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Question of the Day: Why Can’t I Emulate?

Posted by John Constantine



I am a console gamer. It’s not something I’m proud of, not a badge I wear to mark myself or somehow justify the way I view the medium as a whole. It does, however, define what I’m drawn to play, what genres I return to year after year, and just what I’ve had the opportunity to play since I was four years-old. Only playing games on devices that fit in my pocket or plug into a television has, by turns, given me an incredibly imbalanced game-literacy. Deep, respected play experiences bound to personal computers are things I’m familiar with by name only. Space Quest? Fallout? Oh, yeah, sure, I’ve heard of those. Great games, right? Call me a nerd with a seriously warped perspective, but I’m actually embarrassed, that guy sitting in a circle of academics discussing James Joyce and having to admit that the last book I read was Harry Potter. My console crutch hasn’t just kept me away from keyboard-and-mouse-only fare either; there are literal hundreds of classic console games I’ve never played, and will never have the spare cash or access to the actual cartridges or discs, waiting at my fingertips via emulation.

I have never played a Sega Master System game. I want to, and I know I could, but I don’t. I’d love to try out Final Fight 3, but I don’t have fifty bucks to drop on a stray cartridge and, somehow, Google searching a ROM feels wrong. It’s not the piracy issue. The vast majority of silver age games will never, ever be commercially re-released. It’s that I feel like I’m missing out on the actual experience of the game by not engaging the physical artifact it was originally presented as. Crazy, I know. But it’s undeniable that there’s something vital and intangible in an “authentic” experience. Standing in front of Monet’s Vétheuil in the Fog, being able to see the physical cracks in the paint, is fundamentally different than looking at a print. There’s a difference between playing the English edition of Terranigma on my laptop and actually putting the cartridge, with its art flaking from the badly cared for label, into an SNES and holding that controller in my hand. The recent translation of Mother 3 is monumentally exciting but it doesn’t change the fact that I want to play this game on a bonafide Game Boy Advance.

So, tell me, dear reader: am I just completely batshit crazy, an overthinking rube with pretentious ideas about legitimacy? Or is there something to be said for an original experience of a game? Let me know.

Related links:

Question of the Day: How Do You Make a Horror Game Horrifying?
Question of the Day: Has the HD Revolution Happened and Does It Matter For Games?
Screen Test: Fallout 3
Whatcha Playing: Fallout (Metaphorically Speaking)
Mother 3 Makes Me Feel Human Again
THE MOTHER 3 TRANSLATION IS OUT
Earthbound and Back Again


+ DIGG + DEL.ICIO.US + REDDIT

Comments

Roto13 said:

A game is very different from a painting. :P Every game you play is just a copy anyway. Might as well be a ROM, if it's impractical to buy the physical cartridge/disc.

October 24, 2008 8:59 PM

Nemo Incognito said:

I'm interested that you mention a 'silver age'.  When exactly do you say that was?  I'm interested in the idea of defining golden and silver ages for games and I wonder what other people think they are.

October 25, 2008 4:55 PM

Aleanil said:

I do agree that emulation on a computer screen is, by and large, unsatisfying.  Using an original controller for the system (via a SNES to USB converter or the like) and outputting to a proper CRT TV via component video is an experience almost indistinguishable from the real thing.

Or taking the example of MOTHER 3 - I'm playing it on my GBA Micro right now via a flash card.  It's using real hardware.  Granted, it's an extra layer of complexity than simple computer screen emulation and it may be borderline legal... but it's satisfying to have instant access to my SNES library without having to dig out the carts from my shelves.  There are better ways to emulate than simple computer monitor + keyboard.

October 25, 2008 8:14 PM

Zach said:

You should play Diablo 2.  Any computer now can run it, and it is still in production.  I think Fallout 1 and 2 are as well for that matter.  

November 5, 2008 3:31 PM

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about the blogger

John Constantine, our superhero, was raised by birds and then attended Penn State University. He is currently working on a novel about a fictional city that exists only in his mind. John has an astonishingly extensive knowledge of Scientology. Ultimately he would like to learn how to effectively use his brain. He continues to keep Wu-Tang's secret to himself.

Derrick Sanskrit is a self-professed geek in a variety of fields including typography, graphic design, comic books, music and cartoons. As a professional hipster graphic designer, his recent clients have included Hooksexup, Pitchfork and MoCCA, among others.

Amber Ahlborn - artist, writer, gamer and DigiPen survivor, she maintains a day job as a graphic artist. By night Amber moonlights as a professional Metroid Fanatic and keeps a metal suit in the closet just in case. Has lived in the state of Washington and insists that it really doesn't rain as much as everyone says it does.

Nadia Oxford is a housekeeping robot who was refurbished into a warrior when the world's need for justice was great. Now that the galaxy is at peace (give or take a conflict here or there), she works as a freelance writer for various sites and magazines. Based in Toronto, Nadia prizes the certificate from the Ministry of Health declaring her tick and rabies-free.

Bob Mackey is a grad student, writer, and cyborg, who uses the powerful girl-repelling nanomachines mad science grafted onto his body to allocate time towards interests of the nerd persuasion. He believes that complaining about things on the Internet is akin to the fine art of wine tasting, but with more spitting into buckets.

Joe Keiser has a programming degree from Johns Hopkins University, a tiny apartment in Brooklyn, and a fake toy guitar built in the hollowed-out shell of a real guitar. He writes about games and technology for a variety of outlets. One day he will stop doing this. The day after that, police will find his body under a collapsed pile of (formerly neatly alphabetized) collector's edition tchotchkes.

Cole Stryker is an American freelance writer living in York, England, where he resides with his archeologist wife. He writes for a travel company by day and argues about pop culture on the internet by night. Find him writing regularly here and here.

Peter Smith is like the lead character of Irwin Shaw's The 80-Yard Run, except less athletic. He considers himself very lucky to have this job. But it's a little premature to take "jack-off of all trades" off his resume. Besides writing, travelling, and painting houses, Pete plays guitar in a rock trio called The Aye-Ayes. He calls them a 'power pop' band, but they generally sound more like Motorhead on a drinking binge.


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