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61 Frames Per Second

Our Emulation Habits

Posted by Bob Mackey

A long, long time ago (actually, it was just this past Friday) fellow blogger and 61FPS boss-man pined over his inability to emulate.  I'm afraid that I'm a bit less romantic than John, even though my feelings about emulation have changed slightly over the years.  But when I first started emulating--man oh man--it was like some sort of amazing technology I dreamed about but never thought would exist.  As is the case with most people who caught onto emulation, I got hooked on NESticle back in 1997, and spent the copious amounts of free time I had (I was a dork in high school, after all) downloading all the games from my past I was dying to play again. 

If I'm not mistaken, I think this was also the year that SNES emulators--a baffling proposition at the time--first started to support sound.  I remember downloading a .wav file of the Chrono Trigger opening song as played through the soon-to-be released SNES9X and sitting there completely awestruck.  Yes, even then I realized how nerdy I was.

Really, the late 90s-early 00s were a very fruitful time for emulation, and during this short span of years we saw some of the most notable translations: Final Fantasy V, Seiken Densetsu 3, and even a ROM dump of Nintendo's own aborted attempt at releasing the first Mother game. If emulation has served me any good, it's come from being able to play games I would've never been able to play otherwise. The translation scene is much quieter these days, but every once in a while there's a huge release, like the PSX version of Tales of Phantasia or Mother 3, which we can't stop blogging about.

Really, the inauthenticity of emulation really doesn't get to me, because the differences from the real hardware are--in my eyes--imperceptible; and I'd rather play something great with minor imperfections than not play anything at all.  The only trap I've ever fallen into has been the dreaded "emulation fatigue," which happens when you have a lot of ROMs but not a lot of patience.  It's easy to judge and dismiss a game in moments when you've got hundreds more sitting on your hard drive; most people suffering from this disorder try out games for roughly eight seconds before deciding to never play them again.  But I've found that if I actually pay money for emulation, usually via the Wii's Virtual Console, this problem disappears entirely.  I still have a bunch of games I've never finished sitting on my Wii, but I feel compelled to go back to them because they actually have a dollar value.  Not sure if that makes me a hypocrite, but that's my typical behavior.

So I'm going to go ahead and say "Huzzah for emulation!" as long as it isn't hurting anyone. I honestly don't see the point in ethical hand-wringing over games we'll probably never see on any platform again; sure, Capcom may not see a dime from you downloading a DuckTales ROM, but the great money chain for that game was broken about 18 years ago. That doesn't make you entitled to play it, but in the end, who the hell cares?

Related Links:

Question of the Day: Why Can’t I Emulate?
THE MOTHER 3 TRANSLATION IS OUT
The End of Time and the Beginning of Fan Drama


+ DIGG + DEL.ICIO.US + REDDIT

Comments

Roto13 said:

I know what you mean about emulation fatigue. I used to have (what I was told was) a complete set of NES roms. I played them all for like thirty seconds each, just so I could say I did. :P (By the way, Lickle is apparently awesome.)

I prefer licensed roms on the Virtual Console, if only because I prefer playing games on my TV than on my computer. Plus, I can technically say they're part of my game collection that way, since I own the license to play them. Also, any way I can show Sega that I'm willing to pay money for Comix Zone is fine by me.

October 29, 2008 8:32 PM

DAN! said:

I understand your fatigue idea completely, but I wouldn't go as far say I've overlooked any games worth playing because of it. I mean, there were A LOT of genuinely crappy games back in the day.

To you I submit exhibit A: Deathbots on the NES. Possibly the worst game ever. Playing it for more than 30 seconds is an insult to every good video game on the planet. But surfing craptacular ROMs like that one is almost a different experience than traditional gaming anyway. It makes for great parties; I can't even count how many living rooms full of drunken college kids I've entertained with A.D.D. snippits of Street Fighter 2010, Zero Wing, or that Home Improvement platformer.

But I digress. I decide to seriously play old-school video games the same way I learn about new ones for the most part: word of mouth, be it online or in person. I'd be lying if I said I was interested in RPGs when I was younger, so paying for Final Fantasy 3 when it was out wasn't on my radar. But thanks to emulation and the WTFs of my peers, I can now say it's one of my favorite games. However, it's certainly not the type of game I'd write off in 30 seconds, like, say, Nightmare on Elm Street on the NES.

The concept of Virtual Console seems great to me, but most of the games I'd buy there I already have in cartridge form. For those select few I don't, paying to support developers of games I already have on my modded Xbox would be awesome, but it's not exactly battling rent on my priority list. Besides, I'm broke as a joke in a bicycle spoke as it is, knaamean? Times is hard.

October 29, 2008 10:56 PM

Ian said:

I have a full batch of NES ROMs, but I only really play what I want to play (not flipping through them as though I'm flipping a television channel).

Actually, I prefer emulation on a console anyway...I have lots of Virtual Console stuff, and the homebrew emulators on the Wii for that which isn't available yet (or may never be available), and on the go I have some stuff on my DS.

October 29, 2008 10:57 PM

Demaar said:

I used to emulate like mad. Mostly games I never played, but also games I used to own that were stolen or lost. I've bought a bunch on VC though, even games I still have copies of (like the Shining Force series).

October 31, 2008 7:53 AM

About Bob Mackey

For a brief period of time I was Bull from TV's Night Court, but some of you may know me from the humor column I wrote for Youngstown State University's The Jambar, Kent State University's The Stater, and Youngstown's alternative newspaper, The Walruss. I'm perhaps most well-known for my bi-weekly pieces on Something Awful. I've also blogged for Valley24.com and have written articles for EGM, 1UP, GameSpite and Cracked. For all of my writing over the years, I have made a total of twenty American dollars. It's also said that I draw cartoons, which people have described with words such as "legible." I kidnapped the Lindbergh Baby and am looking to do so again in the future.

If unsatisfied, please return unused portion for partial refund.

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John Constantine, our superhero, was raised by birds and then attended Penn State University. He is currently working on a novel about a fictional city that exists only in his mind. John has an astonishingly extensive knowledge of Scientology. Ultimately he would like to learn how to effectively use his brain. He continues to keep Wu-Tang's secret to himself.

Derrick Sanskrit is a self-professed geek in a variety of fields including typography, graphic design, comic books, music and cartoons. As a professional hipster graphic designer, his recent clients have included Hooksexup, Pitchfork and MoCCA, among others.

Amber Ahlborn - artist, writer, gamer and DigiPen survivor, she maintains a day job as a graphic artist. By night Amber moonlights as a professional Metroid Fanatic and keeps a metal suit in the closet just in case. Has lived in the state of Washington and insists that it really doesn't rain as much as everyone says it does.

Nadia Oxford is a housekeeping robot who was refurbished into a warrior when the world's need for justice was great. Now that the galaxy is at peace (give or take a conflict here or there), she works as a freelance writer for various sites and magazines. Based in Toronto, Nadia's prized possession is a certificate from the Ministry of Health declaring her tick and rabies-free.

Bob Mackey is a grad student, writer, and cyborg, who uses the powerful girl-repelling nanomachines mad science grafted onto his body to allocate time towards interests of the nerd persuasion. He believes that complaining about things on the Internet is akin to the fine art of wine tasting, but with more spitting into buckets.

Joe Keiser has a programming degree from Johns Hopkins University, a tiny apartment in Brooklyn, and a fake toy guitar built in the hollowed-out shell of a real guitar. He writes about games and technology for a variety of outlets. One day he will stop doing this. The day after that, police will find his body under a collapsed pile of (formerly neatly alphabetized) collector's edition tchotchkes.

Peter Smith is like the lead character of Irwin Shaw's The 80-Yard Run, except less athletic. He considers himself very lucky to have this job. But it's a little premature to take "jack-off of all trades" off his resume. Besides writing, travelling, and painting houses, Pete plays guitar in a rock trio called The Aye-Ayes. He calls them a 'power pop' band, but they generally sound more like Motorhead on a drinking binge.


CONTRIBUTORS

Cole Stryker is an American freelance writer living in York, England, where he resides with his archeologist wife. He writes for a travel company by day and argues about pop culture on the internet by night. Find him writing regularly here and here.

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