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• A Day in the Life: iD Before Doom

  iD have always been more interesting than their games. That’s not to take away from Commander Keen, Wolfenstein 3D, Doom, or Quake. The technology that John Carmack created for those games and their mutual successors redefined the shape of a videogame, the type of interactive space a person could create. His partner, the ever-lovin’ John Romero himself, was no slouch either. Of course, John’s legacy lies not in the realm of groundbreaking design tools but in aesthetics (read: the preponderance of games about shooting things directly in the face.) I can’t disrespect those games, nor the creativity behind them. After reading David Kushner’s Masters of Doom, though, it’s impossible not to think of those personalities before anything about the games themselves. The story of Carmack, Romero, Tom Hall and the rest of their team is almost operatic. There’s betrayal, sex, fame, money, broken dreams. The history of iD is the nerd version of Carmen. It would be pretty interesting to be a fly on the wall of their cluttered office before it all went wrong, a look at young people at their creative peak creating something brand new for the world to play. It’d probably look like this. Read More... Posted Apr 07 2009, 08:00 PM by John Constantine with | with no comments Filed under: john constantine, doom, id, wolfenstein, quake, john romero, masters of doom, commander keen, tom hall, carmen, david Kushner, daikatana

• The Videogame Ages, part 2

  In part one of The Videogame Ages, I discussed the inadequacy of “generation” language in gaming, and laid out The Golden Age of gaming. In part two, I look at the Silver and Bronze ages before taking a look at the modern era and the future. The Silver Age – 1983 to 1996 8-Bit, 16-Bit, Early Handheld, Early 3D, Advanced PC and Arcade The silver age of games is defined by expansion, in not just playability but breadth of experience. When home computers became affordable and home consoles began diversifying, games started transforming from immediate, single-mechanic experiences into more lasting forms. Silver age games were still about escalating challenge, but high scores ceased being the goal, replaced by definitive endings. Games started becoming more explicitly narrative-driven, as aesthetic justification on consoles and as the focus of many PC games (see the entire adventure game genre.) Portable gaming also started to rise to prominence during this period, early single-screen LCD games replaced by multi-game consoles like the Game Boy and Atari Lynx. Arcade and PC game technology pulled far away from home consoles, but all games were shifted from the rough visual abstraction of golden age games, into more aesthetically recognizable presentations – albeit still cartoonish impressionistic rather than realistic. The rise of polygonal 3D graphics, both real-time full 3D (Yu Suzuki’s Virtua series) and pre-rendered (Myst, etc.), at the end of the silver age marks the transition to bronze. In 1996, with the release of Mario 64, Tomb Raider, and Quake, the silver age comes to a close. Read More... Posted Oct 27 2008, 06:00 PM by John Constantine with | with 2 comment(s) Filed under: john constantine, boom blox, little big planet, game boy, halo 3, nes, PC, half-life, mac, mario 64, atari, Playstation, super mario bros, nolan bushnell, spore, tomb raider, 8-bit, 16-bit, quake, mmo, arcade, famicom, littlebigplanet, spacewar!, bob dvorak, golden age, 128-bit, Magnavox odyssey, myst, bronze age, silver age, pong, 32-bit, tennis for two

• The Videogame Ages, part 1

  This past Friday, I tried to slip a little piece of language into a discussion about game emulation that I was wary about using at all. At this point, the go-to boundaries for discussing videogames’ admittedly small history is console-technology generations. We say 8-Bit or 16-Bit because these are easy identifiers based on competing, contemporary technologies. But the language “The 8-Bit Generation” doesn’t account for arcade technology, PC games, or portable gaming. Now that Bob Dvorak’s Tennis for Two is officially fifty years-old, I think we can finally start applying broader terms to gaming’s evolutionary eras. Obviously history is fluid, and chances are these classifications won’t hold true in 2050, but for now they work. The Hesiodic ages, as laid out here, consider games on every platform; the rigid parameters of home consoles, the advanced nature of PC and Mac gaming throughout the 1980s and ‘90s, the fast strides made by arcade technology throughout that same period, and the predominantly inferior technology available in handheld gaming. Unlike Hesiod’s Ages of Man, however, the videogame ages are (mostly) a positive progression. Please note: these are not strict definitions. This is a discussion, and I want everyone to make their opinions heard in the comments section. Now then, onward to the Golden Age. Read More... Posted Oct 27 2008, 05:30 PM by John Constantine with | with no comments Filed under: john constantine, boom blox, little big planet, game boy, halo 3, nes, PC, half-life, mac, mario 64, atari, Playstation, super mario bros, nolan bushnell, spore, tomb raider, 8-bit, 16-bit, quake, mmo, arcade, famicom, littlebigplanet, spacewar!, bob dvorak, golden age, 128-bit, Magnavox odyssey, myst, bronze age, silver age, pong, 32-bit, tennis for two

• Bringing Sexy Back: John Carmack

  You’d think I’d be sitting here talking about John Romero, American McGee, or one of the other lookers from the grand history of id software for a Brining Sexy Back feature, but John Carmack is the only one for me. Those penetrating, bespectacled eyes, the sandy blonde quaff that says, “I could have been one of the Duke boys if I hadn’t been an indoor child.” It’s all too much to resist! John Carmack isn’t exactly what you what call sexy in the traditional sense, though he seems significantly more personable these days. For anyone who has read David Kushner’s Masters of Doom (an excellent page turner. Seriously.), you know Carmack’s come a long way from the “computer with legs” he was described as in his youth. What’s sexy about Carmack is his devotion to a singular goal: making the best damn foundation for a game he can build. Carmack and id’s games have never been beautiful creations, aesthetically or mechanically. The company made a name for itself on the cartoonishly grotesque and through its blunt, aggressive play, a combination that has kept their games satisfying (if not revelatory) for fifteen years. But they have always been elegant creations thanks to Carmack’s engines, from the scrolling animation of Wolfenstein 3D all the way to the still-stunning light-and-shadow play of Doom 3. Read More... Posted Jul 17 2008, 07:00 PM by John Constantine with | with no comments Filed under: john constantine, bringing sexy back, doom, rage, id, wolfenstein, john carmack, quake