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Videogame, Non-Game, Old Game, New Game: The Miyamoto Rule

Posted by John Constantine



To the internet-list aficionado, the end of the calendar year is the time of greatest bounty. You like lists, chances are you like pop culture, and nothing gets the pop junkie going like ranking all the crap that came out in the past twelve months. Top ten movies, top ten books, top ten celebrity nip-slips, top ten Billy Mays products, and, yeah, top ten games of the year. We are no stranger to the list here at 61FPS, as you well know from reading our scintillating, thought provoking top tens, and you can imagine how we’re gearing up to deliver all sorts of meaningless judgments on the year known broadly as 2008 (4706, 4705, or 4645 to the Chinese. They seem to be confused.) Over the past few weeks, Derrick and I have had a number of conversations about our mutual contenders, but these dialogues have always ended in a conundrum: what counts as a videogame? Derrick’s smitten with Wii Fit, but is it anything more than a Nintendo-upped Sweatin’ to the Oldies that comes with a snazzy scale? We’re both fans of the Korg DS-10, but, even though you play it on a videogame system, it is an actual musical instrument, not a new sequel-ready game franchise. Does an instrument go on a top ten games list?

My personal definition of a videogame has been a work of interactive digital media wherein you follow a set of rules to achieve a goal. Wii Fit, Korg DS-10, and the many other games like them belong in the broader videogame discussion at this point and this is making me re-evaluate just what a game is.

Leave it to Shigeru Miyamoto to lay down the single best definition of videogame I’ve heard to date. When asked about Wii Music as a facilitator for creativity, Miyamoto replied:

Videogames are a unique form of entertainment called interactive entertainment. Players are given the opportunity to make their own decisions and plans, and that’s how this interactive nature can generate circumstances in which players can become creative.

And just like that, the noun “game” is removed from the equation leaving “videogame” to properly become its own thing. As the coming decade looms and all of the unknown factors, like casual gamings’ growth and the standardization of user-generated content, continue to change discussion of the medium, I’m sure that definition will keep changing. But for now, gaming’s godfather has laid down, accidentally, a good rule of thumb.

Read the whole interview here. Because it is great.

Related links:

Wii Music: A Rare Miss For Miyamoto?
Miyamoto Says Something Was "Missing" From Zelda: Twilight Princess. We Know It, Too.
Miyamoto Is Concerned About Excessive Violence in Games
Shigeru Miyamoto, the Heartbreak...Man
Miyamoto Says, "It Would Be Great If Music Education Started With Wii Music."


+ DIGG + DEL.ICIO.US + REDDIT

Comments

Demaar said:

I think it was Insomnia (or maybe Actionbutton.net? I forget) that said something along the lines of software having no place on a top ten list for games. As awesome as Korg DS-10 may be, it's software running on a game machine, not a game. It's not even a casual game, really. Neither are all these cook books, dictionaries and so on you see released in Japan.

I haven't played Wii Music, so I can't make an informed decision on whether it's a game or not. Wii Fit I'd call a game though, thanks it its mini-game collection. If it weren't for those though, it'd be software.

December 3, 2008 5:09 AM

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about the blogger

John Constantine, our superhero, was raised by birds and then attended Penn State University. He is currently working on a novel about a fictional city that exists only in his mind. John has an astonishingly extensive knowledge of Scientology. Ultimately he would like to learn how to effectively use his brain. He continues to keep Wu-Tang's secret to himself.

Derrick Sanskrit is a self-professed geek in a variety of fields including typography, graphic design, comic books, music and cartoons. As a professional hipster graphic designer, his recent clients have included Hooksexup, Pitchfork and MoCCA, among others.

Amber Ahlborn - artist, writer, gamer and DigiPen survivor, she maintains a day job as a graphic artist. By night Amber moonlights as a professional Metroid Fanatic and keeps a metal suit in the closet just in case. Has lived in the state of Washington and insists that it really doesn't rain as much as everyone says it does.

Nadia Oxford is a housekeeping robot who was refurbished into a warrior when the world's need for justice was great. Now that the galaxy is at peace (give or take a conflict here or there), she works as a freelance writer for various sites and magazines. Based in Toronto, Nadia prizes the certificate from the Ministry of Health declaring her tick and rabies-free.

Bob Mackey is a grad student, writer, and cyborg, who uses the powerful girl-repelling nanomachines mad science grafted onto his body to allocate time towards interests of the nerd persuasion. He believes that complaining about things on the Internet is akin to the fine art of wine tasting, but with more spitting into buckets.

Joe Keiser has a programming degree from Johns Hopkins University, a tiny apartment in Brooklyn, and a fake toy guitar built in the hollowed-out shell of a real guitar. He writes about games and technology for a variety of outlets. One day he will stop doing this. The day after that, police will find his body under a collapsed pile of (formerly neatly alphabetized) collector's edition tchotchkes.

Cole Stryker is an American freelance writer living in York, England, where he resides with his archeologist wife. He writes for a travel company by day and argues about pop culture on the internet by night. Find him writing regularly here and here.

Peter Smith is like the lead character of Irwin Shaw's The 80-Yard Run, except less athletic. He considers himself very lucky to have this job. But it's a little premature to take "jack-off of all trades" off his resume. Besides writing, travelling, and painting houses, Pete plays guitar in a rock trio called The Aye-Ayes. He calls them a 'power pop' band, but they generally sound more like Motorhead on a drinking binge.


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