants.
The Hooksexup Video Blog
Deep, deep inside the world of online video.
The Hooksexup Blog-a-log: charlotte_web
A Demi in search of her Ashton.
The Prowl, with Ryan Pfluger
Hooksexup @ Cannes Film Festival
May 16 - May 25
ScreenGrab
The Hooksexup Film Blog
Autumn
A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
The Modern Materialist
Almost everything you want.
The Hooksexup Blog-a-log: that_darn_cat
A sassy Canadian who will school you at Tetris.
Rose & Olive
Houston neighbors pull back the curtains and expose each other's lives.
The Hooksexup Blog-a-log: funkybrownchick
The name says it all.
merkley???
A former Mormon goes wild, and shoots nudes, in San Francisco.
chase
The creator of Supercult.com poses his pretty posse.
The Remote Island
Hooksexup's TV blog.
Brandonland
A California boy capturing beach parties, sunsets and plenty of skin.
61 Frames Per Second
Smarter gaming.
The Hooksexup Blog-a-log: Charlotte_Web
A Demi in search of her Ashton.
The Hooksexup Blog-a-log: Zeitgeisty
A Manhattan pip in search of his pipette.
Date Machine
Putting your baggage to good use.

The Screengrab

  • Stan The Man & His A-Fan Plan

    As everyone with a pulse and the patience to sit through endless special effects credits knows by now, both Iron Man  and The Incredible Hulk have featured in-continuity teasers at the end which are meant to prepare audiences for Marvel Studios' upcoming Avengers movie, in which the characters (as well as those from yet-to-be-released Marvel projects like The Mighty Thor, Captain America and Ant-Man) will all come together as Earth's mightiest super-team.  It's still unclear whether or not the Hulk will be a hero in the film or the villain, but it's sure that Marvel will continute to take the same intertwined, big-event approach to their movies that they did (with great success) with their comics.    All of which begs the question  what does Stan Lee think of all this?

    Stan "The Man", editor-in-chief, head writer, and co-creator of the lion's share of Marvel titles during their most productive (and profitable) period, has always been an enthusiastic interview and an outspoken character with lots to say about how his characters are handled onscreen.  Now 83 years old, he's clearly looking forward to at least another two decades of goofy cameos in Marvel films, and he even drops some amusing anecdotes in this USA Todayinterview about the Avengers project.   There's the news that romance novel cover boy Fabio once auditioned for the role of Thor; the oft-told genesis of the Astonishing Ant-Man; and how Nick Fury owes his existence to Stan's low boredom threshhold.

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  • Toaster Head Fans Viciously Snubbed By Marvel

    With Iron Man looking to be a runaway success, Marvel Comics' film production arm is naturally looking to capitalize on the box office take to move ahead with production on future superhero franchises.  So what comic book superhero is next for the House of Ideas?  How about...all of them?

    In its quarterly earnings report, Marvel discloses (among other things, including that it made enough money this year to buy Stan Lee a Silver Surfer-themed iron lung) that it's in the process of developing a boatload of new multimedia projects for release in the next four years.  In addition to a plethora of video games, TV shows, animated series and direct-to-DVD animated features, Marvel Film -- the company's in-house production unit -- has scheduled for release The Incredible Hulk, an Iron Man sequel, a Thor movie, a Captain America solo adventure, an Avengers team picture, and, of all things, a feature film starring perennial sad-sack second-stringer Ant-Man.  (We're hoping that this one sticks to the current comics approach to the character and plays as straight-up satire.)  In addition to all of that, Marvel has two licensed properties set to release in the next year:  a Punisher sequel, entitled War Zone, is releasing through Lionsgate this Christmas, and an X-Men prequel, entitled Wolverine, drops a year from now through Fox.  All that, and no Dr. Strange?  I guess no one wants to take on the supreme challenge of out-acting Peter Hooten.

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  • Marvel Comics Is Ready for Its Close-Up

    A long time ago when the world made sense, there were two kinds of comic books: DC comics and Marvel comics. And while Marvel reigned supreme at the comics shop, the company dearly wanted to break into the lucrative and ego-stroking business of licensing it characters for major motion pictures, and it was there that DC pantsed Marvel and took its lunch money. While DC was the home of Superman and Batman, Marvel was the home base of Howard the Duck. For years, Marvel's role in the Hollywood fod chain was epitomized by the 1994 Fantastic Four movie, a cheesy, cheap-looking affair that Marvel put into production without bothering to inform the people who worked on it that they had no intention of releasing it to theaters or even home video but were contractually obliged to make something if they wanted to hang onto the film rights to their own characters. All that started to change in 2000 with Bryan Singer's X-Men, whose success the director was unable to duplicate with his later stab at rebooting Superman. A couple of years later, Sam Raimi's take on the Marvel flagship hero Spider-Man launched a major franchise and proved that Marvel could sire a blockbuster movie without Singer or Hugh Jackman modeling a haircut that could open bottles and cans.

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