61 Frames Per Second

Browse by Tags

• X-Blades and the Cultural Uncanny Valley

  Years of schooling in composition left me with absolutely no sense of proper grammar, structure, and only a passing familiarity with proper spelling, but I did come away with a good sense of how not to seem like a jackass in an opening. The golden rules: don’t open with a question and don’t start with a definition. These rules can be broken only when absolutely necessary. Like now for instance! How many of you have heard of X-Blades? For clarity’s sake, X-Blades is a third-person action game in the Devil May Cry mold and it looks like a parody of Japanese videogames that you might see on The Simpsons. It stars a young woman sporting knives, blonde hair, and enormous eyes/breasts. She wears some string and tiny scraps of cloth over her privates and kills monsters in a fantasy land where it is apparently always dusk. Her name’s Ayumi. Of course it is! It's a videogame so overfull on cliché that it can’t possibly be real. But it is, and it actually seems fairly inoffensive, a potentially good way to drop a few hours between games that you actually give a damn about. Thing is, though, every time I’ve seen screens or footage of X-Blades something has just seemed off. I know that isn’t the most journalistic statement in the world but there’s no other way to put it. It’s just wrong, off-putting, something rotten inside of its seemingly pure trope-soup. Take a look, see what I mean. Read More... Posted Dec 23 2008, 02:00 PM by John Constantine with | with 3 comment(s) Filed under: john constantine, uncanny valley, psp, Playstation, ted woolsey, gaijin entertainment, x-blades, Shadow madness, the simpsons, coded arms, crave

• The End of Time and the Beginning of Fan Drama

  Recent videos of Chrono Trigger DS reveal the same game we aspired to marry thirteen years ago (has it been thirteen years? Holy crap, I could've done something useful like rear a thankless teenager) but the sharp among us have noticed...ch-ch-changes. Specifically, it looks like the in-game text has been altered a bit. This means it's possible Chrono Trigger DS will be receiving the Final Fantasy VI Advance treatment. This treatment, by definition, aspires to keep the charm of Ted Woolsey's original translation, but will still fill out text that had to be cut because of space issues or censorship. Personally, I'm not even sure what can be restored. The blossoming shitstorm has fanned my fascination for The Chrono Trigger Re-Translation Project, a project that's considered about as useless as using an umbrella to deflect a falling piano. Unlike most fan translations, the Chrono Trigger Retranslation Project website doesn't open up with an animated .gif of Woolsey burning at the stake. Regardless, its existence rubs me the wrong way because it's so unnecessary. The Internet is a toilet bowl brimming with Useless, but this little turnpike on the Information Highway really just gets to me. Even though the project managers acknowledge that Woolsey did an okay job translating Chrono Trigger under the circumstances, this little bit of smugness gets under my fingernails: [S]ome essence of the game was lost or altered, given Nintendo of America's censorship standards and the inability of the game to hold all the original text when translated to English. SNES-era RPGs were so gosh darn playable, but I think they also owe some of their longevity to great translation. Final Fantasy VI was dark and brooding and despite Woolsey's best efforts, I sometimes felt like I was out of the loop--and there were instances where the censorship dusted the in-game content as carelessly as kitty litter covers...you know. But Chrono Trigger is a shonen game. A boy versus a great evil. Great story, to be sure, but lacking in depth. And that was okay because the game wasn't trying to be deep. Read More... Posted Sep 12 2008, 07:48 PM by Nadia Oxford with | with 10 comment(s) Filed under: final fantasy vi, chrono trigger, fandom, ted woolsey, nadia oxford, fan translations, chrono trigger ds, translators, drama

• TVTropes' "Woolseyisms"

  It's rare that we give much thought to the good men and women who turn our video game text from "YOU LUCKY ARE WINNER!" to something dignified. But where there are exceptions, there is the potential for small wars. By far one of the most controversial names in game translation and localisation is Mr Ted Woolsey. Ted Woolsey translated many of Square-Enix's best-known 16-bit works, including Secret of Mana, Final Fantasy VI and Super Mario RPG. To give you an idea of how divided gamers are over this gentlemen, consider that Woolsey hasn't done any substantial translation work since the death of the Super Nintendo but his name alone makes people jump up and down like testosterone-driven baboons. TV Tropes has a long and rambling Wiki entry about Woolsey, his followers and his haters. For the sake of a quick crash course, Woolsey was (in)famous for adding his own voice to his translations. This "voice" gave us something to smile at in the place of Japanese puns we couldn't understand (except for purists who can't understand why we don't think sound-alike sushi name jokes are funny). His voice also added a good deal of depth to what was, for most of us, an epic story. Final Fantasy II US had an okay thing going with illegitimate moon brothers or whatever, but Final Fantasy III US--or Final Fantasy VI, if you prefer--took on themes that were unheard of and still go largely untouched by RPGs today. Woolsey had to convey Terra's identity crisis, suicide, unwanted pregnancy and the friggin' Apocalypse while keeping the game text family friendly. Oh, and he wasn't allowed to make references to anyone dying, even though Kefka remains the only Square villian who killed people like bugs for the sheer joy of it. Read More... Posted Aug 21 2008, 07:20 PM by Nadia Oxford with | with 4 comment(s) Filed under: final fantasy vi, retro, 16-bit, translation, fandom, localization, ted woolsey, controversy