Register Now!

Media

  • scannerscanner
  • scannerscreengrab
  • modern materialistthe modern
    materialist
  • video61 frames
    per second
  • videothe remote
    island
  • date machinedate
    machine

Photo

  • sliceslice
    with m. sharkey
  • paper airplane crushpaper
    airplane crush
  • autumn blogautumn
  • brandonlandbrandonland
  • chasechase
  • rose & oliverose & olive
Scanner
Your daily cup of WTF?
ScreenGrab
The Hooksexup Film Blog
Slice
Each month a new artist; each image a new angle. This month: M. Sharkey.
ScreenGrab
The Hooksexup Film Blog
Autumn
A fashionable L.A. photo editor exploring all manner of hyper-sexual girls down south.
The Modern Materialist
Almost everything you want.
Paper Airplane Crush
A San Francisco photographer on the eternal search for the girls of summer.
Rose & Olive
Houston neighbors pull back the curtains and expose each other's lives.
chase
The creator of Supercult.com poses his pretty posse.
The Remote Island
Hooksexup's TV blog.
Brandonland
A California boy capturing beach parties, sunsets and plenty of skin.
61 Frames Per Second
Smarter gaming.
Date Machine
Putting your baggage to good use.

61 Frames Per Second

Going Vertical: How Capcom’s Developers Are Changing the Landscape of 3D Games

Posted by John Constantine



Development teams Airtight Games and GRIN are both working on titles for Capcom with unique hooks for three dimensional gaming. While both trade in that most common of play mechanics, shooting things, they’re both predominantly focused on providing the player with a unique way to move about their respective worlds. GRIN’s revitalization of the Bionic Commando franchise is built around a grappling hook and Airtight’s Dark Void is built around having a jetpack. Superficially it might seem that these sorts of tools are little more than a gimmick, shallow expansions on the sort of gravity play that has been essential to gaming since the first time Pitfall Harry jumped on a vine. But what they really offer is new solutions to the problem that’s plagued 3D games since Mario 64: precision control on the Z-axis. Nintendo’s Mario Galaxy itself had a novel answer to the problem in building the game around small, spherical play fields allowing microcosms of gravitational law reign in movement in 3D space. Airtight Games and GRIN have gone with vertical spaces instead and, instead of direct manipulation of gravity, have used tools to give the player more control and freedom. The grappling hook ties the player to the environment directly in Bionic Commando and the jetpack in Dark Void gives the player powered flight to scale the game’s levels (Mario himself has had flight in his 3D games but not thrust and so the mechanic has traditionally been used to “glide” over more horizontal spaces). They’re exciting ideas from the both teams and stand to make an impact on the way designers broadly think about 3D gaming not tied directly to the ground.

Head over to 1up.com to check out their exclusive preview coverage of Dark Void and you can get an in-depth look at Bionic Commando (61FPS early hopeful for 2008 Game of the Year) at the game's homepage.


+ DIGG + DEL.ICIO.US + REDDIT

Comments

No Comments

in

Archives

about the blogger

John Constantine, our superhero, was raised by birds and then attended Penn State University. He is currently working on a novel about a fictional city that exists only in his mind. John has an astonishingly extensive knowledge of Scientology. Ultimately he would like to learn how to effectively use his brain. He continues to keep Wu-Tang's secret to himself.

Derrick Sanskrit is a self-professed geek in a variety of fields including typography, graphic design, comic books, music and cartoons. As a professional hipster graphic designer, his recent clients have included Hooksexup, Pitchfork and MoCCA, among others.

Amber Ahlborn - artist, writer, gamer and DigiPen survivor, she maintains a day job as a graphic artist. By night Amber moonlights as a professional Metroid Fanatic and keeps a metal suit in the closet just in case. Has lived in the state of Washington and insists that it really doesn't rain as much as everyone says it does.

Nadia Oxford is a housekeeping robot who was refurbished into a warrior when the world's need for justice was great. Now that the galaxy is at peace (give or take a conflict here or there), she works as a freelance writer for various sites and magazines. Based in Toronto, Nadia's prized possession is a certificate from the Ministry of Health declaring her tick and rabies-free.

Bob Mackey is a grad student, writer, and cyborg, who uses the powerful girl-repelling nanomachines mad science grafted onto his body to allocate time towards interests of the nerd persuasion. He believes that complaining about things on the Internet is akin to the fine art of wine tasting, but with more spitting into buckets.

Joe Keiser has a programming degree from Johns Hopkins University, a tiny apartment in Brooklyn, and a fake toy guitar built in the hollowed-out shell of a real guitar. He writes about games and technology for a variety of outlets. One day he will stop doing this. The day after that, police will find his body under a collapsed pile of (formerly neatly alphabetized) collector's edition tchotchkes.

Cole Stryker is an American freelance writer living in York, England, where he resides with his archeologist wife. He writes for a travel company by day and argues about pop culture on the internet by night. Find him writing regularly here and here.

Peter Smith is like the lead character of Irwin Shaw's The 80-Yard Run, except less athletic. He considers himself very lucky to have this job. But it's a little premature to take "jack-off of all trades" off his resume. Besides writing, travelling, and painting houses, Pete plays guitar in a rock trio called The Aye-Ayes. He calls them a 'power pop' band, but they generally sound more like Motorhead on a drinking binge.


Send tips to


Tags

VIDEO GAMES


partners