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I’d Like to Thank the Imaginary Academy: Where Are the Videogame Awards That Matter?

Posted by John Constantine

MTV is a wily beast on the international stage. While we associate the one-time purveyor of actual music videos here in the States more with the decade long reign of TRL and reality shows starring wildly libidinous mannequins, Viacom’s behemoth plays host to a much wider and weirder slate of content across the globe. MTV Germany actually holds a special place in my heart. It introduced me to the Army of Lovers way back in 1997 during my international flight from the law. (I’d elaborate further, but this is a videogame blog. Let’s just say that I’ve atoned for my crimes and am no longer a target of Interpol. Sometimes you just have to cut a deal, you know?) I mean, just look at this video:



That’s the sort of thing that sticks with you.

MTV Germany held the MTV Game Awards last Friday. Yes, Game Awards. Jade Raymond, the most visually appealing computer programmer in history best known for producing Assassin’s Creed, gave a lifetime achievement award to Hideo Kojima for his work on the Metal Gear series. The presentation is pretty subdued, though it bears all the marks of award show tradition (presenters drone on a bit too long, awkwardly standing before a cheering pit of paid-for enthusiasm,) right alongside the garish production traditional to MTV’s other aging awards shows. There was even a token throwaway category: The Do-Believe-the-Hype Award for best unreleased game. FFXIII got the award. Right.



I’m not a defender or fan of the Motion Picture Academy Awards. It’s rare that they acknowledge that business’ best artistic endeavors and more often than not do little more than put more money into the pockets of film studios that already have plenty of cash money as it is. But the founding of the Academy of Motion Picture Arts and Sciences some eighty years back was a monumentally positive event in the history of that medium. I’m starting to wonder why the International Game Developer’s Association, for all of its good work, hasn’t stepped up to fill a similar role for games. The Spike Videogame Awards is not the sort of event that adds an air of respect to the medium. It merely further entrenches the pre-existing image of games as largely the domain of big-gun-big-tit-big-dick machismo. The MTV Game Awards isn’t the right stuff either. I don’t think videogames need an Oscars, but I do think a high profile, IGDA-organized awards ceremony might do wonders for helping videogames through their ongoing, often painful, public adolescence.



Then again, maybe I’m crazy. Thoughts?

(Links: NeoGAF and FFXIII.net)

Related links:

A Letter to the Industry: How to Destroy the Female Gender Barricade
When Video Games Make Us Sniffle
Metal Gear Solid: Hideo Kojima’s Inability to Show Instead of Tell
Kojima's In Another World


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Comments

joel said:

They have DUKE NUKEM FOREVER in the "do believe the hype" section.

DUKE NUKEM FOREVER.

I'm sorry, that's kind of like putting a Special Olympics kid on the podium next to Michael Phelps. =\

November 24, 2008 6:57 PM

Nemo Incognito said:

A respectable awards ceremony might do wonders for gaming's image but it would take an incredible amount of work to have people research, play and compare ALL the most notable games of the year instead of just defaulting to the most popular/heavily marketed ones.  That's the problem I see.

November 25, 2008 11:07 AM

Demaar said:

Yeaaaah.... Europeans are weird. Thanks for incontrovertible proof with that film clip.

November 26, 2008 11:11 PM

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about the blogger

John Constantine, our superhero, was raised by birds and then attended Penn State University. He is currently working on a novel about a fictional city that exists only in his mind. John has an astonishingly extensive knowledge of Scientology. Ultimately he would like to learn how to effectively use his brain. He continues to keep Wu-Tang's secret to himself.

Derrick Sanskrit is a self-professed geek in a variety of fields including typography, graphic design, comic books, music and cartoons. As a professional hipster graphic designer, his recent clients have included Hooksexup, Pitchfork and MoCCA, among others.

Amber Ahlborn - artist, writer, gamer and DigiPen survivor, she maintains a day job as a graphic artist. By night Amber moonlights as a professional Metroid Fanatic and keeps a metal suit in the closet just in case. Has lived in the state of Washington and insists that it really doesn't rain as much as everyone says it does.

Nadia Oxford is a housekeeping robot who was refurbished into a warrior when the world's need for justice was great. Now that the galaxy is at peace (give or take a conflict here or there), she works as a freelance writer for various sites and magazines. Based in Toronto, Nadia prizes the certificate from the Ministry of Health declaring her tick and rabies-free.

Bob Mackey is a grad student, writer, and cyborg, who uses the powerful girl-repelling nanomachines mad science grafted onto his body to allocate time towards interests of the nerd persuasion. He believes that complaining about things on the Internet is akin to the fine art of wine tasting, but with more spitting into buckets.

Joe Keiser has a programming degree from Johns Hopkins University, a tiny apartment in Brooklyn, and a fake toy guitar built in the hollowed-out shell of a real guitar. He writes about games and technology for a variety of outlets. One day he will stop doing this. The day after that, police will find his body under a collapsed pile of (formerly neatly alphabetized) collector's edition tchotchkes.

Cole Stryker is an American freelance writer living in York, England, where he resides with his archeologist wife. He writes for a travel company by day and argues about pop culture on the internet by night. Find him writing regularly here and here.

Peter Smith is like the lead character of Irwin Shaw's The 80-Yard Run, except less athletic. He considers himself very lucky to have this job. But it's a little premature to take "jack-off of all trades" off his resume. Besides writing, travelling, and painting houses, Pete plays guitar in a rock trio called The Aye-Ayes. He calls them a 'power pop' band, but they generally sound more like Motorhead on a drinking binge.


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