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Japan Scares Me: Tokyo Game Show Rising, Strangeness, and Panty-shot Beat ‘Em Ups

Posted by John Constantine

Does it ever. Japan has me trembling in my delicate booties. Typically it’s just one thing or another that gets me quaking in abject terror: a bizarre fan-made video here, a witch molestation game there. Today, Japan’s working overtime. Gaming exists, at the Japanese moment, in a state of flux. Traditional gaming appears to be dwindling – way back in June 2007, Screen Digest predicted that 89% of Japanese households would own a Nintendo DS, a number that will likely need to be increased after the DSi releases later this year – while simultaneously thriving thanks to Capcom’s Monster Hunter Portable juggernaut. Major publishers continue to consolidate while the nation’s auteur creators start crafting more and more games to suit Western tastes and flock to Western publishing houses. Hell, the Xbox 360, an American console, outsold the PS3 throughout September. Things are topsy-turvy over there. It’s enough to make a man skittish, especially with the Tokyo Game Show due to start in just forty-eight hours.

What’s to be scared of? For starters, there’s the Chrono Trigger Museum in Square-Enix’s booth. This worries me for two reasons. First, I may wake up in a Japanese prison on Saturday morning because I will have unconsciously attempted to steal everything on display. Second, it will most likely be the first time that people get hands on time with Chrono Trigger DS’ brand new scenarios, including the Dimensional Distortion. The Dimensional Distortion is a brand new story-rich dungeon/quest being supervised by Trigger writer Masato Kato, and while that’s exciting in theory, tampering with a classic in any way is extremely dangerous. The Tokyo Game Show may also, if Action Button’s Tim Rogers is correct, mark the debut of Fumito Ueda and Team Ico’s long-in-development Playstation 3 game. I’m scared it won’t be there, but I’m even more scared that it may not live up to the astronomically high expectations set by Ico and Shadow of the Colossus.

So, yes, terror abounds. But I take comfort in the little things, like Japan’s pervading constancy. I can sleep soundly knowing that, one way or another, Japan will find a way to make even the simplest videogame pervy as hell. Look no further than the just-released Ikkitousen: Eloquent Fist. Ikkitousen is a sidescrolling beat ‘em up for the PSP made in the classic mold of Final Fight and Double Dragon, sporting gigantic and beautifully animated sprites. Those sprites also happen to be teenage Japanese girls who, after taking enough damage, find their already revealing attire (maid and schoolgirl outfits, natch,) completely destroyed, leaving them very, very naked. Almost all of the game's "4000 animated cutscenes with full voice" focus entirely on the protagonist's breasts. I’m sure you get the idea, but you should enjoy this trailer just to let it sink in.



Nothing mollifies neurosis quite like some good ol’fashioned portable hentai.

On a final note, Sam Kennedy’s blog over at 1up revealed to me that Japanese record stores do not have rap or hip-hop sections in them. No, they have “Black” music sections. See for yourself.

Japan? You scare the fucking bejesus out of me.

Related links:

Japan Scares Me: To Love-Ru - Exciting Outdoor School Version
Japan Scares Me Follow Up: To Love-Ru Makes Japan Even Scarier Than Previously Thought
Japan Scares Me: Mario and The Western Show
Ne, Rokkuman! Yaranaika?: The World of Hayadain


+ DIGG + DEL.ICIO.US + REDDIT

Comments

Demaar said:

A violent video game with content that's supposed to be found arousing? Indeed.

October 9, 2008 8:50 AM

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about the blogger

John Constantine, our superhero, was raised by birds and then attended Penn State University. He is currently working on a novel about a fictional city that exists only in his mind. John has an astonishingly extensive knowledge of Scientology. Ultimately he would like to learn how to effectively use his brain. He continues to keep Wu-Tang's secret to himself.

Derrick Sanskrit is a self-professed geek in a variety of fields including typography, graphic design, comic books, music and cartoons. As a professional hipster graphic designer, his recent clients have included Hooksexup, Pitchfork and MoCCA, among others.

Amber Ahlborn - artist, writer, gamer and DigiPen survivor, she maintains a day job as a graphic artist. By night Amber moonlights as a professional Metroid Fanatic and keeps a metal suit in the closet just in case. Has lived in the state of Washington and insists that it really doesn't rain as much as everyone says it does.

Nadia Oxford is a housekeeping robot who was refurbished into a warrior when the world's need for justice was great. Now that the galaxy is at peace (give or take a conflict here or there), she works as a freelance writer for various sites and magazines. Based in Toronto, Nadia prizes the certificate from the Ministry of Health declaring her tick and rabies-free.

Bob Mackey is a grad student, writer, and cyborg, who uses the powerful girl-repelling nanomachines mad science grafted onto his body to allocate time towards interests of the nerd persuasion. He believes that complaining about things on the Internet is akin to the fine art of wine tasting, but with more spitting into buckets.

Joe Keiser has a programming degree from Johns Hopkins University, a tiny apartment in Brooklyn, and a fake toy guitar built in the hollowed-out shell of a real guitar. He writes about games and technology for a variety of outlets. One day he will stop doing this. The day after that, police will find his body under a collapsed pile of (formerly neatly alphabetized) collector's edition tchotchkes.

Cole Stryker is an American freelance writer living in York, England, where he resides with his archeologist wife. He writes for a travel company by day and argues about pop culture on the internet by night. Find him writing regularly here and here.

Peter Smith is like the lead character of Irwin Shaw's The 80-Yard Run, except less athletic. He considers himself very lucky to have this job. But it's a little premature to take "jack-off of all trades" off his resume. Besides writing, travelling, and painting houses, Pete plays guitar in a rock trio called The Aye-Ayes. He calls them a 'power pop' band, but they generally sound more like Motorhead on a drinking binge.


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