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How Much Simpler Do ESRB Ratings Need To Get?

Posted by Nadia Oxford

At some point when I wasn't paying attention, the Internet began to boil about something the pre-presidential version of Barack Obama said about video games and violence. To paraphrase, he wants ESRB ratings to be clearer and explain more thoroughly what kind of content a concerned parent might find in Kill 'Em All IV.

Admirable, but what's the point of novel-length content labels if parents refuse to bother getting past the letters?

I'm generally patient with the human race, but damn if we sure don't like putting ourselves out. The typical adult defence against change is to whine, "I don't waaaaant to!" like a three-year-old. When change inevitably happens and new methods are applied to old systems, human survival instinct automatically kicks us into the proper response, which is to sit down hard on the floor and cry "I don't get it, it's too haaaard", followed by rubbing grimy fists into tear-stained eyes. This might account for why so many parents have simply chosen to ignore the ESRB: games aren't rated with the MPAA's safe and familiar alphabet. That, or a lot of parents are simply bone lazy.

It's not to say the ESRB's system is failsafe (Rating a game "E10+" and merely citing "Suggestive Themes" is about as useful as citing it for "Peanut Butter Monkey Pants"), but the MPAA's system doesn't offer a thousand lines of detail, either. Nevertheless, movies seem to get in a lot less trouble than games. When some fish-eyed parent goes on television to scream (in between smoker's hacks) about the violence her five-year-old was exposed to in an R-rated movie, the world usually says in a collective voice, "Duh, the movie is rated R." The problem falls off the news as soon as someone takes footage of a monkey riding a dog like a horse.

Video games are newer and scarier. I hate to speak ill of the dead, but too many newspapers are talking about how Brandon Crisp was obsessed with a "violent game." None I've seen have bothered mentioning that Call of Duty 4 is rated M an was therefore never meant for his funky 15-year-old self.

No matter how often the ESRB ratings are shoved down the throats of parents, not enough of them do anything except cringe away from the alien black and white runes. If the MPAA would stop being a letter-hog, people would be a lot less confused. Then again, the system might not work so well across North America, since Canada rates its movies with systems that change from Province to Province. An "R" in Ontario is far different from an "R" in America.

We could just print out ESRB ratings information and stuff them up the bum of every parent on the continent. Yes, a reverse strategy. That might work.

Related Links:

Missing the Point: The New York Senate Passes Mandatory Games Ratings Bill
I'll Tell You When I've Had Enough!
The Ten Videogames That Should Have Been Controversial, Part One


+ DIGG + DEL.ICIO.US + REDDIT

Comments

Roto13 said:

That "E for Everyone" picture was my AIM icon for as long as I couldn't remember how to change my AIM icon.

November 11, 2008 7:37 PM

Demaar said:

Ratings in Australia match movies. I've always wondered why the hell ESRB ratings don't too. Even if it's just as easy to understand, there's still the matter of public perception to those ratings.

November 11, 2008 9:19 PM

Nemo Incognito said:

Double-ratings were proposed for games in the UK a while ago (15- and 18-rated games will carry a British Board of Film Classification rating as well as the game-specific PEGI rating) but I doubt it'll do much good.  No matter how many parents are educated we only need one to be stupid to trigger another scandal.  But it's nice to see someone put the blame where it needs to go instead of constantly trying to excuse the games ratings for being 'flawed' or 'too confusing to non-gamers'.

November 12, 2008 6:52 PM

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John Constantine, our superhero, was raised by birds and then attended Penn State University. He is currently working on a novel about a fictional city that exists only in his mind. John has an astonishingly extensive knowledge of Scientology. Ultimately he would like to learn how to effectively use his brain. He continues to keep Wu-Tang's secret to himself.

Derrick Sanskrit is a self-professed geek in a variety of fields including typography, graphic design, comic books, music and cartoons. As a professional hipster graphic designer, his recent clients have included Hooksexup, Pitchfork and MoCCA, among others.

Amber Ahlborn - artist, writer, gamer and DigiPen survivor, she maintains a day job as a graphic artist. By night Amber moonlights as a professional Metroid Fanatic and keeps a metal suit in the closet just in case. Has lived in the state of Washington and insists that it really doesn't rain as much as everyone says it does.

Nadia Oxford is a housekeeping robot who was refurbished into a warrior when the world's need for justice was great. Now that the galaxy is at peace (give or take a conflict here or there), she works as a freelance writer for various sites and magazines. Based in Toronto, Nadia prizes the certificate from the Ministry of Health declaring her tick and rabies-free.

Bob Mackey is a grad student, writer, and cyborg, who uses the powerful girl-repelling nanomachines mad science grafted onto his body to allocate time towards interests of the nerd persuasion. He believes that complaining about things on the Internet is akin to the fine art of wine tasting, but with more spitting into buckets.

Joe Keiser has a programming degree from Johns Hopkins University, a tiny apartment in Brooklyn, and a fake toy guitar built in the hollowed-out shell of a real guitar. He writes about games and technology for a variety of outlets. One day he will stop doing this. The day after that, police will find his body under a collapsed pile of (formerly neatly alphabetized) collector's edition tchotchkes.

Cole Stryker is an American freelance writer living in York, England, where he resides with his archeologist wife. He writes for a travel company by day and argues about pop culture on the internet by night. Find him writing regularly here and here.

Peter Smith is like the lead character of Irwin Shaw's The 80-Yard Run, except less athletic. He considers himself very lucky to have this job. But it's a little premature to take "jack-off of all trades" off his resume. Besides writing, travelling, and painting houses, Pete plays guitar in a rock trio called The Aye-Ayes. He calls them a 'power pop' band, but they generally sound more like Motorhead on a drinking binge.


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